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Author: Gabriela Nicolescu
Publisher: Bloomsbury Publishing
ISBN: 1350196649
Category : Art
Languages : en
Pages : 225
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Book Description
The Porous Museum examines questions of museum practice, aesthetics and politics through a focused study of The National Museum of the Romanian Peasant in Bucharest. The museum has functioned successively as a museum of art, a communist museum, the headquarters of the communist secret police, and a museum of folk art. Gabriela Nicolescu traces the museum's spectacular biography and follows the transformation of its practices and aesthetics through three very different political regimes in the 20th and early 21st century: monarchist, socialist and post-socialist. Nicolescu's fascinating study starts with a focus on a dumped and smashed statue of the revolutionary figureheads Marx, Engels and Lenin in the museum's rear yard as an expression of the complicated journey of modern Romania. She considers questions of recycling and rupture, with some exhibits and practices carried over from one regime to another, whilst others have been discarded in favour of the completely new. Through this process, the museum can been seen as a microcosm of the wider nation state and the ways in which the past is remembered or rejected. The interdependency of politics, ethics and aesthetics that Nicolescu terms 'porosity' is an attribute of museums all over the world. Applying original anthropological research to key ethnographic museums in Romania and elsewhere in Europe, the book moves beyond regional and media stereotypes by arguing for the influence of local oral histories on national history.
Author: Gabriela Nicolescu
Publisher: Bloomsbury Publishing
ISBN: 1350196649
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
The Porous Museum examines questions of museum practice, aesthetics and politics through a focused study of The National Museum of the Romanian Peasant in Bucharest. The museum has functioned successively as a museum of art, a communist museum, the headquarters of the communist secret police, and a museum of folk art. Gabriela Nicolescu traces the museum's spectacular biography and follows the transformation of its practices and aesthetics through three very different political regimes in the 20th and early 21st century: monarchist, socialist and post-socialist. Nicolescu's fascinating study starts with a focus on a dumped and smashed statue of the revolutionary figureheads Marx, Engels and Lenin in the museum's rear yard as an expression of the complicated journey of modern Romania. She considers questions of recycling and rupture, with some exhibits and practices carried over from one regime to another, whilst others have been discarded in favour of the completely new. Through this process, the museum can been seen as a microcosm of the wider nation state and the ways in which the past is remembered or rejected. The interdependency of politics, ethics and aesthetics that Nicolescu terms 'porosity' is an attribute of museums all over the world. Applying original anthropological research to key ethnographic museums in Romania and elsewhere in Europe, the book moves beyond regional and media stereotypes by arguing for the influence of local oral histories on national history.
Author: Laura Breen
Publisher: Bloomsbury Publishing
ISBN: 1350047856
Category : Design
Languages : en
Pages : 257
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Book Description
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Author: Viv Golding
Publisher: A&C Black
ISBN: 0857851314
Category : Art
Languages : en
Pages : 339
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Book Description
With contributions from key scholars in a range of disciplines, this engaging new volume explores the complex issues surrounding collaboration between museums and their communities.
Author: Michael John Gorman
Publisher: MIT Press
ISBN: 0262359200
Category : Art
Languages : en
Pages : 176
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Book Description
A provocative call for the transformation of science museums into "idea colliders" that spark creative collaborations and connections. Today's science museums descend from the Kunst-und Wunderkammern of the Renaissance--collectors' private cabinets of curiosities--through the Crystal Palace exhibition of 1851 to today's "interactive" exhibits promising educational fun. In this book, Michael John Gorman issues a provocative call for the transformation of science museums and science centers from institutions dedicated to the transmission of cultural capital to dynamic "idea colliders" that spark creative collaborations and connections. This new kind of science museum would not stage structured tableaux of science facts but would draw scientists into conversation with artists, designers, policymakers, and the public. Rather than insulating visitors from each other with apps and audio guides, the science museum would consider each visitor a resource, bringing questions, ideas, and experiences from a unique perspective.
Author: Mary Bouquet
Publisher: A&C Black
ISBN: 0857852116
Category : Art
Languages : en
Pages : 257
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Book Description
Museums: A Visual Anthropology provides a clear and concise summary of the key ideas, debates and texts of the most important approaches to the study of museums from around the world. The book examines ways to address the social relations of museums, embedded in their sites, collections, and exhibitions, as an integral part of the visual and material culture they comprise. Cross-disciplinary in scope, Museums uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in museums. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this constantly evolving time machine, Museums will be essential reading for students of anthropology and museum studies.
Author: Graciela R. Montaldo
Publisher:
ISBN: 9781621965541
Category :
Languages : en
Pages :
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Book Description
"At the turn of the nineteenth century, Argentina lived a process of accelerated modernization. To understand the beginnings of mass culture and mass cultural experiences (between 1880 and 1930), it becomes necessary to examine a variety of phenomena that combine modern forms of access to public space with the creation of new cultural contents. That was the period of the democratic political reforms, urban redesign, the rise of immigration rates, the economic growth, and the articulation of nationalist ideologies. Culture (elite, popular, and mass culture) played a major role in the context of deep social and political transformations. New phenomena profoundly affected the social life: popular spectacles, mass consumption, the variety shows, theatres, the circus, as well as the connections between these forms and the avant-garde of the 1920s. Coincidentally, the appearance and success of tango music and dancing, and the relationship between tango and masculine violence and the political violence of the early twentieth century are interconnected practices. Tango, a cultural export to Europe and the US, played a central function in redefining gender and class roles. Finally, the notions of good and poor taste as cultural and political experiences that define citizenship through fashion, the role of aesthetics in social life, and the dissemination of scientific and sociological knowledges introduce a complex scale of cultural practices. This book is a study of the emergence of mass culture in modern Argentina (1880-1930). The book examines the tensions of this modern culture subject to the pressures of the market and politics. This study also traces the emergence of a cultural scene that constructed a frontier between elite and mass cultures during the modernization process. The book, therefore, takes a novel approach, viewing mass culture not as a series of case studies but rather as processes of cultural production and circulation. To this goal, the book focuses mainly on tango, circus, and fashion productions. This study belongs to the field of cultural studies. It lies at the intersection of numerous theoretical approaches like theory of the masses, studies of consumer culture, modernity and modernism, intellectual history, gender studies, and theories of spectacle. Its singular archive was constructed especially for this book and includes memoirs, chronicles, testimonies, essays, and fictions, all of which it places into dialog with canonical texts. Museum of Consumption: The Archives of Mass Culture in Argentina is an important transdisciplinary book for Latin American cultural studies and history collections"--
Author: Margareta von Oswald
Publisher: Leuven University Press
ISBN: 9462702187
Category : Social Science
Languages : en
Pages : 434
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Book Description
How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Author: Gail Anderson
Publisher: Rowman & Littlefield
ISBN: 1538159708
Category : Business & Economics
Languages : en
Pages : 397
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Book Description
Reinventing the Museum: Relevance, Inclusion, and Global Responsibilities is the third edition following the 2004 and 2012 versions of the Reinventing series. More than a decade since the prior volume was published, this edition features all new content written since 2017 relevant to this pivotal time for museums operating in a complex world. This anthology features leading thinkers from across the globe who expertly discuss the realities facing museums, the urgency to take action, and museums as essential contributors to a more equitable and socially responsible world. The introduction highlights the issues of our times, and frames the structure of the book and intentional order of the contents. A dramatically revised Reinventing the Museum Tool serves as a springboard for discussions within museum staff and trustees, among students and faculty, and with emerging to seasoned museum professionals. The curated approach of the book unfolds with a sequence of thinking that frames the subsequent sections and chapters. The range of topics in this volume cover global realities, shifts in institutional mindset, the urgency to achieve inclusion and equity in museums, and fresh perspectives of practical approaches to actualize the reinvented museum.
Author: Bob Sheil
Publisher: UCL Press
ISBN: 1800086342
Category : Architecture
Languages : en
Pages : 163
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Book Description
Fabricate 2024: Creating Resourceful Futures is the fifth volume in the series of Fabricate publications. The first conference – ‘Making Digital Architecture’ – explored the ways in which technology, design and industry are shaping the world around us. Since then, we have become finely attuned to the negative impacts of this shaping. The 2024 conference, hosted in Copenhagen, sets focus on the pressing need to develop new models for architectural production that rethink how resource is deployed, its intensity, its socio-ecological origins and sensitivity to environment. This book features the work of designers, engineers and makers operating within the built environment. It documents disruptive approaches that reconsider how fabrication can be leveraged to address our collective and entangled challenges of resource scarcity, climate emergency and burgeoning demand. Exploring case studies of completed buildings and works-in-progress, together with interviews with leading thinkers, this edition of Fabricate offers a plurality of tangible models for design and production that set a creative and responsible course towards resourceful futures.
Author: Mirjam Brusius
Publisher: Routledge
ISBN: 1351659421
Category : Art
Languages : en
Pages : 291
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Book Description
Beyond their often beautiful exhibition halls, many museums contain vast, hidden spaces in which objects may be stored, conserved, or processed. Museums can also include unseen archives, study rooms, and libraries which are inaccessible to the public. This collection of essays focuses on this domain, an area that has hitherto received little attention. Divided into four sections, the book critically examines the physical space of museum storage areas, the fluctuating historical fortunes of exhibits, the growing phenomenon of publicly visible storage, and the politics of objects deemed worthy of collection but unsuitable for display. In doing so, it explores issues including the relationship between storage and canonization, the politics of collecting, the use of museum storage as a form of censorship, the architectural character of storage space, and the economic and epistemic value of museum objects. Essay contributions come from a broad combination of museum directors, curators, archaeologists, historians, and other academics.
