Author: Jules Eugene Bernard
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
Examines seventy--plus interludes written between 1497 and 1593 for rime scheme, verse, and subject.
The Prosody of the Tudor Interlude
Author: Jules Eugene Bernard
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
Examines seventy--plus interludes written between 1497 and 1593 for rime scheme, verse, and subject.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
Examines seventy--plus interludes written between 1497 and 1593 for rime scheme, verse, and subject.
The Prosody of the Tudor Interlude
Author: Jules Eugene Bernard
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Prosody of the Tudor Interlude
Author: Jules Eugene Bernard
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Four Tudor Interludes
Author: J. A. B. Somerset
Publisher: A&C Black
ISBN: 1472509587
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
The important influence of the Tudor 'interlude' on later Elizabethan drama is now widely recognized and the inherent theatrical values of these short plays of the era which preceded the opening of permanent theatres have become increasingly apparent through modern productions and study. Largely written for performance by travelling players in a variety of situations, their dramatic technique and methods of staging provide valuable clues for an understanding of Shakespearean theatre. The plays given here represent the interlude in its popular and courtly forms. All are newly edited from the earliest originals and the volume includes an introduction and full explanatory notes.
Publisher: A&C Black
ISBN: 1472509587
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
The important influence of the Tudor 'interlude' on later Elizabethan drama is now widely recognized and the inherent theatrical values of these short plays of the era which preceded the opening of permanent theatres have become increasingly apparent through modern productions and study. Largely written for performance by travelling players in a variety of situations, their dramatic technique and methods of staging provide valuable clues for an understanding of Shakespearean theatre. The plays given here represent the interlude in its popular and courtly forms. All are newly edited from the earliest originals and the volume includes an introduction and full explanatory notes.
Two Tudor Interludes
Author: Ian Lancashire
Publisher: Manchester University Press
ISBN: 9780719015236
Category : Drama
Languages : en
Pages : 312
Book Description
Publisher: Manchester University Press
ISBN: 9780719015236
Category : Drama
Languages : en
Pages : 312
Book Description
The Oxford Handbook of Tudor Drama
Author: Thomas Betteridge
Publisher: OUP Oxford
ISBN: 0191651516
Category : Drama
Languages : en
Pages : 710
Book Description
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Publisher: OUP Oxford
ISBN: 0191651516
Category : Drama
Languages : en
Pages : 710
Book Description
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Imitatio y Aemulatio en el Interlude of Calisto and Melibea
Author: Antonio LÓPEZ SANTOS
Publisher: Ediciones Universidad de Salamanca
ISBN:
Category :
Languages : en
Pages : 22
Book Description
Publisher: Ediciones Universidad de Salamanca
ISBN:
Category :
Languages : en
Pages : 22
Book Description
English Dramatic Interludes, 1300–1580
Author: Darryll Grantley
Publisher: Cambridge University Press
ISBN: 1139451707
Category : Literary Criticism
Languages : en
Pages : 445
Book Description
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Publisher: Cambridge University Press
ISBN: 1139451707
Category : Literary Criticism
Languages : en
Pages : 445
Book Description
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Prosody and Purpose in the English Renaissance
Author: O. B. Hardison Jr.
Publisher: JHU Press
ISBN: 1421430886
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.
Publisher: JHU Press
ISBN: 1421430886
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.
The Plays of John Heywood
Author: John Heywood
Publisher: Boydell & Brewer Ltd
ISBN: 9780859913195
Category : Art
Languages : en
Pages : 368
Book Description
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.
Publisher: Boydell & Brewer Ltd
ISBN: 9780859913195
Category : Art
Languages : en
Pages : 368
Book Description
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.