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Author: Richard Louis Levin
Publisher: Chicago : University of Chicago Press
ISBN: 9780226475264
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Author: Richard Louis Levin
Publisher: Chicago : University of Chicago Press
ISBN: 9780226475264
Category : Literary Criticism
Languages : en
Pages : 277
Get Book Here
Book Description
Author: Brownell Salomon
Publisher: Popular Press
ISBN: 9780879721251
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.
Author: Leonard Barkan
Publisher: Northwestern University Press
ISBN: 9780810106772
Category : Drama
Languages : en
Pages : 216
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Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
Author: R. Huebert
Publisher: Springer
ISBN: 0230503160
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
Author: John Pitcher
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638057
Category : Drama
Languages : en
Pages : 412
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Book Description
This volume, published annually, contains essays by critics and cultural historians, as well as reviews of the many books and essays dealing with the cultural history of medieval and early modern England as expressed by and realised in its drama.
Author: T McAlindon
Publisher: Springer
ISBN: 134910180X
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
This book provides an introductory perspective on its subject together with detailed studies of the major non-Shakespearean tragedies. It assumes that the central and most disturbing insights of the plays were expressed in terms of the thought patterns of the time.
Author: John E. Curran
Publisher: Rutgers University Press
ISBN: 1644530538
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Judith Deborah Haber
Publisher: Cambridge University Press
ISBN: 0521518679
Category : Drama
Languages : en
Pages : 227
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Book Description
This wide-ranging study uses close readings of texts by Marlowe, Shakespeare, Webster, Middleton and Ford to investigate the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded.
Author: Robert P. Merrix
Publisher: Edwin Mellen Press
ISBN: 9780889460799
Category : Drama
Languages : en
Pages : 320
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Book Description
Part One: Theory and Ideology. Part Two: Theory as Academic Practice: Part Three: Censorship and Teaching Practice.
Author: Jeremy Lopez
Publisher: Cambridge University Press
ISBN: 1139436678
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.
