The Mourning Bride

The Mourning Bride PDF Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

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Book Description

The Mourning Bride

The Mourning Bride PDF Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

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Book Description


The Mourning Bride. A Tragedy. [By William Congreve.]

The Mourning Bride. A Tragedy. [By William Congreve.] PDF Author: BRIDE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 66

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The Mourning Bride. A Tragedy, in Five Acts

The Mourning Bride. A Tragedy, in Five Acts PDF Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 20

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The Mourning Bride. A Tragedy

The Mourning Bride. A Tragedy PDF Author: William Congreve
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 72

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The Mourning Bride. A Tragedy. [By William Congreve.].

The Mourning Bride. A Tragedy. [By William Congreve.]. PDF Author: BRIDE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 66

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Book Description


The Mourning Bride. A Tragedy

The Mourning Bride. A Tragedy PDF Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 114

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The Mourning Bride, a Tragedy

The Mourning Bride, a Tragedy PDF Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 62

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The Mourning Bride. A Tragedy. Written by Mr. Congreve

The Mourning Bride. A Tragedy. Written by Mr. Congreve PDF Author: William Congreve
Publisher:
ISBN:
Category : English drama (Tragedy)
Languages : en
Pages : 71

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The Mourning Bride

The Mourning Bride PDF Author: William Congreve
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 60

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Book Description


The Music of Tragedy

The Music of Tragedy PDF Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300

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Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.