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Author: R. Howard Bloch
Publisher: University of Chicago Press
ISBN: 9780226059754
Category : Fiction
Languages : en
Pages : 172
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Book Description
R. Howard Bloch argues that medieval French comic tales are shocking not so much for their dirty words, scatology, and celebration of the body in all its concavities and protrusions, but moreso for their insistent exposure of the scandal of their own production. Looking first at fabliaux about poets, Bloch demonstrates that the medieval comic poet was highly conscious of the inadequacy of language and pushed this perception to its logical, scandalous limit. The comic function of the fabliaux was intentionally disruptive: anticlerical, antifeminist, and antiestablishment, these tales were part of a sophisticated culture's critical perspective on itself. By showing how the medieval poet's obsession with the outrageous, the low, and the lewd was intimately bound to poetry, Bloch forces a revision of traditional approaches to Old French literature. His final chapter, on castration anxiety, fetishism, and the comic, links the fabliaux with the development of modern notions of the self and makes a case for the medieval roots of our own sense of humor.
Author: R. Howard Bloch
Publisher: University of Chicago Press
ISBN: 9780226059754
Category : Fiction
Languages : en
Pages : 172
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Book Description
R. Howard Bloch argues that medieval French comic tales are shocking not so much for their dirty words, scatology, and celebration of the body in all its concavities and protrusions, but moreso for their insistent exposure of the scandal of their own production. Looking first at fabliaux about poets, Bloch demonstrates that the medieval comic poet was highly conscious of the inadequacy of language and pushed this perception to its logical, scandalous limit. The comic function of the fabliaux was intentionally disruptive: anticlerical, antifeminist, and antiestablishment, these tales were part of a sophisticated culture's critical perspective on itself. By showing how the medieval poet's obsession with the outrageous, the low, and the lewd was intimately bound to poetry, Bloch forces a revision of traditional approaches to Old French literature. His final chapter, on castration anxiety, fetishism, and the comic, links the fabliaux with the development of modern notions of the self and makes a case for the medieval roots of our own sense of humor.
Author:
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
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Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
Author: Roy Pearcy
Publisher: DS Brewer
ISBN: 9781843841227
Category : Humor
Languages : en
Pages : 278
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Book Description
A theoretically defensible inventory of the fabliaux based on a new structural definition. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a conjointure, akin to that of romance, combining a logical episteme with a rhetorical narreme. The episteme features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is anHonorary Research Fellow of the University of London.
Author: Erik Hertog
Publisher: Leuven University Press
ISBN: 9789061864622
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
The presence of so many fabliaux in Chaucer's Canterbury Tales is intriguing in its own right, given the fact that there are no real fabliaux in Middle English befor Chaucer. But these stories are also interesting as instances of a concept and practice thas has received little critical attention so far, namely 'analogy', the writing and, above all, recognition of 'similar' stories. How to account for the literary practice that enables us to perceive stories as similar, c.q. analogous? This original study sets out to explore this phenomenon, first tentatively vis-?)vis other terms and practices (Translation, Borrowing, Adaptation, Version) and then, in the major part of the book, in a pragmatic-structuralist analysis of four salient components of narrative--Plot, Character, Thematics, and Genre--each illustrated with examples taken from Chaucer's fabliaux and their analogues in various European languages.In each of the four chapters the key-issue is Categorisation and Hertog traces its evolution and usefulness a a concept from Wittgenstein's family resemblances' and Zadeh's 'fuzzy set theory' to E. Rosch's Prototype theory. The conclusion draws attention to two aspects which set Chaucer's fabliaux very much apart from the other analogues: their contextuality within the polylogue of the Canterbury Tales, and secondly, their explicit intertextuality which invites us to look anew at the assumptions of traditional source-criticism. The study ends with some theoretical reflections on analogy and an attempt at definition.The book will interest not only Chaucerians and other medievalists but also scholars in literarry theory and interpretation.
Author: Daron Burrows
Publisher: Peter Lang
ISBN: 9783039100729
Category : History
Languages : en
Pages : 272
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Book Description
The Old French fabliaux may be notorious for their bawdy content, but few aspects of these medieval comic narratives are as astonishing as their depiction of the parish priest, whose fiscal and sexual transgressions are on occasion so enormous that lay protagonists are driven to inflict graphic punishments ranging from public exposure and communal beating to castration and murder. In this study, Burrows draws on social psychological research into the cognitive and socio-motivational components of stereotyping to explore the forces underlying the creation and development of the fabliau priest. Through an assessment of the constituent elements of the figure against a background of a range of literary and historical sources, Burrows demonstrates that the literary figure is the product of the specific socio-historical context of contemporaneous changes in relationships between Church and laity in which anticlerical stereotyping, in a manner comparable to other instances of outgroup derogation, can be attributed to a quest for positive social identity and ingroup solidarity on the part of an inscribed lay audience.
Author: Katherine A. Brown
Publisher: University Press of Florida
ISBN: 0813065615
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
"A remarkably well-informed and truly innovative study of the way Boccaccio reimagined and rewrote Old French fabliaux in his Decameron."—François Rigolot, Princeton University "Theoretically savvy, and yet jargon-free, philologically impeccable and critically acute, this is a book that shows the author’s unflinching dedication to the highest standards of scholarship."—Simone Marchesi, author of Dante and Augustine "Brown’s attention to codicological contexts coupled with persuasive new interpretations of some of the fabliaux and Decameron stories make this book a pleasure to read for medievalist veterans and novices alike."—Renate Blumenfeld-Kosinski, author of Poets, Saints, and Visionaries of the Great Schism, 1378-1417 Short works known for their humor and ribaldry, the fabliaux were comic or satirical tales told by wandering minstrels in medieval France. Although the fabliaux are widely acknowledged as inspiring Giovanni Boccaccio’s masterpiece, the Decameron, this theory has never been substantiated beyond perceived commonalities in length and theme. This new and provocative interpretation examines the formal similarities between the Decameron’s tales of wit, wisdom, and practical jokes and the popular thirteenth-century fabliaux. Katherine Brown examines these works through a prism of reversal and chiasmus to show that Boccaccio was not only inspired by the content of the fabliaux but also by their fundamental design--where a passage of truth could be read as a lie or a tale of life as a tale of death. Brown reveals close resemblances in rhetoric, literary models, and narrative structure to demonstrate how the Old French manuscripts of the fabliaux were adapted in the organization of the Decameron. Identifying specific examples of fabliaux transformed by Boccaccio for his classic Decameron, Brown shows how Boccaccio refashioned borrowed literary themes and devices, playing with endless possibilities of literary creation through manipulations of his model texts. Katherine A. Brown is a specialist of medieval French and Italian literature.
Author: Holly Crocker
Publisher: Taylor & Francis
ISBN: 1000948269
Category : Literary Criticism
Languages : en
Pages : 755
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Book Description
Medieval Literature: Criticism and Debates combines classic critical essays alongside new voices and approaches, highlighting vibrant debates on medieval literature that will continue to shape critical conversations for the coming decades. Holly A. Crocker and D. Vance Smith present a fascinating collection of essays from leading contemporary scholars of medieval literature and culture, examining topics including gender, sexuality, politics, belief, language, nationhood, science and desire. The volume sheds light on critical discussions of the medieval period and shows the continuing relevance and vivacity of Medieval English literature in the twenty-first century. Each section is thoroughly introduced and the essays develop various debates in key areas, providing a springboard for readers to establish their own study, arguments and opinions. Further reading sections make this volume an accessible and important resource for those studying literature from the Medieval period and beyond. Contributors: Anthony Bale, Sarah Beckwith, Anke Bernau, Glenn Burger, Ardis Butterfield, Christopher Cannon, Christine Chism, Lisa H. Cooper, Susan Crane, Holly A. Crocker, George Edmondson, Ruth Evans, Sylvia Federico, Laurie Finke, Aranye Fradenburg, Frank Grady, Richard Firth Green, Patricia Clare Ingham , Hannah Johnson, Steven Justice, David Lawton, Robert Mills, J. Allan Mitchell, Nicholas Perkins, Tison Pugh, Elizabeth Robertson, Kellie Robertson, Jessica Rosenfeld, Sarah Salih, Corinne Saunders, Martin Shichtman, D. Vance Smith, Emily Steiner, Jennifer Summit, Stephanie Trigg, Marion Turner, David Wallace, Angela Jane Weisl, Nicolette Zeeman
Author: Josepha Sherman
Publisher: Routledge
ISBN: 1317459377
Category : History
Languages : en
Pages : 1450
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Book Description
Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.
Author: Wendy Scase
Publisher: New Medieval Literatures
ISBN: 9780198186809
Category : Language Arts & Disciplines
Languages : en
Pages : 352
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Book Description
New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative essays that deploy diverse methodologies-theoretical, archival, philological and historicist. The editors, active in three continents and supported by a distinguishedmultidisciplinary Advisory Board, aim to engage with intellectual and cultural pluralism in the Middle Ages and now.
