Author: Edward Francis Rimbault
Publisher:
ISBN:
Category :
Languages : en
Pages : 294

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Author: Edward F. Rimbault
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 294

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Author: Wendy Leeds-Hurwitz
Publisher:
ISBN:
Category : Glees, catches, rounds, etc
Languages : en
Pages : 4

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Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 830

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Author: Francesco Barsanti
Publisher: A-R Editions, Inc.
ISBN: 0895798670
Category : Glees, catches, rounds, etc
Languages : en
Pages : 101

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Book Description
A latecomer to music and not particularly gifted as an executant on any instrument (a great handicap for any musician in an age when music appreciation was performer-centered rather than composer-centered), the Italian expatriate Francesco Barsanti (ca. 1690–1775) would seem doomed to failure, especially given his reportedly unassertive, even timid, personality; but his versatility, industry, and ability to win and retain a surprisingly large support network kept him afloat until the end. His ability to survive from day to day by carrying out a multitude of humdrum tasks gave him sufficient time and freedom to engage in what he did best and seemingly valued most: composing music. The compact but by no means negligible corpus of music he produced in a wide variety of genres makes him one of the most original and interesting composers active in eighteenth-century Britain. His instrumental music has already won some recognition in modern times, but his equally impressive vocal music, all produced in Britain, is so far virtually unknown. The present volume, which contains all Barsanti’s secular vocal music known to survive, together with a complementary volume containing his complete sacred vocal music, aims to bring these attractive works before the musicological community and the public at large.

Author: Suzanne Cole
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242

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A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968

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Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Author: Steve Roud
Publisher: Faber & Faber
ISBN: 0571309739
Category : Music
Languages : en
Pages : 612

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Book Description
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.

Author: Kristina Marie Guiguet
Publisher: University of Ottawa Press
ISBN: 1772823716
Category : Music
Languages : en
Pages : 172

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In 1844, Mrs. Frederick Widder held a soirée musicale in her lavish Toronto home. Both the music and program were standard fare for the time but, for the author, it has implications beyond a single drawing-room extravaganza. Through the study of this elaborate domestic concert, the author reveals the way musical life affected and reflected contemporary values, thoughts and beliefs of the distinct categories of class and gender in pre-Confederation Canadian society.

Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784

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