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Author: Raymond P. Scheindlin
Publisher: OUP USA
ISBN: 0195315421
Category : Biography & Autobiography
Languages : en
Pages : 323
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Book Description
Judah Halevi (ca. 1075-1141) is the best known and most beloved of medieval Hebrew poets, partly because of his passionate poems of longing for the Land of Israel and partly because of the legend of his death as a martyr while reciting his Ode to Zion at the gates of Jerusalem. He was also one of the premier theologians of medieval Judaism, having written a treatise on the meaning of Judaism that is still studied and venerated by traditional Jews.As a member of the wealthy Jewish elite of medieval Spain, Halevi enjoyed the material pleasures available to the upper classes. Alongside his sacred poetry, he wrote verses about youthful romance, wine songs, and odes to his friends. In midlife, Halevi turned more seriously to religion, eventually abandoning his family and community with hopes of ending his life as a pilgrim in the land of Israel.Miraculously, a number of letters in Arabic were discovered about fifty years ago, some written by Halevi, some written to Halevi, and yet others written about Halevi by his friends in Egypt. These letters preserve a vivid record of Halevi's travels as a pilgrim and of the last months of his life. Raymond Scheindlin has written the first book-length treatment of Halevi's pilgrimage in any language. He tells the story of Halevi's journey through selections from these revealing sources and explores its meaning through discussions of his stirring poetry, presented here in new verse translations with full commentary.In Hebrew verse of unparalleled beauty, Halevi salutes the Holy Land; he argues with friends about his intentions; he sets out his fantasy of crossing the ocean, of walking the hills and valleys of the Land of Israel, and of dying and mingling his bones with its soil and stones. He even confides his secret fears and uncertainties, his longing for his family, and his fear of death at sea. With his consummate skill as a translator of Hebrew poetry and his mastery of Judeo-Arabic culture, Scheindlin provides fresh insights into the literary, religious, and historical facets of Halevi's captivating poetry and fateful journey.
Author: Raymond P. Scheindlin
Publisher: OUP USA
ISBN: 0195315421
Category : Biography & Autobiography
Languages : en
Pages : 323
Get Book Here
Book Description
Judah Halevi (ca. 1075-1141) is the best known and most beloved of medieval Hebrew poets, partly because of his passionate poems of longing for the Land of Israel and partly because of the legend of his death as a martyr while reciting his Ode to Zion at the gates of Jerusalem. He was also one of the premier theologians of medieval Judaism, having written a treatise on the meaning of Judaism that is still studied and venerated by traditional Jews.As a member of the wealthy Jewish elite of medieval Spain, Halevi enjoyed the material pleasures available to the upper classes. Alongside his sacred poetry, he wrote verses about youthful romance, wine songs, and odes to his friends. In midlife, Halevi turned more seriously to religion, eventually abandoning his family and community with hopes of ending his life as a pilgrim in the land of Israel.Miraculously, a number of letters in Arabic were discovered about fifty years ago, some written by Halevi, some written to Halevi, and yet others written about Halevi by his friends in Egypt. These letters preserve a vivid record of Halevi's travels as a pilgrim and of the last months of his life. Raymond Scheindlin has written the first book-length treatment of Halevi's pilgrimage in any language. He tells the story of Halevi's journey through selections from these revealing sources and explores its meaning through discussions of his stirring poetry, presented here in new verse translations with full commentary.In Hebrew verse of unparalleled beauty, Halevi salutes the Holy Land; he argues with friends about his intentions; he sets out his fantasy of crossing the ocean, of walking the hills and valleys of the Land of Israel, and of dying and mingling his bones with its soil and stones. He even confides his secret fears and uncertainties, his longing for his family, and his fear of death at sea. With his consummate skill as a translator of Hebrew poetry and his mastery of Judeo-Arabic culture, Scheindlin provides fresh insights into the literary, religious, and historical facets of Halevi's captivating poetry and fateful journey.
Author: Martin Jacobs
Publisher: University of Pennsylvania Press
ISBN: 0812246225
Category : History
Languages : en
Pages : 344
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Book Description
Reorienting the East explores the Islamic world as it was encountered, envisioned, and elaborated by Jewish travelers from the Middle Ages to the early modern period. The first comprehensive investigation of Jewish travel writing from this era, this study engages with questions raised by postcolonial studies and contributes to the debate over the nature and history of Orientalism as defined by Edward Said. Examining two dozen Hebrew and Judeo-Arabic travel accounts from the mid-twelfth to the early sixteenth centuries, Martin Jacobs asks whether Jewish travelers shared Western perceptions of the Islamic world with their Christian counterparts. Most Jews who detailed their journeys during this period hailed from Christian lands and many sailed to the Eastern Mediterranean aboard Christian-owned vessels. Yet Jacobs finds that their descriptions of the Near East subvert or reorient a decidedly Christian vision of the region. The accounts from the crusader era, in particular, are often critical of the Christian church and present glowing portraits of Muslim-Jewish relations. By contrast, some of the later travelers discussed in the book express condescending attitudes toward Islam, Muslims, and Near Eastern Jews. Placing shifting perspectives on the Muslim world in their historical, social, and literary contexts, Jacobs interprets these texts as mirrors of changing Jewish self-perceptions. As he argues, the travel accounts echo the various ways in which premodern Jews negotiated their mingled identities, which were neither exclusively Western nor entirely Eastern.
Author: Craig G. Bartholomew
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467458015
Category : Religion
Languages : en
Pages : 386
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Book Description
Did the decisive event in the history of Israel even happen? The Bible presents a living God who speaks and acts, and whose speaking and acting is fundamental to his revelation of himself. God’s action in history may seem obvious to many Christians, but modern philosophy has problematized the idea. Today, many theologians often use the Bible to speak of God while, at best, remaining agnostic about whether he has in fact acted in history. Historical revelation is central to both Jewish and Christian theology. Two major events in the Bible showcase divine agency: the revelation at Sinai in Exodus and the incarnation of Jesus in the gospels. Surprisingly, there is a lack of serious theological reflection on Sinai by both Jewish and Christian scholars, and those who do engage the subject often oscillate about the historicity of what occurred there. Craig Bartholomew explores how the early church understood divine action, looks at the philosophers who derided the idea, and finally shows that the reasons for doubting the historicity of Sinai are not persuasive. The God Who Acts in History provides compelling reasons for affirming that God has acted and continues to act in history.
Author: Yael Halevi-Wise
Publisher: Stanford University Press
ISBN: 0804781710
Category : Religion
Languages : en
Pages : 380
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Book Description
In this book, Sephardism is defined not as an expression of Sephardic identity but as a politicized literary metaphor. Since the nineteenth century, this metaphor has occurred with extraordinary frequency in works by authors from a variety of ethnicities, religions, and nationalities in Europe, the Americas, North Africa, Israel, and even India. Sephardism asks why Gentile and Jewish writers and cultural figures have chosen to draw upon the medieval Sephardic experience to express their concerns about dissidents and minorities in modern nations? To what extent does their use of Sephardism overlap with other politicized discourses such as orientalism, hispanism, and medievalism, which also emerged from a clash between authoritarian, progressive, and romantic ideologies? This book brings a new approach to Sephardic Studies by situating it at a crossroads between Jewish Studies and Hispanic Studies in ways that enhance our appreciation of how historical fiction and political history have shaped, and were shaped by, historical attitudes toward Jews and their representation.
Author: Jonathan Decter
Publisher: University of Pennsylvania Press
ISBN: 0812295242
Category : Social Science
Languages : en
Pages : 396
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Book Description
A constant feature of Jewish culture in the medieval Mediterranean was the dedication of panegyric texts in Hebrew, Judeo-Arabic, and other languages to men of several ranks: scholars, communal leaders, courtiers, merchants, patrons, and poets. Although the imagery of nature and eroticism in the preludes to these poems is often studied, the substance of what follows is generally neglected, as it is perceived to be repetitive, obsequious, and less aesthetically interesting than other types of poetry from the period. In Dominion Built of Praise, Jonathan Decter demurs. As is the case with visual portraits, panegyrics operate according to a code of cultural norms that tell us at least as much about the society that produced them as the individuals they portray. Looking at the phenomenon of panegyric in Mediterranean Jewish culture from several overlapping perspectives—social, historical, ethical, poetic, political, and theological—he finds that they offer representations of Jewish political leadership as it varied across geographic area and evolved over time. Decter focuses his analysis primarily on Jewish centers in the Islamic Mediterranean between the tenth and thirteenth centuries and also includes a chapter on Jews in the Christian Mediterranean through the fifteenth century. He examines the hundreds of panegyrics that have survived: some copied repeatedly in luxurious anthologies, others discarded haphazardly in the Cairo Geniza. According to Decter, the poems extolled conventional character traits ascribed to leaders not only diachronically within the Jewish political tradition but also synchronically within Islamic and, to a lesser extent, Christian civilization and political culture. Dominion Built of Praise reveals more than a superficial and functional parallel between Muslim and Jewish forms of statecraft and demonstrates how ideas of Islamic political legitimacy profoundly shaped the ways in which Jews conceptualized and portrayed their own leadership.
Author: Elliot R. Wolfson
Publisher: Fordham Univ Press
ISBN: 0823255727
Category : Philosophy
Languages : en
Pages : 663
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Book Description
This book explores the co-dependency of monotheism and idolatry by examining the thought of several prominent twentieth-century Jewish philosophers—Cohen, Buber, Rosenzweig, and Levinas. While all of these thinkers were keenly aware of the pitfalls of scriptural theism, to differing degrees they each succumbed to the temptation to personify transcendence, even as they tried either to circumvent or to restrain it by apophatically purging kataphatic descriptions of the deity. Derrida and Wyschogrod, by contrast, carried the project of denegation one step further, embarking on a path that culminated in the aporetic suspension of belief and the consequent removal of all images from God, a move that seriously compromises the viability of devotional piety. The inquiry into apophasis, transcendence, and immanence in these Jewish thinkers is symptomatic of a larger question. Recent attempts to harness the apophatic tradition to construct a viable postmodern negative theology, a religion without religion, are not radical enough. Not only are these philosophies of transcendence guilty of a turn to theology that defies the phenomenological presupposition of an immanent phenomenality, but they fall short on their own terms, inasmuch as they persist in employing metaphorical language that personalizes transcendence and thereby runs the risk of undermining the irreducible alterity and invisibility attributed to the transcendent other. The logic of apophasis, if permitted to run its course fully, would exceed the need to posit some form of transcendence that is not ultimately a facet of immanence. Apophatic theologies, accordingly, must be supplanted by a more far-reaching apophasis that surpasses the theolatrous impulse lying coiled at the crux of theism, an apophasis of apophasis, based on accepting an absolute nothingness—to be distinguished from the nothingness of an absolute—that does not signify the unknowable One but rather the manifold that is the pleromatic abyss at being’s core. Hence, the much-celebrated metaphor of the gift must give way to the more neutral and less theologically charged notion of an unconditional givenness in which the distinction between giver and given collapses. To think givenness in its most elemental, phenomenological sense is to allow the apparent to appear as given without presuming a causal agency that would turn that given into a gift.
Author: Joachim J.M.S. Yeshaya
Publisher: BRILL
ISBN: 9004191844
Category : Religion
Languages : en
Pages : 364
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Book Description
Moses ben Abraham Darʿī, born in Alexandria into a family of Moroccan Jewish immigrants, lived in Egypt in the middle of the twelfth century. Though he visited Damascus and Jerusalem, he spent most of his professional life as a physician and poet in the Karaite community of Fusṭāṭ-Cairo. This study offers an annotated edition of secular poems taken from the earliest manuscript, NLR Evr. I 802, dated to the fifteenth century. The Hebrew text and Judaeo-Arabic heading of each poem are provided in the original order attested in the manuscript. The introduction to this edition seeks to evaluate Darʿī’s poetry in the light of the Andalusian-Hebrew poetical tradition and within the context of Hebrew literary activity in the Muslim East. “This learned book displays sound, rigorous scholarship in the best tradition of the philological-historical method... It also provides solid ground for further work by scholars with different agendas, different scholarly interests and different methodologies in the study of medieval Hebrew poetry. On all accounts, it is a welcome and most valuable addition to the field.” Esperanza Alfonso, CCHS-CSIC "Yeshaya's work is an excellent contribution to the study of both medieval Hebrew poetry and Karaitica, showing Darʿī to be a central representative of Hebrew poets writing in the Muslim East and, most importantly, a charming author, whose Karaiteness only adds to the attraction." Riikka Tuori
Author: Reuven Snir
Publisher: BRILL
ISBN: 9004289100
Category : Religion
Languages : en
Pages : 314
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Book Description
In Who Needs Arab-Jewish Identity?: Interpellation, Exclusion, and Inessential Solidarities, Professor Reuven Snir, Dean of Humanities at Haifa University, presents a new approach to the study of Arab-Jewish identity and the subjectivities of Arabized Jews. Against the historical background of Arab-Jewish culture and in light of identity theory, Snir shows how the exclusion that the Arabized Jews had experienced, both in their mother countries and then in Israel, led to the fragmentation of their original identities and encouraged them to find refuge in inessential solidarities. Following double exclusion, intense globalization, and contemporary fluidity of identities, singularity, not identity, has become the major war cry among Arabized Jews during the last decade in our present liquid society. "In Who Needs Arab-Jewish Identity? Reuven Snir brings out an important contribution to studies of the history, literature and identity of Arabized Jews, showing the significant shifts these communities have undergone in the ways their identities have been defined and constructed in the modern period." - Lisa Bernasek, University of Southampton, in: Journal of Modern Jewish Studies 18.2 (2019)
Author: Ross Brann
Publisher: University of Pennsylvania Press
ISBN: 0812297873
Category : History
Languages : en
Pages : 299
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Book Description
To Christians the Iberian Peninsula was Hispania, to Muslims al-Andalus, and to Jews Sefarad. As much as these were all names given to the same real place, the names also constituted ideas, and like all ideas, they have histories of their own. To some, al-Andalus and Sefarad were the subjects of conventional expressions of attachment to and pride in homeland of the universal sort displayed in other Islamic lands and Jewish communities; but other Muslim and Jewish political, literary, and religious actors variously developed the notion that al-Andalus or Sefarad, its inhabitants, and their culture were exceptional and destined to play a central role in the history of their peoples. In Iberian Moorings Ross Brann traces how al-Andalus and Sefarad were invested with special political, cultural, and historical significance across the Middle Ages. This is the first work to analyze the tropes of Andalusi and Sefardi exceptionalism in comparative perspective. Brann focuses on the social power of these tropes in Andalusi Islamic and Sefardi Jewish cultures from the tenth through the twelfth century and reflects on their enduring influence and its expressions in scholarship, literature, and film down to the present day.
Author: Eitan P. Fishbane
Publisher: Oxford University Press
ISBN: 0190885475
Category : Religion
Languages : en
Pages : 535
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Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.
