The Mourning Bride. A Tragedy. [By William Congreve.] PDF Download
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Author: BRIDE.
Publisher:
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Languages : en
Pages : 66
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Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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![The Mourning Bride. A Tragedy. [By William Congreve.] PDF](https://books.google.com/books/content/images/frontcover/XRrGngEACAAJ?fife=w80-h100)
Author: BRIDE.
Publisher:
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Category :
Languages : en
Pages : 66
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Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Author: William Congreve
Publisher:
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Category :
Languages : en
Pages : 96
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Author: William Congreve
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Category :
Languages : en
Pages : 92
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Author: Rush Rehm
Publisher: Princeton University Press
ISBN: 0691194475
Category : History
Languages : en
Pages : 265
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The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience. The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city. Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300
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The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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