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Author: Harrold Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Author: H. Harrold Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Author: Ian Duhig
Publisher: Pan Macmillan
ISBN: 1509809813
Category : Poetry
Languages : en
Pages : 71
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If the starting point for a number of poems in Ian Duhig's richly varied new collection is Sterne's Tristram Shandy, its presiding genius is the great eighteenth-century civil engineer, fiddler and polymath Blind Jack Metcalf - whose life Duhig here celebrates, and from whose example he draws great inspiration. Writing with an almost Burnsian eclecticism, Duhig explores urban poverty, determinism, social justice and the consolations of poetry and music, on a journey which takes in everything from a riotous re-imagining of Don Juan to the tragedy of Manuel Bravo (the Leeds asylum seeker from Angola who was forced to defend himself in court, and later took his own life). No poet today writes with such a sense of political and social conscience, and The Blind Roadmaker affirms Duhig's belief in poetry as a means of commemorating those who least deserve to be forgotten.
Author: David Orr
Publisher: Penguin
ISBN: 0698140893
Category : Poetry
Languages : en
Pages : 127
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A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.
Author: Edna Longley
Publisher: Oxford University Press
ISBN: 0192885707
Category : Literary Collections
Languages : en
Pages : 806
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Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author: Edward Thomas
Publisher: Oxford University Press
ISBN: 0198784341
Category : Poets, English
Languages : en
Pages : 806
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Book Description
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author: John Loudon McAdam
Publisher:
ISBN:
Category : Macadam roads
Languages : en
Pages : 216
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Author: John Loudon McAdam
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Author: Marion Harry Spielmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 518
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Author: John Miller (biographer.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1256
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