The New Avant-garde in Italy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The New Avant-garde in Italy PDF full book. Access full book title The New Avant-garde in Italy by John Picchione. Download full books in PDF and EPUB format.
Author: John Picchione
Publisher: University of Toronto Press
ISBN: 9780802089946
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia. In The New Avant-Garde in Italy - the first book in English to document the movement - John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of the neoavanguardia and to show how they are applied to the poetic practices of its authors. The neoavanguardia cannot, Picchione argues, be defined as a movement with a unified program expressed in the form of manifestos or shared theoretical principles. It experiences irreconcilable internal conflicts that are explored as a split between two main blocs - one that is tied to the project of modernity, the other to post-modern aesthetic postures. This study suggests that some of the contentious views proposed by the neoavanguardia anticipated a wide range of issues that continue to be significant and pressing to this day.
Author: John Picchione
Publisher: University of Toronto Press
ISBN: 9780802089946
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia. In The New Avant-Garde in Italy - the first book in English to document the movement - John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of the neoavanguardia and to show how they are applied to the poetic practices of its authors. The neoavanguardia cannot, Picchione argues, be defined as a movement with a unified program expressed in the form of manifestos or shared theoretical principles. It experiences irreconcilable internal conflicts that are explored as a split between two main blocs - one that is tied to the project of modernity, the other to post-modern aesthetic postures. This study suggests that some of the contentious views proposed by the neoavanguardia anticipated a wide range of issues that continue to be significant and pressing to this day.
Author: Alex Coles
Publisher:
ISBN:
Category : Art and architecture
Languages : en
Pages : 228
Get Book Here
Book Description
This long-awaited first title in a new series from design historian Alex
Author: Nicolas Fernandez-Medina
Publisher: Routledge
ISBN: 1317434064
Category : Literary Criticism
Languages : en
Pages : 313
Get Book Here
Book Description
This interdisciplinary volume interrogates bodily thinking in avant-garde texts from Spain and Italy during the early twentieth century and their relevance to larger modernist preoccupations with corporeality. It examines the innovative ways Spanish and Italian avant-gardists explored the body as a locus for various aesthetic and sociopolitical considerations and practices. In reimagining the nexus points where the embodied self and world intersect, the texts surveyed in this book not only shed light on issues such as authority, desire, fetishism, gender, patriarchy, politics, religion, sexuality, subjectivity, violence, and war during a period of unprecedented change, but also explore the complexities of aesthetic and epistemic rupture (and continuity) within Spanish and Italian modernisms. Building on contemporary scholarship in Modernist Studies and avant-garde criticism, this volume brings to light numerous cross-cultural touch points between Spain and Italy, and challenges the center/periphery frameworks of European cultural modernism. In linking disciplines, genres, —isms, and geographical spheres, the book provides new lenses through which to explore the narratives of modernist corporeality. Each contribution centers around the question of the body as it was actively being debated through the medium of poetic, literary, and artistic exchange, exploring the body in its materiality and form, in its sociopolitical representation, relation to Self, cultural formation, spatiality, desires, objectification, commercialization, and aesthetic functions. This comparative approach to Spanish and Italian avant-gardism offers readers an expanded view of the intersections of body and text, broadening the conversation in the larger fields of cultural modernism, European Avant-garde Studies, and Comparative Literature.
Author: Ara H. Merjian
Publisher: University of Chicago Press
ISBN: 022665527X
Category : Avant-garde
Languages : en
Pages : 285
Get Book Here
Book Description
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
Author: Rosemary K. West
Publisher: CreateSpace
ISBN: 9781517037796
Category :
Languages : en
Pages : 36
Get Book Here
Book Description
The early 20th century is often referred to as an age of isms. There was a great proliferation of political, literary and artistic movements throughout Europe, all aimed at changing some aspect of society. Today we refer to these movements collectively as modernism. But for some people, modernization just wasn't happening fast enough. A group of Italian writers and artists who called themselves Futurists were frustrated by the sense that Italy was stuck in the past. They felt that Italian culture was stagnating, still resting on accomplishments that dated back to the Renaissance. So they decided to shake things up. Equating museums and libraries with cemeteries, calling for the destruction and rebuilding of cities, and demanding the removal of pasta from the Italian cuisine, Futurism was positioned as a total rejection of the past with the goal of replacing nearly all of contemporary culture with a completely original design for the future. Italian Futurism was very much a product of its time and place. The social, political and intellectual atmosphere of Europe was generating excitement, upheaval, and all kinds of creative ideas. The past gave the Futurists something to rebel against. The present gave them motivation. All the different schools of thought that were developing around them were interacting and inspiring each other to go even farther and do even more. Futurism was often crazy and over the top, but it was the first organized avant-garde movement of the 20th century. Although Futurism as an organized movement was over before the end of World War II, its influences on modern culture continue to be seen in product design, publishing, architecture and contemporary art.
Author: Mario Moroni
Publisher: University of Toronto Press
ISBN: 9780802086020
Category : Social Science
Languages : en
Pages : 492
Get Book Here
Book Description
Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.
Author: Giampiero Bosoni
Publisher: [Montréal] : Montreal Museum of Fine Arts
ISBN: 9788876248757
Category : Art, Italian
Languages : en
Pages : 397
Get Book Here
Book Description
Author: Walter L. Adamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
Get Book Here
Book Description
They envisioned a brave new world, and what they got was fascism. As vibrant as its counterparts in Paris, Munich, and Milan, the avant-garde of Florence rose on a wave of artistic, political, and social idealism that swept the world with the arrival of the twentieth century. How the movement flourished in its first heady years, only to flounder in the bloody wake of World War I, is a fascinating story, told here for the first time. It is the history of a whole generation's extraordinary promise--and equally extraordinary failure. The "decadentism" of D'Annunzio, the philosophical ideals of Croce and Gentile, the politics of Italian socialism: all these strains flowed together to buoy the emerging avant-garde in Florence. Walter Adamson shows us the young artists and writers caught up in the intellectual ferment of their time, among them the poet Giovanni Papini, the painter Ardengo Soffici, and the cultural critic Giuseppe Prezzolini. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanità or "being Tuscan." In their journals--Leonardo, La Voce, Lacerba, and l'Italia futurista--and in their cafe life at the Giubbe Rosse, we see the avant-garde of Florence as citizens of an intellectual world peopled by the likes of Picasso, Bergson, Sorel, Unamuno, Pareto, Weininger, and William James. We witness their mounting commitment to the ideals of regenerative violence and watch their existence become increasingly frenzied as war approaches. Finally, Adamson shows us the ultimate betrayal of the movement's aspirations as its cultural politics help catapult Italy into war and prepare the way for Mussolini's rise to power.
Author: Achille Bonito Oliva
Publisher: Politi
ISBN:
Category : Art
Languages : en
Pages : 142
Get Book Here
Book Description
Author: Gianluca Rizzo
Publisher: University of Toronto Press
ISBN: 1487534639
Category : Literary Criticism
Languages : en
Pages : 473
Get Book Here
Book Description
Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify solutions to the practical and theoretical problems raised by their stances in politics and poetics. A robust analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field – critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini – conclude the volume, providing invaluable first-hand testimony that brings to life the people and controversies discussed.
