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Author: Malcolm Bradbury
Publisher: Penguin Group
ISBN:
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.
Author: Malcolm Bradbury
Publisher: Penguin Group
ISBN:
Category : Literary Criticism
Languages : en
Pages : 660
Get Book Here
Book Description
Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.
Author: Merja Kytö
Publisher: John Benjamins Publishing Company
ISBN: 9027261431
Category : Language Arts & Disciplines
Languages : en
Pages : 369
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Book Description
The past few decades have witnessed an unprecedented surge of interest in the language of the Late Modern English period. Late Modern English: Novel Encounters covers a broad range of topics addressed by international experts in fields such as phonology, morphology, syntax, lexis, spelling and pragmatics; this makes the collection attractive to any scholar or student interested in the history of English. Each of the four thematic sections in the book represents a core area of Late Modern English studies. This division makes it easy for specialists to access the chapters that are of immediate relevance to their own work. An introductory chapter establishes connections between chapters within as well as between the four sections. The volume highlights recent advances in research methodology such as spelling normalization and other areas of corpus linguistics; several contributions also shed light on the interplay of internal and external factors in language change.
Author: Jesse Matz
Publisher: John Wiley & Sons
ISBN: 0470777028
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to understand and appreciate the more difficult forms of modern fiction Pays attention both to the practice of novel writing and to theoretical debates among novelists. Claims that the novel is as purposeful and relevant today as it was a hundred years ago. Serves as an excellent springboard for classroom discussions of the nature and purpose of modern fiction.
Author: Alex Martin
Publisher:
ISBN: 9780130178312
Category : Foreign Language Study
Languages : en
Pages : 287
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Book Description
An introductory chapter on the anatomy of a novel deals with construction, characters, plots and convention, and is followed by seven main extracts from novels which include Conrad's Heart of Darkness, Lawrence's Women in Love, Fitzgerald's The Great Gatsby and Walker's The Colour Purple.
Author: Malcolm Bradbury
Publisher: Random House (UK)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.
Author: Dorothy Scarborough
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
Author: George Herbert Mair
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 364
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Book Description
Author: Morris Beja
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Author: Malcolm Bradbury
Publisher: Wiley-Blackwell
ISBN: 9780631097600
Category : English literature
Languages : en
Pages : 277
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Book Description
Author: Leland Monk
Publisher: Stanford University Press
ISBN: 0804766487
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Analyzing works by George Eliot, Joseph Conrad and James Joyce, the author offers a new approach to narrative theory by showing how successive generations of novelists have used ever more powerful concepts of chance even though, he argues, chance is precisely what narrative cannot represent, since when it tries to do so it slips into the fated. He also relates the novelistic treatment of chance to important historical currents in the philosophical and scientific understanding of chance, and provides a theoretical framework for analyzing the representation of chance in any narrative. The author asks three central questions: Why did British novelists become intensely interested in chance in the late nineteenth century? Why and how did they thematize it in their fiction? How did the novelistic treatment of chance contribute to innovations in narrative form?
