Author: Nicola Courtright
Publisher: Cambridge University Press
ISBN: 9780521624374
Category : Art
Languages : en
Pages : 344
Book Description
From his election in 1572 to his death in 1585, Pope Gregory XIII spent a great deal of money on the building and restoration of Rome's streets, churches and public monuments. One major monument, the three-story apartment rising from the Vatican Palace called the Tower of the Winds, was built to celebrate the most famous achievement of Gregory's papacy, the calendar reform. Its innovations in architecture and decoration and its wider religious and political purpose are the subject of this book.
The Papacy and the Art of Reform in Sixteenth-Century Rome
Author: Nicola Courtright
Publisher: Cambridge University Press
ISBN: 9780521624374
Category : Art
Languages : en
Pages : 344
Book Description
From his election in 1572 to his death in 1585, Pope Gregory XIII spent a great deal of money on the building and restoration of Rome's streets, churches and public monuments. One major monument, the three-story apartment rising from the Vatican Palace called the Tower of the Winds, was built to celebrate the most famous achievement of Gregory's papacy, the calendar reform. Its innovations in architecture and decoration and its wider religious and political purpose are the subject of this book.
Publisher: Cambridge University Press
ISBN: 9780521624374
Category : Art
Languages : en
Pages : 344
Book Description
From his election in 1572 to his death in 1585, Pope Gregory XIII spent a great deal of money on the building and restoration of Rome's streets, churches and public monuments. One major monument, the three-story apartment rising from the Vatican Palace called the Tower of the Winds, was built to celebrate the most famous achievement of Gregory's papacy, the calendar reform. Its innovations in architecture and decoration and its wider religious and political purpose are the subject of this book.
The Power and the Glorification
Author: Jan L. de Jong
Publisher: Penn State Press
ISBN: 0271062371
Category : Art
Languages : en
Pages : 207
Book Description
Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.
Publisher: Penn State Press
ISBN: 0271062371
Category : Art
Languages : en
Pages : 207
Book Description
Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.
The Invention of Papal History
Author: Stefan Bauer
Publisher:
ISBN: 0198807007
Category : History
Languages : en
Pages : 275
Book Description
The Catholic Church is among the oldest, most secretive, institutions in the world, but in the sixteenth century a friar, Onofrio Panvinio, undertook ground-breaking investigations into the Church's history from Christ to the Renaissance. This study shows how his writings impacted on church and society, but also how he changed historical writing.
Publisher:
ISBN: 0198807007
Category : History
Languages : en
Pages : 275
Book Description
The Catholic Church is among the oldest, most secretive, institutions in the world, but in the sixteenth century a friar, Onofrio Panvinio, undertook ground-breaking investigations into the Church's history from Christ to the Renaissance. This study shows how his writings impacted on church and society, but also how he changed historical writing.
Rome
Author: Marcia B. Hall
Publisher: Cambridge University Press
ISBN: 9780521624459
Category : Art
Languages : en
Pages : 424
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521624459
Category : Art
Languages : en
Pages : 424
Book Description
Publisher Description
Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece
Author: Steven J. Cody
Publisher: BRILL
ISBN: 9004431934
Category : Art
Languages : en
Pages : 312
Book Description
Over the course of his career, Andrea del Sarto (1486–1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea’s paintings speak to a profound engagement with Christian theories of spiritual renewal—an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective, Andrea del Sarto — Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself.
Publisher: BRILL
ISBN: 9004431934
Category : Art
Languages : en
Pages : 312
Book Description
Over the course of his career, Andrea del Sarto (1486–1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea’s paintings speak to a profound engagement with Christian theories of spiritual renewal—an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective, Andrea del Sarto — Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself.
A Dictionary of Popes
Author: Aubrey Attwater
Publisher:
ISBN: 0199295816
Category :
Languages : en
Pages : 373
Book Description
Publisher:
ISBN: 0199295816
Category :
Languages : en
Pages : 373
Book Description
The Sensuous in the Counter-Reformation Church
Author: Marcia B. Hall
Publisher: Cambridge University Press
ISBN: 1107013232
Category : Art
Languages : en
Pages : 357
Book Description
This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.
Publisher: Cambridge University Press
ISBN: 1107013232
Category : Art
Languages : en
Pages : 357
Book Description
This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.
A Companion to Gregory the Great
Author: Bronwen Neil
Publisher: BRILL
ISBN: 9004257764
Category : Religion
Languages : en
Pages : 453
Book Description
What made Pope Gregory I “great”? If the Middle Ages had no difficulty recognizing Gregory as one of its most authoritative points of reference, modern readers have not always found this question as easy to answer. As with any great figure, however, there are two sides to Gregory – the historical and the universal. The contributors to this handbook look at Gregory’s “greatness” from both of these angles: what made Gregory stand out among his contemporaries; and what is unique about Gregory’s contribution through his many written works to the development of human thought and described human experience. Contributors include: Jane Baun, Philip Booth, Matthew Dal Santo, Scott DeGregorio, George E. Demacopoulos, Bernard Green, Ann Kuzdale, Stephen Lake, Andrew Louth, Constant J. Mews, John Moorhead, Barbara Müller, Bronwen Neil, Richard M. Pollard, Claire Renkin, Cristina Ricci, and Carole Straw.
Publisher: BRILL
ISBN: 9004257764
Category : Religion
Languages : en
Pages : 453
Book Description
What made Pope Gregory I “great”? If the Middle Ages had no difficulty recognizing Gregory as one of its most authoritative points of reference, modern readers have not always found this question as easy to answer. As with any great figure, however, there are two sides to Gregory – the historical and the universal. The contributors to this handbook look at Gregory’s “greatness” from both of these angles: what made Gregory stand out among his contemporaries; and what is unique about Gregory’s contribution through his many written works to the development of human thought and described human experience. Contributors include: Jane Baun, Philip Booth, Matthew Dal Santo, Scott DeGregorio, George E. Demacopoulos, Bernard Green, Ann Kuzdale, Stephen Lake, Andrew Louth, Constant J. Mews, John Moorhead, Barbara Müller, Bronwen Neil, Richard M. Pollard, Claire Renkin, Cristina Ricci, and Carole Straw.
Keepers of the Keys of Heaven
Author: Roger Collins
Publisher: Basic Books
ISBN: 0786744189
Category : History
Languages : en
Pages : 596
Book Description
One of the most enduring and influential of all human institutions, the papacy has also been amongst the most controversial. No one who seeks to make sense of modern issues within Christendom -- or, indeed, world history -- can neglect the vital shaping role of the popes. In Keepers of the Keys of Heaven, eminent religion scholar Roger Collins offers a masterful account of the entire arc of papal history -- from the separation of the Greek and Latin churches to the contemporary controversies that threaten the unity of the one billion-strong worldwide Catholic community. A definitive and accessible guide to what is arguably the world's most vaunted office, Keepers of the Keys of Heaven is essential reading for anyone interested in the role of faith in the shaping of our world.
Publisher: Basic Books
ISBN: 0786744189
Category : History
Languages : en
Pages : 596
Book Description
One of the most enduring and influential of all human institutions, the papacy has also been amongst the most controversial. No one who seeks to make sense of modern issues within Christendom -- or, indeed, world history -- can neglect the vital shaping role of the popes. In Keepers of the Keys of Heaven, eminent religion scholar Roger Collins offers a masterful account of the entire arc of papal history -- from the separation of the Greek and Latin churches to the contemporary controversies that threaten the unity of the one billion-strong worldwide Catholic community. A definitive and accessible guide to what is arguably the world's most vaunted office, Keepers of the Keys of Heaven is essential reading for anyone interested in the role of faith in the shaping of our world.
Charlemagne and Rome
Author: Joanna Story
Publisher: Oxford University Press
ISBN: 0199206341
Category :
Languages : en
Pages : 428
Book Description
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.
Publisher: Oxford University Press
ISBN: 0199206341
Category :
Languages : en
Pages : 428
Book Description
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.