Author: Elaine De Kooning
Publisher:
ISBN: 9780807613375
Category : Abstract expressionism
Languages : en
Pages : 0
Book Description
Gathered here are 28 essays which provide insight into the spirit of abstract expressionism.
The Spirit of Abstract Expressionism
Author: Elaine De Kooning
Publisher:
ISBN: 9780807613375
Category : Abstract expressionism
Languages : en
Pages : 0
Book Description
Gathered here are 28 essays which provide insight into the spirit of abstract expressionism.
Publisher:
ISBN: 9780807613375
Category : Abstract expressionism
Languages : en
Pages : 0
Book Description
Gathered here are 28 essays which provide insight into the spirit of abstract expressionism.
American Abstract Expressionism of the 1950s
Author: Marika Herskovic
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
A unique book presents Art's main stream between 1950 and1959 in New York and across the US regardless of race, gender or ethnic origin.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
A unique book presents Art's main stream between 1950 and1959 in New York and across the US regardless of race, gender or ethnic origin.
An Audience of Artists
Author: Catherine Craft
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326
Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326
Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Abstract Expressionism
Author: David Anfam
Publisher: Royal Academy Books
ISBN: 9781910350300
Category : Art
Languages : en
Pages : 272
Book Description
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still. AUTHOR: David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming). SELLING POINTS: * Accompanies the first major exhibition of Abstract Expressionism in the UK since 1959 * Works of Abstract Expressionist art dominate the walls of major museums around the world * Features an impressive range of experts who discuss some of the signature paintings of the movement 300 colour
Publisher: Royal Academy Books
ISBN: 9781910350300
Category : Art
Languages : en
Pages : 272
Book Description
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still. AUTHOR: David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming). SELLING POINTS: * Accompanies the first major exhibition of Abstract Expressionism in the UK since 1959 * Works of Abstract Expressionist art dominate the walls of major museums around the world * Features an impressive range of experts who discuss some of the signature paintings of the movement 300 colour
Women of Abstract Expressionism
Author: Joan Marter
Publisher: Yale University Press
ISBN: 0300208421
Category : Art
Languages : en
Pages : 217
Book Description
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Publisher: Yale University Press
ISBN: 0300208421
Category : Art
Languages : en
Pages : 217
Book Description
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Benton, Pollock, and the Politics of Modernism
Author: Erika Doss
Publisher: University of Chicago Press
ISBN: 0226159434
Category : Art
Languages : en
Pages : 465
Book Description
expressionism.
Publisher: University of Chicago Press
ISBN: 0226159434
Category : Art
Languages : en
Pages : 465
Book Description
expressionism.
Concerning the Spiritual in Art
Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
The Sublime is Now
Author: Jeremy Strick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
Book Description
American Abstract Expressionism
Author: David Thistlewood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
Book Description
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
Book Description
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
Art and Faith
Author: Makoto Fujimura
Publisher: Yale University Press
ISBN: 0300255934
Category : Religion
Languages : en
Pages : 184
Book Description
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Publisher: Yale University Press
ISBN: 0300255934
Category : Religion
Languages : en
Pages : 184
Book Description
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.