The Politics of Color in the Fiction of Jessie Fauset and Nella Larsen PDF Download
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Author: Jacquelyn Y. McLendon
Publisher: University of Virginia Press
ISBN: 9780813915531
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
A critical examination of Fauset's Plum Bun and Comedy:American Style, and Larsen's Quicksand, recovering a subversive element in the Harlem Renaissance writers whose work was revived by feminists in the late 1970s. McLendon (English, College of William and Mary) explores how the white writers' 19th century stereotype of the "tragic mulatto" is reinvented in the work of the two writers and transformed into a concept of doubleness representing African-American experience. Annotation copyright by Book News, Inc., Portland, OR
Author: Jacquelyn Y. McLendon
Publisher: University of Virginia Press
ISBN: 9780813915531
Category : Literary Criticism
Languages : en
Pages : 182
Get Book Here
Book Description
A critical examination of Fauset's Plum Bun and Comedy:American Style, and Larsen's Quicksand, recovering a subversive element in the Harlem Renaissance writers whose work was revived by feminists in the late 1970s. McLendon (English, College of William and Mary) explores how the white writers' 19th century stereotype of the "tragic mulatto" is reinvented in the work of the two writers and transformed into a concept of doubleness representing African-American experience. Annotation copyright by Book News, Inc., Portland, OR
Author: Teresa C. Zackodnik
Publisher: Univ. Press of Mississippi
ISBN: 1604730579
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line. In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency. Before the Civil War white female abolitionists created the image of the tragic mulatta, caught between races, rejected by all. African American women put the mulatta to diverse political use. Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States. The mulatta aided writers in critiquing the New Negro Renaissance and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee. Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.Teresa C. Zackodnik is a professor of English at the University of Alberta in Canada.
Author: Jessie Redmon Fauset
Publisher: Courier Dover Publications
ISBN: 0486843505
Category : Fiction
Languages : en
Pages : 289
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Book Description
"An important book" — The New York Times. Set in Philadelphia a century ago, this novel by a luminary of the Harlem Renaissance explores the struggle for social equality as experienced by members of the black middle class.
Author: Teresa C. Zackodnik
Publisher: Univ. Press of Mississippi
ISBN: 9781578066766
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
An analysis of how black women used the mulatta figure to contest racial barriers
Author: Kathy Glass
Publisher: Lexington Books
ISBN: 1498538401
Category : Philosophy
Languages : en
Pages : 135
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Book Description
Exploring literary possibilities, Politics and Affect reads black women’s text—in particular Frances Harper’s “The Two Offers” (1859), Julia Collins’s The Curse of Caste (1865), Nella Larsen’s Quicksand (1928), and Danzy Senna’s Caucasia (1998)—as richly creative documents saturated with sociopolitical value. Interested in how African American women writers from the nineteenth century to the present have mined the politics of affect and emotion to document love, shame, and suffering in environments shaped by race, Kathy Glass gives sustained attention to the impact of racist affect on the black body, and examines how black women writers deploy emotional states to engender sociopolitical change.
Author: Sandra Radtke
Publisher: GRIN Verlag
ISBN: 3638729753
Category : Literary Collections
Languages : en
Pages : 97
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Book Description
Thesis (M.A.) from the year 2006 in the subject American Studies - Literature, grade: 1,0, Dresden Technical University, language: English, abstract: In the following, I would like to give a brief abstract of my thesis. Chiefly, I want to explore three major novels of the Harlem Renaissance - Nella Larsen’s Quicksand (1928) and Passing (1929) as well as Jessie Fauset’s Plum Bun (1929). As all of them deal with racial passing, this issue will be the topic of the first part in order to provide an insight into the matter. The main focus will be on black-to-white passing, which is primarily a cultural phenomenon of the United States. After a definition of the term with the help of several basic typologies, I would like to proceed to concomitants like secrecy, the question of guilt and the white people’s view on passing. Subsequently, the passer ought to be the focus of closer examination, followed by an exploration of laws and folk beliefs evolving around the mulatto as the typical passing figure. After this theoretical embedding, I will take a closer look at passing in literature including an analysis of the emergence of the phenomenon as a literary genre. Additionally, the passing figure in literature, the “tragic mulatto”, is to be investigated. Concluding, a chapter on other forms of passing shall be added for the sake of completeness. In the second part, these theoretical cognitions are supposed to be employed to find an approach to the novels that are going to be examined with regard to the matters that evolve around passing, i.e. the secrecy involved, the return home and the tragic death of the heroine. Juda Bennett’s list of similarities among passing novels is supposed to provide a framework here. Afterwards, other forms of passing depicted in the novels will come to the fore including an examination of racism in connection with sexism.
Author: Valerie Babb
Publisher: Cambridge University Press
ISBN: 1108210279
Category : Literary Criticism
Languages : en
Pages : 499
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Book Description
A History of the African American Novel offers an in-depth overview of the development of the novel and its major genres. In the first part of this book, Valerie Babb examines the evolution of the novel from the 1850s to the present, showing how the concept of black identity has transformed along with the art form. The second part of this History explores the prominent genres of African American novels, such as neoslave narratives, detective fiction, and speculative fiction, and considers how each one reflects changing understandings of blackness. This book builds on other literary histories by including early black print culture, African American graphic novels, pulp fiction, and the history of adaptation of black novels to film. By placing novels in conversation with other documents - early black newspapers and magazines, film, and authorial correspondence - A History of the African American Novel brings many voices to the table to broaden interpretations of the novel's development.
Author: Carme Manuel
Publisher: Universitat de València
ISBN: 9788437055312
Category : Literary Criticism
Languages : en
Pages : 556
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Book Description
Homenaje a Javier Coy, catedrático jubilado del Departamento de Filología Inglesa y Alemana de la Universitat de València de 1990 a 2000, y uno de los primeros investigadores en introducir los estudios norteamericanos. Se recogen 50 artículos de especialistas en este campo, que reflejan el estado de los estudios sobre la cultura y literatura de los Estados Unidos contemporáneos.
Author: George Hutchinson
Publisher: Cambridge University Press
ISBN: 1139827723
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
The Harlem Renaissance (1918–1937) was the most influential single movement in African American literary history. Its key figures include W. E. B. Du Bois, Nella Larsen, Zora Neale Hurston, Claude McKay, and Langston Hughes. The movement laid the groundwork for all later African American literature, and had an enormous impact on later black literature world-wide. With chapters by a wide range of well-known scholars, this 2007 Companion is an authoritative and engaging guide to the movement. It first discusses the historical contexts of the Harlem Renaissance, both national and international; then presents original discussions of a wide array of authors and texts; and finally treats the reputation of the movement in later years. Giving full play to the disagreements and differences that energized the renaissance, this Companion presents a set of new readings encouraging further exploration of this dynamic field.
Author: John Kevin Young
Publisher: Univ. Press of Mississippi
ISBN: 160473549X
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
Jean Toomer's Cane was advertised as a book about Negroes by a Negro, despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title might be too inflammatory. In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature examines the complex negotiations behind the production of African American literature. In chapters on Larsen's Passing, Ishmael Reed's Mumbo Jumbo, Gwendolyn Brooks's Children Coming Home, Morrison's Oprah's Book Club selections, and Ralph Ellison's Juneteenth, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as College English, African American Review, and Critique.
