Essential Dictionary of Orchestration PDF Download
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Author: Dave Black
Publisher: Alfred Music
ISBN: 1457412993
Category : Music
Languages : en
Pages : 357
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Book Description
At last, an orchestration book tailor-made for the classroom musician on a budget. Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this thoroughly comprehensive dictionary full of the most needed information on over 150 instruments. Designed for quick and easy reference, the Essential Dictionary of Orchestration includes those much-needed instrument ranges, general characteristics, tone quality descriptions, technical pitfalls, useful scoring tips and much more!
Author: Dave Black
Publisher: Alfred Music
ISBN: 1457412993
Category : Music
Languages : en
Pages : 357
Get Book Here
Book Description
At last, an orchestration book tailor-made for the classroom musician on a budget. Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this thoroughly comprehensive dictionary full of the most needed information on over 150 instruments. Designed for quick and easy reference, the Essential Dictionary of Orchestration includes those much-needed instrument ranges, general characteristics, tone quality descriptions, technical pitfalls, useful scoring tips and much more!
Author: William Lovelock
Publisher: Collins Educational
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 180
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Book Description
Author: Sandy Goldie
Publisher: Hal Leonard Corporation
ISBN: 1574634992
Category : Music
Languages : en
Pages : 104
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Book Description
(Meredith Music Resource). In this highly informative compendium, nationally renowned orchestra directors share their unique expertise concerning rehearsal philosophy, intonation, tone and bow control, setup and fundamentals, articulation, planning, warm-ups, recruiting, community building, and more. These educators have honed their skills through years of experience and have inspired countless young musicians. Each chapter presents their insights and individual approaches to developing musical excellence in their students. As an added benefit, the book includes lists of the authors' favorite composers, arrangers, and works for grades 1-4.
Author: Carolyn Sloan
Publisher: Workman Publishing
ISBN: 0761176470
Category : Juvenile Nonfiction
Languages : en
Pages : 35
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Book Description
Using one of the most famous works in classical music—Beethoven’s Fifth Symphony—here is the perfect way to introduce a young child to the world of classical music. This charming and interactive picture book with its panel of 19 sound buttons is like a ticket to a concert hall, taking readers on a journey from the exciting first moment when the musicians begin tuning up to the end of the first movement (attention newcomers: don’t clap yet!). At each step of the way, readers learn the basics of classical music and the orchestra: What is a conductor? What is a symphony? Who was Beethoven? The different aspects of music: melody, harmony, tempo, theme. And the families of instruments—strings, woodwinds, brass, and percussion. But the best part is that every critical idea is illustrated in gorgeous sound. The sound panel allows readers to hear the different parts of the symphony and voices of the music—the famous beginning of the Fifth, what a clarinet sounds like, the difference between a violin and a viola, what a melody is, and what harmony is. Kids will want to match their voices to the A note that tunes the orchestra, dance to the rhythmic passages—and, of course, sing along to da-da-da-daah!
Author: Nikolay Rimsky-Korsakov
Publisher: e-artnow
ISBN:
Category : Music
Languages : en
Pages : 430
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Book Description
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
Author: Peter L. Alexander
Publisher: Alexander University, Incorporated
ISBN: 9780939067930
Category : Music
Languages : en
Pages : 693
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Book Description
Alexander details dozens of woodwind and brass writing techniques previously known by only a few top professional film orchestrators, composers, and arrangers which are applicable to both live performance and MIDI mock-ups.
Author: Samuel Z. Solomon
Publisher: Oxford University Press
ISBN: 0199920346
Category : Music
Languages : en
Pages : 313
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Book Description
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. Samuel Z. Solomon, himself a percussionist and teacher, offers How to Write for Percussion to fill this longstanding need. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover the tools a composer needs to comfortably create innovative and skilled percussion composition. Featuring an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis, How to Write for Percussion is sure to appeal to a wide swath of musicians and composers. Those familiar with the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will find his insights illuminating. Book jacket.
Author: Steven Suskin
Publisher: Oxford University Press
ISBN: 0199718822
Category : Music
Languages : en
Pages : 673
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Book Description
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
Author: F. Corder
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
From the Introduction.In most works on this subject it is assumed that the student is far advanced in the study of Counterpoint and Composition, besides possessing a cultivated car and an ability to imagine the quality and intensity of sounds from written notes. Eminently desirable as these qualifications are, experience shows that those who possess them are the few excellent musicians for whom a book on orchestration is of least importance. The less gifted, who may at one time or another write a song, a valse, a march, an operetta or a cantata and have an opportunity of getting it performed by a more or less complete orchestra (generally the latter}, these are the individuals who need most help and for whose use a practical manual should be chiefly designed.In England at the present day the following resources are most common: 1) The String Band, usually amateurs and mostly consisting of a quantity of indifferent violins, one or two violas and cellos and a hired double-bass. Occasionally it has a flute or some other wind instrument but it never becomes a real orchestra. This is to be found everywhere and composers should learn how to write for it. 2) The Theatre Band, consisting of from eight to thirty mixed stringed and wind instruments selected on the Darwinian principle -- that is, the survival of the strongest. This needs considerable skill to write for effectively. 3) The Brass Band: a growing power in the North of England. This needs so much special knowledge to write for that we must reluctantly leave it out of question. 4) The Wind Band, such as is found on piers and other open-air places of entertainment. About this all manuals are silent, but we shall endeavour to tell something about it. The less common kinds of orchestra are 5) The Full Band (so-called) such as is found at Promenade Concerts and the like. This is only the Theatre Band on a rather larger scale and is generally ill-balanced and with inferior players for the subordinate instruments." 6) The Small Orchestra, by which is meant the collection of instruments for which Mozart and Beethoven generally wrote, but with a generous preponderance of strings. 7.) The Full Orchestra, a thing only to be met with at the principal London and provincial concerts or festivals. Hitherto classes 6 and 7 have alone been considered in books on orchestration. We shall now attempt to supply the deficiency.
Author: Chigozie Obioma
Publisher: Hachette UK
ISBN: 0316412414
Category : Fiction
Languages : en
Pages : 464
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Book Description
A heartbreaking story about a Nigerian poultry farmer who sacrifices everything to win the woman he loves, by Man Booker Finalist and author of The Fishermen, Chigozie Obioma. "It is more than a superb and tragic novel; it's a historical treasure."-Boston Globe Set on the outskirts of Umuahia, Nigeria and narrated by a chi, or guardian spirit, An Orchestra of Minorities tells the story of Chinonso, a young poultry farmer whose soul is ignited when he sees a woman attempting to jump from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his prized chickens into the water below to express the severity of such a fall. The woman, Ndali, is stopped her in her tracks. Bonded by this night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family and struggles to imagine a future near a chicken coop. When her family objects to the union because he is uneducated, Chinonso sells most of his possessions to attend a college in Cyprus. But when he arrives he discovers there is no place at the school for him, and that he has been utterly duped by the young Nigerian who has made the arrangements... Penniless, homeless, and furious at a world which continues to relegate him to the sidelines, Chinonso gets further away from his dream, from Ndali and the farm he called home. Spanning continents, traversing the earth and cosmic spaces, and told by a narrator who has lived for hundreds of years, the novel is a contemporary twist of Homer's Odyssey. Written in the mythic style of the Igbo literary tradition, Chigozie Obioma weaves a heart-wrenching epic about destiny and determination.
