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Author: Alois Riegl
Publisher: Getty Publications
ISBN: 1606060414
Category : Architecture
Languages : en
Pages : 294
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Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author: Alois Riegl
Publisher: Getty Publications
ISBN: 1606060414
Category : Architecture
Languages : en
Pages : 294
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Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author: Andrea Bacchi
Publisher: Getty Publications
ISBN: 0892369329
Category : Portrait sculpture, Baroque
Languages : en
Pages : 338
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Book Description
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
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ISBN:
Category : Arts and society
Languages : en
Pages : 0
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Author: Gauvin Alexander Bailey
Publisher:
ISBN: 9781442610309
Category : Art
Languages : en
Pages : 0
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Book Description
Between Renaissance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesù and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo. Based on extensive new archival research from Rome, Florence, Parma, and Perugia, Gauvin Alexander Bailey's study presents an original, revisionist treatment of Italian painting in the last four decades of the sixteenth century, a critical transitional period between Renaissance and Baroque. Bailey relates the Jesuit painting cycles to the great religious and intellectual climate of the period, isolates the new stylistic trends which appeared after the Council of Trent, and looks at the different ways in which artists met the challenges for devotional art made by the religious climate of the post-Tridentine period. Bailey also succeeds in providing the first ever written reconstructions of the Jesuit churches of S. Tommaso di Canterbury, S. Saba, and S. Apollinare, and the original novitiate complex of S. Andrea al Quirinale, the site of the most complex and original hospital decoration in late Renaissance Italy. Through these reconstructions, Bailey sheds new light on such works as Louis Richeôme's meditation manual on the paintings at S. Andrea, Le peinture spirituelle, a lively and detailed treatise on late Renaissance art that has never before been the subject of a thorough study. Ultimately, Bailey provides us with a new understanding of the stylistic and iconographic strands which shortly afterward were woven together to form the Baroque.
Author: Dorothy Metzger Habel
Publisher: Penn State Press
ISBN: 0271055731
Category : Architecture
Languages : en
Pages : 250
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Book Description
"Analyzes the politics and economics of architecture and the building process in seventeenth-century Rome. Explores topics ranging from the financing of construction to the availability of materials and personnel"--Provided by publisher.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538111292
Category : Art
Languages : en
Pages : 692
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Book Description
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Author: Alessandro Angelini
Publisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 178
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Book Description
Reconsidering the terminology art historians use to describe 17th-century Roman sculpture, this history examines how famous artists, such as Bernini, Alessandro Algardi, François Duquesnoy, and lesser-known artists influenced one another during this period. Artistic events and completed works are presented in chronological order with an emphasis on the workshop relationships that allowed accomplished sculptors to apprentice younger artists. The use of Venetian-derived color, sublime accents, and travertine and marble that marked this era created a thoroughly modern Rome as statues and other examples of sculpture were placed in gardens, homes, and churches.
Author: Edgar Peters Bowron
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
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Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Author: Rolf Toman
Publisher: H.F.Ullmann Publishing
ISBN: 9783848004034
Category : Architecture, Baroque
Languages : en
Pages : 0
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Book Description
An in-depth study of moving works of art from various European countries.
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ISBN: 9789463887311
Category :
Languages : en
Pages :
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