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Author: Robert Lowell
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Fiction
Languages : en
Pages : 72
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Book Description
Author: Robert Lowell
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Fiction
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Robert Lowell
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Fiction
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Robert Lowell
Publisher:
ISBN:
Category : 1851
Languages : en
Pages : 72
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Book Description
Author: Robert Lowell
Publisher: Ecco
ISBN:
Category : Poetry
Languages : en
Pages : 136
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Book Description
A collection of short poems and a long narrative poem explores the feelings and experiences of the author.
Author: Andrew D. Radford
Publisher: Rodopi
ISBN: 9042022353
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades,The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.
Author: Wyatt Prunty
Publisher: New York : Oxford University Press
ISBN: 0195057864
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
This volume contains a selection of the readings of contemporary American poets, using the phenomenological approaches of Heidegger and Husserl.
Author: Robert Lowell
Publisher: Macmillan
ISBN: 0374530068
Category : Poetry
Languages : en
Pages : 444
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Book Description
." . .Over 200 works, culled from each of Lowell's books of verse. . . are a perfectly chosen representation of 'the greatest American poet of the mid-century.'"--Richard Poirier, "Book Week."
Author: Stephen Matterson
Publisher: Springer
ISBN: 1349090166
Category : Literary Criticism
Languages : en
Pages : 126
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Book Description
PMContents: Introduction: Tumbles and Leaps; Beginning in Wisdom; Towards a Rhetoric of Destitution; Excellence and Loss; History and Seduction; Defeats and Dreams; Notes and References; Index
Author: Katharine Wallingford
Publisher: UNC Press Books
ISBN: 1469644274
Category : Poetry
Languages : en
Pages : 214
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Book Description
Katharine Wallingford's incisive study treats Robert Lowell's work as a poetry of self-examination and explores the ways in which he used methods common to psychoanalysis and other forms of psychotherapy in his poetry. Although he was never psychoanalyzed in a strictly Freudian sense, Lowell spent many years in psychotherapy. Wallingford stresses not the pathological aspects of Lowell's work, however, but rather his lifelong process of self-examination, a process with ethical as well as psychological dimensions. She links this process to the tradition of self-scrutiny that Lowell inherited from his New England Puritan ancestors. Through close readings of the poetry and of unpublished drafts of several poems as well as letters from Lowell to George Santayana, Allen Tate, and his cousin Harriet Winslow, Wallingford treats Lowell's use of specific psychoanalytic techniques: free association, repetition, concentration on the relation between the poet and the "other" to whom he addresses himself, and the use of memory to probe the past. The book considers as well the role the narrative plays in these psychoanalytic and poetic techniques. Lowell believed firmly in the identity of self and language -- "one life, one writing" -- and this study brings us closer to an understanding both of the poet and of his dense and moving poetry. It enriches our reading of Lowell's poetry by calling attention to the ways in which his poetic techniques are analogous to and to some extent derived from psychoanalytic techniques -- techniques that have in our time become integrated into our culture as a whole. Originally published in 1988. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Joan Romano Shifflett
Publisher: LSU Press
ISBN: 0807173827
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Robert Penn Warren, Randall Jarrell, and Robert Lowell maintained lifelong, well-documented friendships with one another, often discussing each other’s work in private correspondence and published reviews. Joan Romano Shifflett’s Warren, Jarrell, and Lowell: Collaboration in the Reshaping of American Poetry traces the artistic and personal connections between the three writers. Her study uncovers the significance of their parallel literary development and reevaluates dominant views of how American poetry evolved during the mid-twentieth century. Familiar accounts of literary history, most prominently the celebration of Lowell’s Life Studies as a revolutionary breakthrough into confessional poetry, have obscured the significance of the deep connections that Lowell shared with Warren and Jarrell. They all became quite close in the 1930s, with the content and style of their early poetry revealing the impact of their mentors John Crowe Ransom and Allen Tate, whose aesthetics the three would ultimately modify and transform. The three poets achieved professional maturity and success in the 1940s, during which time they relied on one another’s honest critiques as they experimented with changes in subject matter and modes of expression. Shifflett shows that their works of the late 1940s were heavily influenced by Robert Frost. This period found Warren, Jarrell, and Lowell infusing ostensibly simple verse with multifaceted layers of meaning, capturing the language of speech in diction and rhythm, and striving to raise human experience to a universal level. During the 1950s, the three poets became public figures, producing major works that addressed the nation’s postwar need to reconnect with humanity. Warren, Jarrell, and Lowell continued to respond in interlocking ways throughout the 1960s, with each writer using innovative stylistic techniques to create a colloquy with readers that directed attention away from superficial matters and toward the important work of self-reflection. Drawing from biographical materials and correspondence, along with detailed readings of many poems, Warren, Jarrell, and Lowell offers a compelling new perspective on the shaping of twentieth-century American poetry.
