Author: Elise Kimerling Wirtschafter
Publisher:
ISBN:
Category : Enlightenment
Languages : en
Pages : 320
Book Description
How did educated 18th-century Russians view society? And how did they reconcile their professed ideals of equality with the monarchical political structures in which they lived? In this study, historian Elise Wirtschafter turns to literary plays to reconstruct the social thinking of the past and to discover how Russians of the Enlightenment understood themselves.
The Play of Ideas in Russian Enlightenment Theater
Theatre and Identity in Imperial Russia
Author: Catherine A. Schuler
Publisher: University of Iowa Press
ISBN: 1587298473
Category : History
Languages : en
Pages : 340
Book Description
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Publisher: University of Iowa Press
ISBN: 1587298473
Category : History
Languages : en
Pages : 340
Book Description
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Historical Dictionary of Russian Theatre
Author: Laurence Senelick
Publisher: Rowman & Littlefield
ISBN: 1442249277
Category : Performing Arts
Languages : en
Pages : 693
Book Description
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Publisher: Rowman & Littlefield
ISBN: 1442249277
Category : Performing Arts
Languages : en
Pages : 693
Book Description
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Beau Monde on Empires Edge
Author: Mayhill C. Fowler
Publisher: University of Toronto Press
ISBN: 1487501536
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index
Publisher: University of Toronto Press
ISBN: 1487501536
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index
Adventures in Russian Historical Research
Author: Samuel H. Baron
Publisher: Routledge
ISBN: 1317477731
Category : Education
Languages : en
Pages : 290
Book Description
American historians of Russia have always been an intrepid lot. Their research trips were spent not in Cambridge or Paris, Rome or Berlin, but in Soviet dormitories with official monitors. They were seeking access to a historical record that was purposefully shrouded in secrecy, boxed up and locked away in closed archives. Their efforts, indeed their curiosity itself, sometimes raised suspicion at home as well as in a Soviet Union that did not want to be known even while it felt misunderstood. This lively volume brings together the reflections of twenty leading specialists on Russian history representing four generations. They relate their experiences as historians and researchers in Russia from the first academic exchanges in the 1950s through the Cold War years, detente, glasnost, and the first post-Soviet decade. Their often moving, acutely observed stories of Russian academic life record dramatic change both in the historical profession and in the society that they have devoted their careers to understanding.
Publisher: Routledge
ISBN: 1317477731
Category : Education
Languages : en
Pages : 290
Book Description
American historians of Russia have always been an intrepid lot. Their research trips were spent not in Cambridge or Paris, Rome or Berlin, but in Soviet dormitories with official monitors. They were seeking access to a historical record that was purposefully shrouded in secrecy, boxed up and locked away in closed archives. Their efforts, indeed their curiosity itself, sometimes raised suspicion at home as well as in a Soviet Union that did not want to be known even while it felt misunderstood. This lively volume brings together the reflections of twenty leading specialists on Russian history representing four generations. They relate their experiences as historians and researchers in Russia from the first academic exchanges in the 1950s through the Cold War years, detente, glasnost, and the first post-Soviet decade. Their often moving, acutely observed stories of Russian academic life record dramatic change both in the historical profession and in the society that they have devoted their careers to understanding.
French and Russian in Imperial Russia
Author: Derek Offord
Publisher: Edinburgh University Press
ISBN: 0748695540
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This volume explores the impact of French on Russian language attitudes, especially among the literary community. It examines the ways in which perceptions of Russian francophonie helped to shape social, political and cultural identity as Russia began to seek space of its own in the European cultural landscape.
Publisher: Edinburgh University Press
ISBN: 0748695540
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This volume explores the impact of French on Russian language attitudes, especially among the literary community. It examines the ways in which perceptions of Russian francophonie helped to shape social, political and cultural identity as Russia began to seek space of its own in the European cultural landscape.
A Russian Merchant's Tale
Author: David L. Ransel
Publisher: Indiana University Press
ISBN: 0253352363
Category : Business enterprises
Languages : en
Pages : 353
Book Description
Based on the rare diary of an 18th-century Russian provincial merchant, A Russian Merchant's Tale presents a revealing portrait of Russia's little-known commercial class. By recording his daily contacts with a wide array of individuals from lords to laborers for more than 40 years, Ivan Alekseevich Tolchënov opened a window onto the education, work, birth, death, marriage, business, civic, holiday, and religious practices of a social group about which little has been known. Using the tools of microhistory to interpret the diary, David L. Ransel vividly brings to life Tolchënov's self-construction, his relations with family and society, and his entire world of aspirations, achievements, and failures. Challenging prevailing stereotypes of Russian merchants as tradition-bound and narrow-minded, A Russian Merchant's Tale offers important new insights into the social history of imperial Russia.
Publisher: Indiana University Press
ISBN: 0253352363
Category : Business enterprises
Languages : en
Pages : 353
Book Description
Based on the rare diary of an 18th-century Russian provincial merchant, A Russian Merchant's Tale presents a revealing portrait of Russia's little-known commercial class. By recording his daily contacts with a wide array of individuals from lords to laborers for more than 40 years, Ivan Alekseevich Tolchënov opened a window onto the education, work, birth, death, marriage, business, civic, holiday, and religious practices of a social group about which little has been known. Using the tools of microhistory to interpret the diary, David L. Ransel vividly brings to life Tolchënov's self-construction, his relations with family and society, and his entire world of aspirations, achievements, and failures. Challenging prevailing stereotypes of Russian merchants as tradition-bound and narrow-minded, A Russian Merchant's Tale offers important new insights into the social history of imperial Russia.
The Dramatic Works of Catherine the Great
Author: Lurana Donnels O'Malley
Publisher: Routledge
ISBN: 1351891413
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Molière, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.
Publisher: Routledge
ISBN: 1351891413
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Molière, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.
Word and Image in Russian History
Author: Maria di Salvo
Publisher: Academic Studies PRess
ISBN: 1618119494
Category : History
Languages : en
Pages : 346
Book Description
Word and Image invokes and honors the scholarly contributions of Gary Marker. Twenty scholars from Russia, the United Kingdom, Italy, Ukraine and the United States examine some of the main themes of Marker’s scholarship on Russia—literacy, education, and printing; gender and politics; the importance of visual sources for historical study; and the intersections of religious and political discourse in Imperial Russia. A biography of Marker, a survey of his scholarship, and a list of his publications complete the volume. Contributors: Valerie Kivelson, Giovanna Brogi (University of Milan), Christine Ruane (University of Tulsa), Elena Smilianskaia (Moscow), Daniela Steila (University of Turin), Nancy Kollmann (Stanford University), Daniel H. Kaiser (Grinnell College), Maria di Salvo (University of Milan), Cynthia Whittaker (City Univ. of New York), Simon Dixon (University of London), Evgenii Anisimov (St. Petersburg), Alexander Kamenskii (Higher School of Economics, Moscow), Janet Hartley (London School of Economics), Olga Kosheleva (Moscow State University), Maksim Yaremenko (Kyiv), Patrick O'Meara (University of Durham), Roger Bartlett (London), Joseph Bradley (University of Tulsa), Robert Weinberg (Swarthmore College)
Publisher: Academic Studies PRess
ISBN: 1618119494
Category : History
Languages : en
Pages : 346
Book Description
Word and Image invokes and honors the scholarly contributions of Gary Marker. Twenty scholars from Russia, the United Kingdom, Italy, Ukraine and the United States examine some of the main themes of Marker’s scholarship on Russia—literacy, education, and printing; gender and politics; the importance of visual sources for historical study; and the intersections of religious and political discourse in Imperial Russia. A biography of Marker, a survey of his scholarship, and a list of his publications complete the volume. Contributors: Valerie Kivelson, Giovanna Brogi (University of Milan), Christine Ruane (University of Tulsa), Elena Smilianskaia (Moscow), Daniela Steila (University of Turin), Nancy Kollmann (Stanford University), Daniel H. Kaiser (Grinnell College), Maria di Salvo (University of Milan), Cynthia Whittaker (City Univ. of New York), Simon Dixon (University of London), Evgenii Anisimov (St. Petersburg), Alexander Kamenskii (Higher School of Economics, Moscow), Janet Hartley (London School of Economics), Olga Kosheleva (Moscow State University), Maksim Yaremenko (Kyiv), Patrick O'Meara (University of Durham), Roger Bartlett (London), Joseph Bradley (University of Tulsa), Robert Weinberg (Swarthmore College)
Breaking the Ties That Bound
Author: Barbara Alpern Engel
Publisher: Cornell University Press
ISBN: 0801460697
Category : History
Languages : en
Pages : 297
Book Description
Russia's Great Reforms of 1861 were sweeping social and legal changes that aimed to modernize the country. In the following decades, rapid industrialization and urbanization profoundly transformed Russia's social, economic, and cultural landscape. Barbara Alpern Engel explores the personal, cultural, and political consequences of these dramatic changes, focusing on their impact on intimate life and expectations and the resulting challenges to the traditional, patriarchal family order, the cornerstone of Russia's authoritarian political and religious regime. The widely perceived "marriage crisis" had far-reaching legal, institutional, and political ramifications. In Breaking the Ties That Bound, Engel draws on exceptionally rich archival documentation—in particular, on petitions for marital separation and the materials generated by the ensuing investigations—to explore changing notions of marital relations, domesticity, childrearing, and intimate life among ordinary men and women in imperial Russia. Engel illustrates with unparalleled vividness the human consequences of the marriage crisis. Her research reveals in myriad ways that the new and more individualistic values of the capitalist marketplace and commercial culture challenged traditional definitions of gender roles and encouraged the self-creation of new social identities. Engel captures the intimate experiences of women and men of the lower and middling classes in their own words, documenting instances not only of physical, mental, and emotional abuse but also of resistance and independence. These changes challenged Russia's rigid political order, forcing a range of state agents, up to and including those who spoke directly in the name of the tsar, to rethink traditional understandings of gender norms and family law. This remarkable social history is thus also a contribution to our understanding of the deepening political crisis of autocracy.
Publisher: Cornell University Press
ISBN: 0801460697
Category : History
Languages : en
Pages : 297
Book Description
Russia's Great Reforms of 1861 were sweeping social and legal changes that aimed to modernize the country. In the following decades, rapid industrialization and urbanization profoundly transformed Russia's social, economic, and cultural landscape. Barbara Alpern Engel explores the personal, cultural, and political consequences of these dramatic changes, focusing on their impact on intimate life and expectations and the resulting challenges to the traditional, patriarchal family order, the cornerstone of Russia's authoritarian political and religious regime. The widely perceived "marriage crisis" had far-reaching legal, institutional, and political ramifications. In Breaking the Ties That Bound, Engel draws on exceptionally rich archival documentation—in particular, on petitions for marital separation and the materials generated by the ensuing investigations—to explore changing notions of marital relations, domesticity, childrearing, and intimate life among ordinary men and women in imperial Russia. Engel illustrates with unparalleled vividness the human consequences of the marriage crisis. Her research reveals in myriad ways that the new and more individualistic values of the capitalist marketplace and commercial culture challenged traditional definitions of gender roles and encouraged the self-creation of new social identities. Engel captures the intimate experiences of women and men of the lower and middling classes in their own words, documenting instances not only of physical, mental, and emotional abuse but also of resistance and independence. These changes challenged Russia's rigid political order, forcing a range of state agents, up to and including those who spoke directly in the name of the tsar, to rethink traditional understandings of gender norms and family law. This remarkable social history is thus also a contribution to our understanding of the deepening political crisis of autocracy.