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Author: Andrew Cowell
Publisher: D. S. Brewer
ISBN: 9781846155727
Category : History
Languages : en
Pages : 206
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Book Description
The process of identity formation during the central Middle Ages (10th-12th centuries) among the warrior aristocracy was fundamentally centered on the paired practices of gift giving and violent taking, inextricably linked elements of the same basic symbolic economy. These performative practices cannot be understood without reference to a concept of the sacred, which anchored and governed the performances, providing the goal and rationale of social and military action. After focussing on anthropological theory, social history, and chronicles, the author turns to the "literary" persona of the hero as seen in the epic. He argues that the hero was specifically a narrative touchstone used for reflection on the nature and limits of aggressive identity formation among the medieval warrior elite; the hero can be seen, from a theoretical perspective, as a "supplement" to his own society, who both perfectly incarnated its values but also, in attaining full integrity, short-circuited the very mechanisms of identity formation and reciprocity which undergirded the society. The book shows that the relationship between warriors, heroes, and their opponents (especially Saracens) must be understood as a complex, tri-partite structure - not a simple binary opposition - in which the identity of each constituent depends on the other two. ANDREW COWELL is Associate Professor of the Department of French and Italian, and the Department of Linguistics, at the University of Colorado.
Author: Andrew Cowell
Publisher: D. S. Brewer
ISBN: 9781846155727
Category : History
Languages : en
Pages : 206
Get Book Here
Book Description
The process of identity formation during the central Middle Ages (10th-12th centuries) among the warrior aristocracy was fundamentally centered on the paired practices of gift giving and violent taking, inextricably linked elements of the same basic symbolic economy. These performative practices cannot be understood without reference to a concept of the sacred, which anchored and governed the performances, providing the goal and rationale of social and military action. After focussing on anthropological theory, social history, and chronicles, the author turns to the "literary" persona of the hero as seen in the epic. He argues that the hero was specifically a narrative touchstone used for reflection on the nature and limits of aggressive identity formation among the medieval warrior elite; the hero can be seen, from a theoretical perspective, as a "supplement" to his own society, who both perfectly incarnated its values but also, in attaining full integrity, short-circuited the very mechanisms of identity formation and reciprocity which undergirded the society. The book shows that the relationship between warriors, heroes, and their opponents (especially Saracens) must be understood as a complex, tri-partite structure - not a simple binary opposition - in which the identity of each constituent depends on the other two. ANDREW COWELL is Associate Professor of the Department of French and Italian, and the Department of Linguistics, at the University of Colorado.
Author: Andrew Cowell
Publisher: Boydell & Brewer
ISBN: 1843841231
Category : History
Languages : en
Pages : 208
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Book Description
A major reconsideration of the relationship between warrior aristocrats, epics, and heroes in medieval culture. The process of identity formation during the central Middle Ages (10th-12th centuries) among the warrior aristocracy was fundamentally centered on the paired practices of gift giving and violent taking, inextricably linked elements of the same basic symbolic economy. These performative practices cannot be understood without reference to a concept of the sacred, which anchored and governed the performances, providing the goal and rationale of social and military action. After focussing on anthropological theory, social history, and chronicles, the author turns to the "literary" persona of the hero as seen in the epic. He argues that the hero was specifically a narrative touchstone used for reflection on the nature and limits of aggressive identity formation among the medieval warrior elite; the hero can be seen, from a theoretical perspective, as a "supplement" to his own society, who both perfectly incarnated its values but also, in attaining full integrity, short-circuited the very mechanisms of identity formation and reciprocity which undergirded the society. The book shows that the relationship between warriors, heroes, and their opponents (especially Saracens) must be understood as a complex, tri-partite structure - not a simple binary opposition - in which the identity of each constituent depends on the other two. ANDREW COWELL isAssociate Professor of the Department of French and Italian, and the Department of Linguistics, at the University of Colorado.
Author: Andrew Ayton
Publisher: Boydell & Brewer
ISBN: 9780851157399
Category : History
Languages : en
Pages : 324
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Book Description
Dr Ayton has transformed understanding of Edward III's armies - compulsory reading for anyone interested in the Hundred Years War. WAR IN HISTORY [Michael Prestwich] The mounted, armoured knight is one of the most potent symbols of medieval civilisation; indeed, for much of the middle ages the armoured warhorse was what defined a man as a member of the military class. However, despite the status of the knightly warrior in medieval society, the military service of the later medieval English aristocracy remains an unaccountably neglected subject, and the warhorse itself has never attracted a major study based upon archival sources. This book seeks to open up new fields of research: it focuses on the horse inventories, documents which offer detailed lists of men-at-arms and their appraised warhorses, the valuation of which is a measure of its owner's social and military status. Dr Ayton is primarily concerned with the inventories and related records for Edward III's reign, a period which witnessed significant changes in the organisation of the English fighting machine. Thedocuments produced during this period of `military revolution' cast valuable light on the character and attitudes of the aristocratic military community at a time when its traditional role was in the course of re-evaluation. Dr ANDREW AYTON is senior lecturer in history at the University of Hull.
Author: Noah D. Guynn
Publisher: D. S. Brewer
ISBN: 1843843374
Category : History
Languages : en
Pages : 226
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Book Description
An examination of medieval historican writings through the prism of violence. The concept of medieval historiography as "usable past" is here challenged and reassessed. The contributors' shared claim is that the value of medieval historiographical texts lies not only in the factual information the texts contain but also in the methods and styles they use to represent and interpret the past and make it ideologically productive. Violence is used as the key term that best demonstrates the making of historical meaning in the Middle Ages, through the transformation of acts of physical aggression and destruction into a memorable and usable past. The twelve chapters assembled here explore a wide range of texts emanating from throughout the francophone world. They cover a range of genres (chansons de geste, histories, chronicles, travel writing, and lyric poetry), and range from the late eleventh to the fifteenth century. Through examination of topics as varied as rhetoric, imagery, humor, gender, sexuality, trauma, subversion, and community formation, each chapter strives to demonstrate how knowledge of the medieval past can be enhanced by approaching medieval modes of historical representation and consciousness on their own terms, and by acknowledging - and resisting - the desire to subject them to modern conceptions of historical intelligibility. Noah D. Guynn is Associate Professor of French at the University of California, Davis; Zrinka Stahuljak is Associate Professor of French and Comparative Literature at the University of California, Los Angeles. Contributors: Noah D. Guynn, Zrinka Stahuljak, James Andrew Cowell, Jeff Rider, Leah Shopkow, Matthew Fisher, Karen Sullivan, David Rollo, Deborah McGrady, Rosalind Brown-Grant, Simon Gaunt
Author: Walter Wadiak
Publisher: University of Notre Dame Pess
ISBN: 0268101213
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
In Savage Economy: The Returns of Middle English Romance, Walter Wadiak traces the evolution of the medieval English romance from its thirteenth-century origins to 1500, and from a genre that affirmed aristocratic identity to one that appealed more broadly to an array of late medieval communities. Essential to this literary evolution is the concept and practice of “noble” gift-giving, which binds together knights and commoners in ways that both echo and displace the notorious violence of many of these stories. Wadiak begins with the assumption that “romance” names a particular kind of chivalric fantasy to which violence is central, just as violence was instrumental to the formation and identity of the medieval warrior aristocracy. A traditional view is that the violence of romance stories is an expression of aristocratic privilege wielded by a military caste in its relations with one another as well as with those lower on the social scale. In this sense, violence is the aristocratic gift that underwrites and reaffirms the feudal power of a privileged group, with the noble gift performing the symbolic violence on which romance depends in order to present itself as both a coded threat and an expression of chivalric values. Well-known examples of romance in Middle English, such as Sir Gawain and the Green Knight and Chaucer’s Knight’s Tale, are considered alongside more “popular” examples of the genre to demonstrate a surprising continuity of function across a range of social contexts. Wadiak charts a trajectory from violence aimed directly at securing feudal domination to the subtler and more diffuse modes of coercion that later English romances explore. Ultimately, this is a book about the ways in which romance lives on as an idea, even as the genre itself begins to lose ground at the close of the Middle Ages.
Author: Lars Kjaer
Publisher: Cambridge University Press
ISBN: 1108424023
Category : History
Languages : en
Pages : 237
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Book Description
Explores how classical ideals of generosity influenced the writing and practice of gift giving in medieval Europe.
Author: Simon Barton
Publisher: Cambridge University Press
ISBN: 9780521894067
Category : History
Languages : en
Pages : 394
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Book Description
An examination of the nature and role of the aristocracy in twelfth-century Spain.
Author: Cheleen Mahar
Publisher: Cambridge Scholars Publishing
ISBN: 1443822558
Category : Social Science
Languages : en
Pages : 230
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Book Description
This collection of interdisciplinary essays examines food as it mediates social relationships and self-presentation in a variety of international films and literature. Authors explore the ways that making, eating and thinking about food reveals culture. In doing so the essays highlight how food and foodways become a type of symbolic capital, which influences the larger concern of cultural identity. Essays are organized into three central themes: Culinary Translations of Identity: From Britain to China; Food as Metaphor in Contemporary German Writing; and Love, Feasting and the Symbolic Power of Food in French Writing. Each essay investigates the uses of food as a way to apprehend cultural meaning. The essays presented provide theoretical templates for the study of food in a wide range of international film and literature,
Author: Craig Taylor
Publisher: Cambridge University Press
ISBN: 1107042216
Category : History
Languages : en
Pages : 363
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Book Description
Craig Taylor examines French debates on the martial ideals of chivalry and knighthood during the Hundred Years War.
Author: Cyril Aslanov
Publisher: Cambridge Scholars Publishing
ISBN: 1527524949
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This book delves into the question of the coexistence, convergence, and opposition between the sacred and the secular as reflected in Old French and Old Provençal poetry from the early to the late central Middle Ages, that is from the end of the ninth century until the thirteenth century. It breaks the boundaries between the intratextual dimension and the cultural and historical context wherefrom the texts emanated, in order to reassess the role of sacredness in the civilizational landscape of France and Occitania during the golden age of Old French and Old Provençal poetry. It will interest not only Romanists, but also historians, specialists of the history of religions, and students and scholars of general and comparative literature.
