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Author: William R. Johnston
Publisher: JHU Press
ISBN: 9780801860409
Category : Antiques & Collectibles
Languages : en
Pages : 352
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Book Description
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
Author: William R. Johnston
Publisher: JHU Press
ISBN: 9780801860409
Category : Antiques & Collectibles
Languages : en
Pages : 352
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Book Description
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
Author: Walters Art Gallery
Publisher:
ISBN: 9780911886191
Category :
Languages : en
Pages :
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Book Description
Author: Walters Art Gallery (Baltimore, Md.)
Publisher: Walters Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 210
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Book Description
Author: Natalie Zemon Davis
Publisher: Walters Art Gallery
ISBN: 9780911886788
Category : Africans in art
Languages : en
Pages : 143
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Book Description
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Author: Stanley Mazaroff
Publisher: JHU Press
ISBN: 1421424444
Category : Antiques & Collectibles
Languages : en
Pages : 342
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Book Description
Cover -- Half Title -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Prologue -- CHAPTER ONE: The Cultivation of Lucas -- CHAPTER TWO: The Wandering Road to Paris -- CHAPTER THREE: Lucas and Paris in a Time of Transition -- CHAPTER FOUR: Lucas and Whistler -- CHAPTER FIVE: The Links to Lucas -- CHAPTER SIX: From Ecouen to Barbizon -- CHAPTER SEVEN: M, Eugène, and Maud -- CHAPTER EIGHT: When Money Is No Object -- CHAPTER NINE: The Lucas Collection -- CHAPTER TEN: The Final Years -- CHAPTER ELEVEN: The Terms of Lucas's Will -- CHAPTER TWELVE: A Collection in Search of a Home -- CHAPTER THIRTEEN: The Shot across the Bow -- CHAPTER FOURTEEN: The Glorification of Lucas -- CHAPTER FIFTEEN: In Judge Kaplan's Court -- CHAPTER SIXTEEN: Lucas Saved -- Postscript -- Appendix -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Author: Stanley Mazaroff
Publisher: JHU Press
ISBN: 1421440466
Category : Art
Languages : en
Pages : 247
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Book Description
Collecting Italian Renaissance paintings during America’s Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff’s fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era’s preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America’s cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America’s “Great Temple of Art.” With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelangelo, Walters’s collection was compared favorably with the great collections in London, Paris, and Berlin. In the midst of this fanfare, Berenson contacted Walters and offered to analyze his collection, sell him additional paintings, and write a scholarly catalogue that would trumpet the collection on both sides of the Atlantic. What Berenson offered was what Walters desperately needed—a badge of scholarship that Berenson’s invaluable imprimatur would undoubtedly bring. By 1912, Walters had become Berenson’s most active client, their business alliance wrapped in a warm and personal friendship. But this relationship soon became strained and was finally severed by a confluence of broken promises, inattention, deceit, and ethical conflict. To Walters’s chagrin, Berenson swept away the self-portraits allegedly by Raphael and Michelangelo and publicly scorned paintings that he was supposed to praise. Though painful to Walters, Berenson’s guidance ultimately led to a panoramic collection that beautifully told the great history of Italian Renaissance painting. Based primarily on correspondence and other archival documents recently discovered at the Walters Art Museum and the Villa I Tatti in Florence, the intriguing story of Walters and Berenson offers unusual insight into the pleasures and perils of collecting Italian Renaissance paintings, the ethics in the marketplace, and the founding of American art museums.
Author: Jay McKean Fisher
Publisher: Pennsylvania State University Press
ISBN: 0271026820
Category : Art
Languages : en
Pages : 389
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Book Description
Rarely seen drawings and watercolors by some of the most influential French artists of the nineteenth century are the subject of this richly illustrated publication from The Baltimore Museum of Art and the Walters Art Museum. From revealing preparatory sketches to exquisite finished watercolors, more than 100 works by artists such as Eugene Delacroix, Honore Daumier, Paul Cezanne, and Edgar Degas illuminate the range of French art over the course of a century of innovation. The BMA and the Walters have combined holdings of more than 900 French drawings from the nineteenth century, one of the nation's strongest and richest collections of French art from this period. The publication also includes works from the Peabody Institute Art Collection of the Maryland State Archives. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The catalogue includes essays by Jay McKean Fisher, William R. Johnston, and Cheryl K. Snay that provide insights into the artistic, commercial, and social functions that drawings served for their creators and collectors, as well as how collecting patterns influenced the development of modernism. Conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes in technique as well as style. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and the Walters Art Museum, this book presents a panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online database of more than 900 nineteenth-century French drawings in the holdings of these Baltimore museums.
Author: Walters Art Museum (Baltimore, Md.)
Publisher: Giles
ISBN: 9781907804052
Category : Art
Languages : en
Pages : 0
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Book Description
This stunning volume presents nearly 150 pre-Columbian works from the collection assembled by John Bourne in the 1950s and 1960s.
Author: Martina Bagnoli
Publisher:
ISBN: 9780714123301
Category : Christian art and symbolism
Languages : en
Pages : 259
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Book Description
Keynote A magnificent study of the beautifully crafted Medieval reliquaries that enshrined holy relics, and their wider historical, cultural, political and religious context Sales points Published in conjunction with Walters Art Museum and the Cleveland Museum of Art to accompany a major touring exhibition, at the British Museum 23 June 9 October 2011 No equivalent book on this fascinating subject An important reference work drawing on the latest scholarship, which will be of value far beyond the exhibition Description Drawing on three major museum holdings as well as featuring iconic pieces from other international public and private collections, this richly illustrated book looks at the phenomenon of holy relics in the Middle Ages. Thematic essays and object entries by leading scholars trace the history and development of the cult of relics, from its beginnings in late Roman funerary practices to its rise in both the Byzantine East and the West. Contributors Derek Krueger, Eric Palazzo, Arnoldt Angenendt, Martina Bagnoli, Holger A. Klein, Barbara Boehm, Guido Cornini, Cynthia Hahn, James Robinson, Alexander Nagel, C. Griffith Mann
Author: Walters Art Gallery (Baltimore, Md.)
Publisher: Scala Books
ISBN: 9781857592269
Category : Art
Languages : en
Pages : 0
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Book Description
The 19th-century holdings of the Walters Art Gallery are unique among museum collections of art from this period. Not only were William T. Walters and his son Henry unique in collecting the art of their own 'Gilded Age', but they also acquired works across many key artistic periods. This new title presents the highlights of this amazing collection. These include paintings by Ingres and Delacroix, landscapes by painters associated with the Barbizon school and the 'transportation' series of watercolors that William Walters bought from Honore Daumier in 1864. However, it is in the field of academic art, which dominated French art during the Second Empire (1852-70) that The Walters excels.
