The New Grove Dictionary of Music and Musicians: Nisard to Palestrina PDF Download
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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1012
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Book Description
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1012
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Book Description
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 978
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Book Description
Author: Israel J. Katz
Publisher:
ISBN:
Category : Folk dancing
Languages : en
Pages : 390
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Book Description
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
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Book Description
Author: Stanley Sadie
Publisher:
ISBN: 9780333913987
Category : Music
Languages : en
Pages : 0
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Book Description
Author: John Haines
Publisher: Cambridge University Press
ISBN: 1139451790
Category : Music
Languages : en
Pages : 361
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Book Description
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
Author: Henry George Farmer
Publisher: Franklin Classics
ISBN: 9780343263867
Category :
Languages : en
Pages : 444
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 764
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Book Description
Includes its Report, 1896-19 .
Author: H. Lenskyj
Publisher: Springer
ISBN: 113729115X
Category : Sports & Recreation
Languages : en
Pages : 167
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Book Description
This book explores how the Olympic industry has shaped hegemonic concepts of sporting masculinities and femininities for its own profit and image-making ends, examining its continuing marginalization of athletes on account of their race, ethnicity, gender, sexuality and class.
Author: Barrie Jones
Publisher: Routledge
ISBN: 1135950253
Category : Music
Languages : en
Pages : 780
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Book Description
The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
