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Author: Matthew C. Brennan
Publisher: Univ of South Carolina Press
ISBN: 161117225X
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
A thorough reexamination of Simms as a pioneering voice in American poetry The Poet's Holy Craft represents the first full-length analysis and interpretation of William Gilmore Simms's poetry. Matthew C. Brennan demonstrates the comprehensiveness of Simms's romanticism by examining Simms's poetics, his experimental sonnets, and his deep affinity to William Wordsworth, which especially shows in Simms's pioneering attitudes toward nature and ecology. The poetic career of antebellum Charleston writer William Gilmore Simms (1806-1870) constitutes a cautionary tale of how ambition worthy of John Keats and talent comparable to any American poet before Walt Whitman could not alone guarantee a toehold in the literary canon. Although praised in his lifetime by the likes of Edgar Allan Poe and William Cullen Bryant, Simms as a poet faced virtual erasure until a recent revival of scholarship. Building on the work of James Everett Kibler, Brennan argues that Simms exhibits the influence of British romanticism earlier than do his canonic contemporaries Henry W. Longfellow, Ralph Waldo Emerson, and Henry David Thoreau. Brennan's reappraisal maps Simms's early imitation of neoclassicism and George Lord Byron, and his slightly later absorption of Keats, Percy Bysshe Shelley, and Gothicism. Through study of Simms's letters, reviews, extant lectures, manuscripts, and drafts, Brennan delineates his subject's romantic poetics and offers new insights into his revision process. Brennan finds in Simms an interest in experimentation with the forms and themes of the romantic sonnet that supersedes that of even the British romantics. Noting Simms's deep affinity to Wordsworth, and to a lesser degree Samuel Taylor Coleridge, Brennan portrays Simms as remarkably in advance of Thoreau, although from a Southern context, in the environmental concerns that present themselves in his contemplative poetry and in his life and work at his home, Woodlands plantation. In short The Poet's Holy Craft offers a corrective that rescues Simms from the long shadow cast on his literary legacy by his Confederate affiliations and illumines his original contributions to the romantic verse tradition.
Author: Matthew C. Brennan
Publisher: Univ of South Carolina Press
ISBN: 161117225X
Category : Literary Criticism
Languages : en
Pages : 315
Get Book Here
Book Description
A thorough reexamination of Simms as a pioneering voice in American poetry The Poet's Holy Craft represents the first full-length analysis and interpretation of William Gilmore Simms's poetry. Matthew C. Brennan demonstrates the comprehensiveness of Simms's romanticism by examining Simms's poetics, his experimental sonnets, and his deep affinity to William Wordsworth, which especially shows in Simms's pioneering attitudes toward nature and ecology. The poetic career of antebellum Charleston writer William Gilmore Simms (1806-1870) constitutes a cautionary tale of how ambition worthy of John Keats and talent comparable to any American poet before Walt Whitman could not alone guarantee a toehold in the literary canon. Although praised in his lifetime by the likes of Edgar Allan Poe and William Cullen Bryant, Simms as a poet faced virtual erasure until a recent revival of scholarship. Building on the work of James Everett Kibler, Brennan argues that Simms exhibits the influence of British romanticism earlier than do his canonic contemporaries Henry W. Longfellow, Ralph Waldo Emerson, and Henry David Thoreau. Brennan's reappraisal maps Simms's early imitation of neoclassicism and George Lord Byron, and his slightly later absorption of Keats, Percy Bysshe Shelley, and Gothicism. Through study of Simms's letters, reviews, extant lectures, manuscripts, and drafts, Brennan delineates his subject's romantic poetics and offers new insights into his revision process. Brennan finds in Simms an interest in experimentation with the forms and themes of the romantic sonnet that supersedes that of even the British romantics. Noting Simms's deep affinity to Wordsworth, and to a lesser degree Samuel Taylor Coleridge, Brennan portrays Simms as remarkably in advance of Thoreau, although from a Southern context, in the environmental concerns that present themselves in his contemplative poetry and in his life and work at his home, Woodlands plantation. In short The Poet's Holy Craft offers a corrective that rescues Simms from the long shadow cast on his literary legacy by his Confederate affiliations and illumines his original contributions to the romantic verse tradition.
Author: Susanne Fusso
Publisher: Northwestern University Press
ISBN: 9780810115446
Category : Women poets, Russian
Languages : en
Pages : 296
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Book Description
The essays in this collection range widely not only over Karolina Pavlova's oeuvre but also in their analytical stances. The volume includes close poetic and prosodic analysis, literary history, gender studies, intertextual comparison and biography.
Author: Theodore Roethke
Publisher: Copper Canyon Press
ISBN: 1619320924
Category : Poetry
Languages : en
Pages : 225
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Book Description
"One of the virtues of good poetry is the fact that it irritates the mediocre." Theodore Roethke was one of the most famous and outspoken poets and poetry teachers this country has ever known. In this volume of selected prose, Roethke articulates his commitments to imaginative possibilities, offers tender advice to young writers, and zings darts at stuffed shirts, lightweights and fools. "Art is our defense against hysteria and death." With the assistance of Roethke's widow, this volume has been edited to include the finest selections from out of print collections of prose and journal entries. Focused on the making and teaching of poetry,On Poetry and Craft will be prized in the classroom-and outrageous Roethke quotes will once again pepper our conversations. "You must believe a poem is a holy thing, a good poem, that is." Theodore Roethke was of an illustrious generation of poets which included Sexton, Plath, Lowell, Berryman, and like them he received nearly every major award in poetry, including the Pulitzer Prize and twice the National Book Award. In spite of his fame, he remained a legendary teacher, known for the care and attention he gave to his students, poets such as James Wright, Carolyn Kizer, Tess Gallagher, and Richard Hugo. Roethke died on August 1, 1963, while swimming in a friend's pool. "But before I'm reduced to an absolute pulp by my own ambivalence, I must say goodbye. The old lion perisheth. Nymphs, I wish you the swoops of many fish. May your search for the abiding be forever furious." On Poetry and Craft I am overwhelmed by the beautiful disorder of poetry, the eternal virginity of words. The poem, even a short time after being written, seems no miracle; unwritten, it seems something beyond the capacity of the gods. We can't escape what we are, and I'm afraid many of my notions about verse (I haven't too many) have been conditioned by the fact that for nearly 25 years I've been trying to teach the young something about the nature of verse by writing it--and that with very little formal knowledge of the subject or previous instruction. So it's going to be lik
Author: Alfred Bendixen
Publisher: Cambridge University Press
ISBN: 1316123308
Category : Literary Criticism
Languages : en
Pages : 1442
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Book Description
The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions.
Author: William Gilmore Simms
Publisher: University of Arkansas Press
ISBN: 9781557285409
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Delivered as a three-part lecture series in 1854 at the famous Hibernian Society Hall in Charleston, South Carolina, Simms's spirited defense of poetry stands in the nobel line of poetic credos from poets such as Sir Philip Sidney and Percy Bysshe Shelley. It is the only full-length work of its kind in American literature, and it has never before been published. Seventh in the University of Arkansas Press's Simms Series, Poetry and the Practical is a clear, forceful rebuttal of arguments that would relegate poetry to the margins of life. It proclaims the high calling of poets as spokesmen and romantic visionaries, underscoring their mission to reveal truth and passion, mind and heart and to transcend the limiting bounds of the empirical. In proving poetry's utility and worth, Simms uses all the tools of persuasion open to him: his wide reading, his considerable knowledge of the history of culture and civilizations, his understanding of the values of place and tradition, and, above all, an oratorical eloquence, which allows his words to leave the page in a rush of inspiration. These lectures, which still retain their identity as scripts prepared and punctuated for performance, provide profound insight into Simms the poet and into the effects of industrialization, the southern sensibility, and the influence of European thought on southern literature at a critical point in that literature's development.
Author: Nicholas G. Meriwether
Publisher: Univ of South Carolina Press
ISBN: 1611174570
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Two of the final short novels from the literary manuscripts of William Gilmore Simms, unfinished before his death Pirates and Devils, edited by Nicholas G. Meriwether and David W. Newton, presents two of the most significant unfinished works by William Gilmore Simms, a prominent public intellectual of the antebellum South and one of the most prolific literary writers of the nineteenth century. These two incomplete works—the pirate romance, "The Brothers of the Coast," and the folk fable, "Sir Will O' Wisp"—are representative of the some of the last major primary texts of Simms's expansive career. Recent scholarship about Simms, including William Gilmore Simms's Unfinished Civil War, reasserts the significance of Simms's postwar writing and makes this volume's contribution timely. Left unfinished at his death, these two substantial fragments represent the last of the major primary texts from the final phase of Simms's life to be published. Together, the texts provide greater insight into Simms's creative process, but more importantly, they show Simms continuing to wrestle with the issues he faced in the aftermath of the Civil War, and they document the creativity and courage that commitment represented—and required. The publication of these fragments makes possible a complete picture of this last phase of Simms's life, as he struggled with the consequences of a conflict that had become the defining event of his life, career, and region.
Author: Omry Ronen
Publisher: Routledge
ISBN: 1134415893
Category : History
Languages : en
Pages : 174
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Book Description
First Published in 2004. In this original study, Omry Ronen critically examines the term Silver Age, which over the years has gained such wide currency among historians and connoisseurs of twentieth-century Russian culture. His latest research deals with metahistorical and metaliterary value of influential poetic locutions, such as the image of Russia as the sphinx, or the concept of the Silver Age in Russian cultural history.
Author: William Gilmore Simms
Publisher: Univ of South Carolina Press
ISBN: 1611172969
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
During William Gilmore Simms's life (1806-1870), book reviews and critical essays became vital parts of American literary culture and intellectual discourse. Simms was an assiduous reviewer and essayist, proving by example the importance of those genres. William Gilmore Simms's Selected Reviews on Literature and Civilization publishes for the first time in book form sixty-two examples of the writer's hundreds of newspaper and periodical reviews and book notes as well as four important critical essays. Together, the reviews and essays reveal the regional, national, and international dimensions of Simms's intellectual interests. To frame the two distinct parts of Selected Reviews, James Everett Kibler, Jr., and David Moltke-Hansen have written a general introduction that considers the development of book reviewing and the authorship of essays in cultural and historical contexts. In part one, Kibler offers an introduction that examines Simms's reviewing habits and the aesthetic and critical values that informed the author's reviews. Kibler then publishes selected texts of reviews and provides historical and cultural backgrounds for each selection. Simms was an early proponent of the critical theories of Romantics such as William Wordsworth, Samuel Taylor Coleridge, and Edgar Allan Poe. Widely read in European history and literature, he reviewed works published in French, German, and classics in original Greek and Latin and in translation. Simms also was an early, ardent advocate of works of local color and of southern "backwoods" humorists of his day. Simms published notices of seven of Herman Melville's novels, the writings of Ralph Waldo Emerson, and favorably reviewed Henry David Thoreau's Walden; or, Life in the Woods. Simms published numerous review essays of twenty thousand or more words in literary journals and also republished two collections in book form. These volumes treated such subjects as Americanism in literature and the American Revolution in South Carolina. Yet, as part two of Selected Reviews demonstrates, Simms ranged much more widely in the intellectual milieu. Such cultural and political topics as the 1848 revolution in France, the history of the literary essay, the roles of women in the American Revolution, and the activities of the southern convention in Nashville in 1850 captured Simms's attention. Moltke-Hansen's introduction to part two examines Simms's roles in, and responses to, the Romantic critical revolution and the other revolutions then roiling Europe and America.
Author: Todd Hagstette
Publisher: Univ of South Carolina Press
ISBN: 1611177731
Category : History
Languages : en
Pages : 632
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Book Description
Engaging approaches to the vast output of South Carolina's premier man of letters William Gilmore Simms was the best known and certainly the most accomplished writer of the mid-nineteenth-century South. His literary ascent began early, with his first book being published when he was nineteen years old and his reputation as a literary genius secured before he turned thirty. Over a career that spanned nearly forty-five years, he established himself as the American South's premier man of letters—an accomplished poet, novelist, short fiction writer, essayist, historian, dramatist, cultural journalist, biographer, and editor. In Reading William Gilmore Simms, Todd Hagstette has created an anthology of critical introductions to Simms's major publications, including those recently brought back into print by the University of South Carolina Press, offering the first ever primer compendium of the author's vast output. Simms was a Renaissance man of American letters, lauded in his time by both popular audiences and literary icons alike. Yet the author's extensive output, which includes nearly eighty published volumes, can be a barrier to his study. To create a gateway to reading and studying Simms, Hagstette has assembled thirty-eight essays by twenty-four scholars to review fifty-five Simms works. Addressing all the author's major works, the essays provide introductory information and scholarly analysis of the most crucial features of Simms's literary achievement. Arranged alphabetically by title for easy access, the book also features a topical index for more targeted inquiry into Simms's canon. Detailing the great variety and astonishing consistency of Simms's thought throughout his long career as well as examining his posthumous reconsideration, Reading William Gilmore Simms bridges the author's genius and readers' growing curiosity. The only work of its kind, this book provides an essential passport to the far-flung worlds of Simms's fecund imagination.
Author: Richard Gravil
Publisher: OUP Oxford
ISBN: 019101964X
Category : Literary Criticism
Languages : en
Pages : 897
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Book Description
The Oxford Handbook of William Wordsworth deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.
