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Author: Frederick Reynolds
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 244
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Book Description
Author: Frederick Reynolds
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 244
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Book Description
Author: Frederick Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
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Book Description
Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040129129
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Author: Glen Colburn
Publisher: Cambridge Scholars Publishing
ISBN: 1443814857
Category : History
Languages : en
Pages : 305
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Book Description
The eleven essays collected in The English Malady: Enabling and Disabling Fictions adopt perspectives from a variety of disciplines—history, sociology, music, theater, and literary studies—in order to examine manifestations of and writing about hysteria in Europe during the long eighteenth century. The collection demonstrates not only that hysteria was an important cultural metaphor for the Enlightenment—a fact sometimes obscured by scholarly emphasis on the study of hysteria as a nineteenth and early twentieth-century phenomenon—but also that the period’s writers sometimes considered hysteria a blessing as well as a curse. Implicit in the various arguments of this collection is the suggestion that hysteria might be considered an expression of early modern ambivalence about the emergence of modernity.
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1443821802
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.
Author: Beryl Gray
Publisher: Routledge
ISBN: 1317035380
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Fascinated by them, unable to ignore them, and imaginatively stimulated by them, Charles Dickens was an acute and unsentimental reporter on the dogs he kept and encountered during a time when they were a burgeoning part of the nineteenth-century urban and domestic scene. As dogs inhabited Dickens’s city, so too did they populate his fiction, journalism, and letters. In the first book-length work of criticism on Dickens’s relationship to canines, Beryl Gray shows that dogs, real and invented, were intrinsic to Dickens’s vision and experience of London and to his representations of its life. Gray draws on an array of reminiscences by Dickens’s friends, family, and fellow writers, and also situates her book within the context of nineteenth-century attitudes towards dogs as revealed in the periodical press, newspapers, and institutional archives. Integral to her study is her analysis of Dickens’s texts in relationship to their illustrations by George Cruikshank and Hablot Knight Browne and to portraiture by late eighteenth- and nineteenth-century artists like Thomas Gainsborough and Edwin Landseer. The Dog in the Dickensian Imagination will not only enlighten readers and critics of Dickens and those interested in his life but will serve as an important resource for scholars interested in the Victorian city, the treatment of animals in literature and art, and attitudes towards animals in nineteenth-century Britain.
Author: Susan Valladares
Publisher: Routledge
ISBN: 1317050711
Category : Performing Arts
Languages : en
Pages : 472
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Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
Author: George Clinton Densmore Odell
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 582
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Book Description
Author: Dane Farnsworth Smith
Publisher: Bucknell University Press
ISBN: 9780838720745
Category : Drama
Languages : en
Pages : 310
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Book Description
This work is the late author's manuscript abridged and edited by M. L. Lawhon. It follows his earlier volume of similar title for the years 1671-1737, continuing that study through the remainder of the eighteenth century. In addition to Sheridan's Critic, the book treats little-known plays of the lesser playwrights of the period. Illustrated.
Author: Alex Eric Hernandez
Publisher:
ISBN: 0198846576
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life--and whose way of life--is grievable, as well as how mourning might be performed
