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Author: Allan Conrad Christensen
Publisher: University of Delaware Press
ISBN: 9780874138566
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
On the occasion of the bicentenary of Edward Bulwer Lytton's birth, seventeen scholars from five countries have contributed essays devoted to many aspects of his career. After the first essay that analyzes the reasons for Bulwer's extraordinary reputation in his own day, twelve of the essays focus primarily upon one or more of the novels, from Falkland (1827) to Kenelm Chillingly (1873). Other novels examined include Bulwer's The Last Days of Pompeii, The Coming Race, The Parisians, and the Caxton trilogy, as well as his Newgate novels. In the volume are also considerations of the seminal treatise England and the English (1833), the incomplete history of Athens (1837), and the achievement of Bulwer Lytton as Colonial Secretary (1858-59). Two essays, one written by a descendant of Bulwer, deal with the overshadowing disaster of his life, the marriage to Rosina Wheeler, herself a novelist whose novels sought to undermine his. Bulwer emerges from this collection of essays as a challengingly complex but coherent figure that merits the respect of contemporary students of the Victorian phenomenon.
Author: Allan Conrad Christensen
Publisher: University of Delaware Press
ISBN: 9780874138566
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
On the occasion of the bicentenary of Edward Bulwer Lytton's birth, seventeen scholars from five countries have contributed essays devoted to many aspects of his career. After the first essay that analyzes the reasons for Bulwer's extraordinary reputation in his own day, twelve of the essays focus primarily upon one or more of the novels, from Falkland (1827) to Kenelm Chillingly (1873). Other novels examined include Bulwer's The Last Days of Pompeii, The Coming Race, The Parisians, and the Caxton trilogy, as well as his Newgate novels. In the volume are also considerations of the seminal treatise England and the English (1833), the incomplete history of Athens (1837), and the achievement of Bulwer Lytton as Colonial Secretary (1858-59). Two essays, one written by a descendant of Bulwer, deal with the overshadowing disaster of his life, the marriage to Rosina Wheeler, herself a novelist whose novels sought to undermine his. Bulwer emerges from this collection of essays as a challengingly complex but coherent figure that merits the respect of contemporary students of the Victorian phenomenon.
Author: Marie Mulvey-Roberts
Publisher: Taylor & Francis
ISBN: 1040249701
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.
Author: Marie Mulvey-Roberts
Publisher: Taylor & Francis
ISBN: 104024811X
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.
Author: Saverio Tomaiuolo
Publisher: Edinburgh University Press
ISBN: 0748643672
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book is devoted to Mary Elizabeth Braddon's complex relationship with the three main Victorian literary genres: the Gothic, the Detective and the Realist novel. Using Braddon's bestselling sensation fiction Lady Audley's Secret as a paradigmatic novel and as a 'haunting' textual presence across her literary career, this study provides a fertile critical reading of a wide range of Braddon's novels and short stories. Through an analysis of Braddon's negotiations with Victorian narrative, ideological and cultural issues, this monograph offers readers a refreshing view of gender, female identity and subjectivity, the treatment of insanity, questions related to technology and progress, the impact of evolutionism and Darwinism, the intersemiotic dialogue between pictorial art and novel-writing, the role of the (female) writer in the new literary market and the changing notion of capital in an increasingly fluid social context. Braddon's manipulation of Victorian literary codes and conventions proves that she was something more than a mere sensation writer and that her primary role in the nineteenth-century literary scene has to be reaffirmed. Drawing on a wide range of textual materials and literary sources, the book foregrounds Braddon's constant and sometimes ambivalent dialogue with her times, and with ours as well.
Author: Lara Pauline Karpenko
Publisher: University of Michigan Press
ISBN: 047213017X
Category : History
Languages : en
Pages : 311
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Book Description
A fascinating look at scientific inquiry during the Victorian period and the shifting boundary between mainstream and unorthodox sciences of the time
Author: Roger Hansford
Publisher: Taylor & Francis
ISBN: 1317135318
Category : Music
Languages : en
Pages : 319
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Book Description
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Author: James Gregory
Publisher: Bloomsbury Publishing
ISBN: 0857721062
Category : Social Science
Languages : en
Pages : 384
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Book Description
By the time that Queen Victoria ascended the throne in 1837, the list of crimes liable to attract the death penalty had effectively been reduced to murder. Yet, despite this, the gallows remained a source of controversy in Victorian Britain and there was a growing unease in liberal quarters surrounding the question of capital punishment. Unease was expressed in various forms, including efforts at outright abolition. Focusing in part on the activities of the Society for the Abolition of Capital Punishment, James Gregory here examines abolitionist strategies, leaders and personnel. He locates the 'gallows question' in an imperial context and explores the ways in which debates about the gallows and abolition featured in literature, from poetry to 'novels of purpose' and popular romances of the underworld. He places the abolitionist movement within the wider Victorian worlds of philanthropy, religious orthodoxy and social morality in a study which will be essential reading for students and researchers of Victorian history.
Author: Roslynn D. Haynes
Publisher: JHU Press
ISBN: 1421423049
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
Introduction -- Evil alchemists and Doctor Faustus -- Bacon's new scientists -- Foolish virtuosi -- Newton: a scientist for God -- Arrogant and godless: scientists in eighteenth-century satire -- Inhuman scientists: the romantic perception -- Frankenstein and the creature -- Victorian scientists: doubt and struggle -- The scientist as adventurer -- Efficiency and power: the scientist under scrutiny -- The scientist as hero -- Mad, bad, and dangerous to know: reality overtakes fiction -- The impersonal scientist -- Scientia gratia scientiae: the amoral scientist -- Pandora's box -- Robots, cyborgs, androids and clones: who is in control? -- The scientist as woman -- Idealism and conscience -- Watershed: the new scientists
Author: Adam Abraham
Publisher: Cambridge University Press
ISBN: 1108493076
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Views the Victorian novel through the prism of literary imitations that it inspired.
Author: Caroline Franklin
Publisher: Routledge
ISBN: 1136245510
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.
