Author: Nick Clooney
Publisher: Simon and Schuster
ISBN: 0743424506
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Nick Clooney, one of America's most respected film critics and historians, presents a distinctive catalog of movies that have influenced and altered not only the world of cinema, but also the world in which we live. Since the advent of moving pictures, there have been films that exist as more than just entertainment. These rare movies have touched the collective soul of the public with such passion and artistic skill that they have actually changed the way we view life, history, and ourselves. Some have transformed the way movies are made and viewed -- and some have actually transformed us. In The Movies That Changed Us, Clooney explores, explains, and theorizes upon twenty films -- reaching from 1998 back to 1915 -- that forever shifted our perceptions about race, religion, sex, politics, and the very definition of humanity. From the ambitiously epic -- though manifestly racist -- Birth of a Nation, to the controversial violence of Taxi Driver, to the mythic idealism and visual cornucopia of 2001:A Space Odyssey and Star Wars, Clooney relates the stories behind the camera in an informative, engaging, and personal chronicle of cinema and society.
The Movies That Changed Us
Author: Nick Clooney
Publisher: Simon and Schuster
ISBN: 0743424506
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Nick Clooney, one of America's most respected film critics and historians, presents a distinctive catalog of movies that have influenced and altered not only the world of cinema, but also the world in which we live. Since the advent of moving pictures, there have been films that exist as more than just entertainment. These rare movies have touched the collective soul of the public with such passion and artistic skill that they have actually changed the way we view life, history, and ourselves. Some have transformed the way movies are made and viewed -- and some have actually transformed us. In The Movies That Changed Us, Clooney explores, explains, and theorizes upon twenty films -- reaching from 1998 back to 1915 -- that forever shifted our perceptions about race, religion, sex, politics, and the very definition of humanity. From the ambitiously epic -- though manifestly racist -- Birth of a Nation, to the controversial violence of Taxi Driver, to the mythic idealism and visual cornucopia of 2001:A Space Odyssey and Star Wars, Clooney relates the stories behind the camera in an informative, engaging, and personal chronicle of cinema and society.
Publisher: Simon and Schuster
ISBN: 0743424506
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Nick Clooney, one of America's most respected film critics and historians, presents a distinctive catalog of movies that have influenced and altered not only the world of cinema, but also the world in which we live. Since the advent of moving pictures, there have been films that exist as more than just entertainment. These rare movies have touched the collective soul of the public with such passion and artistic skill that they have actually changed the way we view life, history, and ourselves. Some have transformed the way movies are made and viewed -- and some have actually transformed us. In The Movies That Changed Us, Clooney explores, explains, and theorizes upon twenty films -- reaching from 1998 back to 1915 -- that forever shifted our perceptions about race, religion, sex, politics, and the very definition of humanity. From the ambitiously epic -- though manifestly racist -- Birth of a Nation, to the controversial violence of Taxi Driver, to the mythic idealism and visual cornucopia of 2001:A Space Odyssey and Star Wars, Clooney relates the stories behind the camera in an informative, engaging, and personal chronicle of cinema and society.
Profoundly Disturbing
Author: Joe Bob Briggs
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260
Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260
Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.
The Rhapsodes
Author: David Bordwell
Publisher: University of Chicago Press
ISBN: 022635220X
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.
Publisher: University of Chicago Press
ISBN: 022635220X
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.
Reinventing Hollywood
Author: David Bordwell
Publisher: University of Chicago Press
ISBN: 022648775X
Category : Language Arts & Disciplines
Languages : en
Pages : 583
Book Description
Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town
Publisher: University of Chicago Press
ISBN: 022648775X
Category : Language Arts & Disciplines
Languages : en
Pages : 583
Book Description
Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town
Pictures at a Revolution
Author: Mark Harris
Publisher: Penguin
ISBN: 9781594201523
Category : History
Languages : en
Pages : 522
Book Description
Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.
Publisher: Penguin
ISBN: 9781594201523
Category : History
Languages : en
Pages : 522
Book Description
Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.
Movies Change Lives
Author: Tony Kashani
Publisher: Minding the Media
ISBN: 9781433127748
Category : Motion pictures
Languages : en
Pages : 0
Book Description
Movies Change Lives is a rigorous interdisciplinary examination of cinema as a vehicle for personal and social transformation. Tony Kashani builds a theory of humanistic transformation by discussing many movies while engaging the works of Erich Fromm, Stuart Hall, Henry Giroux, Hannah Arendt, Edgar Morin, Carl Jung, among others.
Publisher: Minding the Media
ISBN: 9781433127748
Category : Motion pictures
Languages : en
Pages : 0
Book Description
Movies Change Lives is a rigorous interdisciplinary examination of cinema as a vehicle for personal and social transformation. Tony Kashani builds a theory of humanistic transformation by discussing many movies while engaging the works of Erich Fromm, Stuart Hall, Henry Giroux, Hannah Arendt, Edgar Morin, Carl Jung, among others.
Flicker
Author: Jeffrey M. Zacks
Publisher: Oxford University Press, USA
ISBN: 0199982872
Category : Performing Arts
Languages : en
Pages : 361
Book Description
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
Publisher: Oxford University Press, USA
ISBN: 0199982872
Category : Performing Arts
Languages : en
Pages : 361
Book Description
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
This Changes Everything
Author: Naomi Klein
Publisher: Simon and Schuster
ISBN: 1451697384
Category : Business & Economics
Languages : en
Pages : 576
Book Description
With strong first-hand reporting and an original, provocative thesis, Naomi Klein returns with this book on how the climate crisis must spur transformational political change
Publisher: Simon and Schuster
ISBN: 1451697384
Category : Business & Economics
Languages : en
Pages : 576
Book Description
With strong first-hand reporting and an original, provocative thesis, Naomi Klein returns with this book on how the climate crisis must spur transformational political change
I Lost it at the Movies
Author: Pauline Kael
Publisher:
ISBN:
Category :
Languages : en
Pages : 365
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 365
Book Description
American Cinema of the 1960s
Author: Barry Keith Grant
Publisher: Rutgers University Press
ISBN: 0813544718
Category : Performing Arts
Languages : en
Pages : 297
Book Description
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.
Publisher: Rutgers University Press
ISBN: 0813544718
Category : Performing Arts
Languages : en
Pages : 297
Book Description
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.