The Lady's Album of Fancy Work for 1850 PDF Download
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Author: Anonymous
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 157
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Book Description
The Lady's Album of Fancy Work for 1850 is a book by an unknown writer. It shows stylish and handy designs in knitting, netting, crochet, braiding, and embroidery along with directions for working the selected patterns.
Author: Anonymous
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 157
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Book Description
The Lady's Album of Fancy Work for 1850 is a book by an unknown writer. It shows stylish and handy designs in knitting, netting, crochet, braiding, and embroidery along with directions for working the selected patterns.
Author:
Publisher: Hardpress Publishing
ISBN: 9781318727735
Category :
Languages : en
Pages : 188
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Dodo Press
Publisher:
ISBN: 9781406550078
Category : Cooking
Languages : en
Pages : 156
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Book Description
The Lady's Album of Fancy Work for 1850, Consisting of Novel, Elegant, and Useful Designs in Knitting, Netting, Crochet, Braiding, and Embroidery with Clear and Explicit Directions for Working the Patterns.
Author: Unknown
Publisher: Litres
ISBN: 5041356750
Category : Fiction
Languages : en
Pages : 149
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Book Description
Author: Anonymous
Publisher: Wildhern Press
ISBN: 9781848303041
Category : Crafts & Hobbies
Languages : en
Pages : 96
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Book Description
First published in 1850. Consisting of Novel, Elegant, and Useful Designs in Knitting, Netting, Crochet, Braiding, and Embroidery with Clear and Explicit Directions for Working the Patterns.
Author: Lorinda Cramer
Publisher: Bloomsbury Publishing
ISBN: 1350069639
Category : Design
Languages : en
Pages : 264
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Book Description
In gold-rush Australia, social identity was in flux: gold promised access to fashionable new clothes, a grand home, and the goods to furnish it, but could not buy gentility. Needlework and Women's Identity in Colonial Australia explores how the wives, mothers, sisters, and daughters who migrated to the newly formed colony of Victoria used their needle skills as a powerful claim to social standing. Focusing on one of women's most common daily tasks, the book examines how needlework's practice and products were vital in the contest for social position in the turmoil of the first two decades of the Victorian rush from 1851. Placing women firmly at the center of colonial history, it explores how the needle became a tool for stitching together identity. From decorative needlework to household making and mending, women's sewing was a vehicle for establishing, asserting, and maintaining social status. Interdisciplinary in scope, Needlework and Women's Identity in Colonial Australia draws on material culture, written primary sources, and pictorial evidence, to create a rich portrait of the objects and manners that defined genteel goldfields living. Giving voice to women's experiences and positioning them as key players in the fabric of gold-rush society, this volume offers a fresh critical perspective on gender and textile history.
Author: Annette Shiell
Publisher: Cambridge Scholars Publishing
ISBN: 1443864773
Category : History
Languages : en
Pages : 325
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Book Description
Fundraising, Flirtation and Fancywork examines the history and development of the charity bazaar movement in Australia. Transported from Britain, the charity bazaar played an integral role in Australian communal, social and philanthropic life from the early days of European settlement. Ranging in size and scale, from simple sales of goods to month long extravaganzas, charity bazaars were such a popular and successful means of raising revenue that they sustained the majority of the nation’s major public and religious institutions. The nineteenth-century charity bazaar was a paradox. On the one hand, it encapsulated responsibility and civic duty through its raison d’etre, which was the provision of support for charitable causes. On the other, it encouraged a loosening of social and gendered restraint as women of the middle and upper classes repositioned themselves in a public space where the acquisition of material goods, gambling and flirting with men was actively encouraged. From their inception, bazaars were the domain of women. They provided middle and upper class women with an opportunity to exercise their organisational, creative and social skills outside the domestic sphere, within a framework of socially acceptable philanthropic endeavour. Women’s dominance and public role in charity bazaars destabilised conventional gender relations. The nucleus of the charity bazaar was the fancywork produced by women for sale on the stalls. Bazaars were an accessible and important repository for the display and sale of women’s creative work and the bazaar movement was instrumental in shaping women’s fancywork. Bazaars were revered and reviled in colonial Australia. Despite the criticisms and the many social and cultural changes that occurred in nineteenth-century Australia, charity bazaars continued to escalate in number, popularity and complexity. They predated and influenced the great international exhibitions and the development of larger shops and emporiums and by the end of the century, had evolved into themed entertainment and shopping spectacles known as grand bazaars. Charity bazaars mirrored and shaped the social customs, mores and fashions of their time and are a rich, largely untapped, interdisciplinary historical source.
Author: Wanda F. Neff
Publisher: Routledge
ISBN: 1136618112
Category : Business & Economics
Languages : en
Pages : 298
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Book Description
This book was first published in 1929. The working woman was not, a Victorian institution. The word spinster disproves any upstart origin for the sisterhood of toil. Nor was she as a literary figure the discovery of Victorian witers in search of fresh material. Chaucer included unmemorable working women and Charlotte Bronte in 'Shirley' had Caroline Helstone a reflection that spinning 'kept her servants up very late'. It seems that the Victorians see the women worker as an object of oity, portrated in early nineteenth century as a victim of long hours, injustice and unfavourable conditions. This volume looks at the working woman in British industries and professions from 1832 to1850.
Author: Karl W. Hiersemann (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 776
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Book Description
Author: Kyriaki Hadjiafxendi
Publisher: Routledge
ISBN: 1317158644
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.
