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Author: Daniel Brown
Publisher: Cambridge University Press
ISBN: 1107023378
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
The first study of poetry by Victorian scientists, a unique record of the nature and cultures of Victorian science.
Author: Daniel Brown
Publisher: Cambridge University Press
ISBN: 1107023378
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
The first study of poetry by Victorian scientists, a unique record of the nature and cultures of Victorian science.
Author: Barbara Barrow
Publisher: Routledge
ISBN: 0429575203
Category : Literary Collections
Languages : en
Pages : 185
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Book Description
Barrow’s timely book is the first to examine the link between Victorian poetry, the study of language, and political reform. Focusing on a range of literary, scientific, and political texts, Barrow demonstrates that nineteenth-century debates about language played a key role in shaping emergent ideas about popular sovereignty. While Victorian scientists studied the origins of speech, the history of dialects, and the barrier between human and animal language, poets such as Elizabeth Barrett Browning, Alfred Tennyson, and Thomas Hardy drew on this research to explore social unrest, the expansion of the electorate, and the ever-widening boundaries of empire. Science, Language, and Reform in Victorian Poetry recovers unacknowledged links between poetry, philology, and political culture, and contributes to recent movements in literary studies that combine historicist and formalist approaches.
Author: Tom McLeish
Publisher:
ISBN: 0198797990
Category : Philosophy
Languages : en
Pages : 372
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Book Description
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
Author: Peter H. Hoffenberg
Publisher: University of Pittsburgh Press
ISBN: 0822987066
Category : Science
Languages : en
Pages : 298
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Book Description
When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.
Author: Roland Jackson
Publisher: Oxford University Press
ISBN: 0198788959
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
"John Tyndall was a leading scientific figure in Victorian Britain, who established the physical basis of the greenhouse effect, and why the sky is blue. This rich biography describes the colourful life and achievements of this brilliant communicator, physicist, and mountaineer, who ascended from humble beginnings to the heart of Victorian society."--
Author: Robert Hunt
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 538
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Book Description
Author: Roland Jackson
Publisher: UCL Press
ISBN: 1787359107
Category : Poetry
Languages : en
Pages : 237
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Book Description
John Tyndall (1822–1893) is best known as a leading natural philosopher and trenchant public intellectual of the Victorian age. He discovered the physical basis of the greenhouse effect, explained why the sky is blue, and spoke and wrote controversially on the relationship between science and religion. Few people were aware that he also wrote poetry. The Poetry of John Tyndall contains his 76 extant poems, the majority of which have not been transcribed or published before, and are succinctly annotated in a style similar to that used for the letters published in The Correspondence of John Tyndall.The poems are complemented by an extended introduction, which was written by the three editors together as a multidisciplinary analysis. The essay aims to facilitate readings by a range of people interested in the history of Victorian science and of Victorian science and literature. It explores what the poems can tell us about Tyndall’s self-fashioning, his values and beliefs, and the role of poetry for him and his circle. More broadly, the essay addresses the relationship between the scientific and poetic imaginations, and wider questions of the nature and purpose of poetry in relation to science and religion in the nineteenth century.
Author: Nancy Rose Marshall
Publisher: Sci & Culture in the Nineteent
ISBN: 9780822946533
Category : Science
Languages : en
Pages : 432
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Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories--such as Darwin's theory of evolution and sexual selection--deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Author: Mike Sanders
Publisher: Cambridge University Press
ISBN: 0521899184
Category : History
Languages : en
Pages : 315
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Book Description
This book explores the contribution made by Chartist poetry to the struggle for fundamental democratic rights.
Author: Benjamin Morgan
Publisher: University of Chicago Press
ISBN: 022646220X
Category : Art
Languages : en
Pages : 380
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Book Description
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
