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Author: Scott L. Montgomery
Publisher: University of Arizona Press
ISBN: 0816547742
Category : History
Languages : en
Pages : 281
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Book Description
The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.
Author: Scott L. Montgomery
Publisher: University of Arizona Press
ISBN: 0816547742
Category : History
Languages : en
Pages : 281
Get Book Here
Book Description
The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.
Author: Scott L. Montgomery
Publisher: University of Arizona Press
ISBN: 9780816519897
Category : Science
Languages : en
Pages : 284
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Book Description
The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.
Author: Ronald Hutton
Publisher: Bloomsbury Publishing
ISBN: 082644637X
Category : History
Languages : en
Pages : 231
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Book Description
With their ability to enter trances, to change into the bodies of other creatures, and to fly through the northern skies, shamans are the subject of both popular and scholarly fascination. In Shamans: Siberian Spirituality and the Western Imagination Ronald Hutton looks at what is really known about both the shamans of Siberia and about others spread throughout the world. He traces the growth of knowledge of shamans in Imperial and Stalinist Russia, descibes local variations and different types of shamanism, and explores more recent western influences on its history and modern practice. This is a challenging book by one of the world's leading authorities on Paganism.
Author: Denis Cosgrove
Publisher: JHU Press
ISBN: 9780801874444
Category : History
Languages : en
Pages : 356
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Book Description
"Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the richly complex cosmographic tradition out of which today's geographical imagination has emerged."--BOOK JACKET.
Author: Peter T. Wlasuk
Publisher: Springer Science & Business Media
ISBN: 1447104838
Category : Science
Languages : en
Pages : 189
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Book Description
Why write another guide to observing the Moon? That was the question I was pondering as I began this project, having a fine collection of "classic" lunar guidebooks dating back to 1791 in my own library. As a Fellow of the Royal Astronomical Society (RAS), member of the American Astronomical Society's Division for Planetary Sciences (AAS DPS), and member of the American Geophysical Union (AGU), I am fortunate to know many pro fessionallunar scientists who keep me up to date with developments in lunar scienc- contrary to public perception, lunar science has definitely not stagnated since the last Apollo, No. 17, left the surface of the Moon in December, 1972. I am also lucky to know many amateur lunar observers, who, like me, enjoy actually looking at the Moon with tele scopes and imaging it with a wide variety of devices ranging from regular 35 mm cameras to video recorders and CCD cameras. My friends who study the Moon, whether in their professions or just for fun, gave me several reasons for doing "another" lunar guidebook. First, the last lunar observer's guide of any length was published over ten years ago, and many reviewers noted that it was badly out of date even then.
Author: Lara Dodds
Publisher: U of Nebraska Press
ISBN: 1496220420
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This volume examines the relationship between gender and form in early modern women’s writing by exploring women’s debts to and appropriations of different literary genres and offering practical suggestions for the teaching of women’s texts.
Author: Samuel Y. Edgerton
Publisher: Cornell University Press
ISBN: 9780801474804
Category : Art
Languages : en
Pages : 222
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Book Description
Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.
Author: Karen ní Mheallaigh
Publisher: Cambridge University Press
ISBN: 1108483038
Category : History
Languages : en
Pages : 337
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Book Description
This is a book for readers who are fascinated by the Moon and the earliest speculations about life on other worlds. It takes the reader on a journey from the earliest Greek poetry, philosophy and science, through Plutarch's mystical doctrines to the thrilling lunar adventures of Lucian of Samosata.
Author: Marissa Greenberg
Publisher: Northwestern University Press
ISBN: 0810147416
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
Author: Wendell Berry
Publisher: Catapult
ISBN: 1582436843
Category : Nature
Languages : en
Pages : 200
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Book Description
“Berry's latest collection of essays is the reminiscence of a literary life. It is a book that acknowledges a lifetime of intellectual influences, and in doing so, positions Berry more squarely as a cornerstone of American literature . . . A necessary book. Here, Berry's place as the 'grandfather of slow food' or the 'prophet of rural living' is not questioned. This book ensures we understand the depth and breadth of Berry's art.” —San Francisco Chronicle “[A] stellar collection . . . Foodies, architects, transportation engineers, and other writers are adopting and adapting [Berry’s] concepts, perhaps leading to what he envisions will one day be 'an authentic settlement of our country.'“ —The Oregonian A writer who can imagine the “community belonging to its place” is one who has applied his knowledge and citizenship to achieve the goal to which Wendell Berry has always aspired—to be a native to his own local culture. And for Berry, what is “local, fully imagined, becomes universal,” and the “local” is to know one's place and allow the imagination to inspire and instill “a practical respect for what is there besides ourselves." In Imagination in Place, we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines' Louisiana plantation life to Donald Hall's New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense. Rich with Berry's personal experience of life as a Kentucky agrarian, the collection includes portraits of a few of America's most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.
