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Author: Keith Perry
Publisher: LSU Press
ISBN: 9780807129425
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.
Author: Keith Perry
Publisher: LSU Press
ISBN: 9780807129425
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.
Author: Robert Penn Warren
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156012959
Category : Fiction
Languages : en
Pages : 660
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Book Description
Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.
Author: Suzanne LeVert
Publisher:
ISBN: 9780816028801
Category : Juvenile Nonfiction
Languages : en
Pages : 134
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Book Description
Provides a look at the controversial Louisiana statesman who fought, with sometimes questionable methods, to improve the quality of life of the poor
Author: John H. Davis
Publisher: McGraw-Hill Companies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
Story of the Mafia leader who the author believes was involved in the assassination of President Kennedy and other crimes and scandals in addition to running an organized crime empire in Louisiana.
Author: Thomas Harry Williams
Publisher:
ISBN:
Category : Governors
Languages : en
Pages : 958
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Book Description
He was one of the most extraordinary figures in America's political history, a great natural politician who had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.
Author: Richard D. White, Jr.
Publisher: Random House
ISBN: 0307535762
Category : Biography & Autobiography
Languages : en
Pages : 393
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Book Description
From the moment he took office as governor in 1928 to the day an assassin’s bullet cut him down in 1935, Huey Long wielded all but dictatorial control over the state of Louisiana. A man of shameless ambition and ruthless vindictiveness, Long orchestrated elections, hired and fired thousands at will, and deployed the state militia as his personal police force. And yet, paradoxically, as governor and later as senator, Long did more good for the state’s poor and uneducated than any politician before or since. Outrageous demagogue or charismatic visionary? In this powerful new biography, Richard D. White, Jr., brings Huey Long to life in all his blazing, controversial glory. White taps invaluable new source material to present a fresh, vivid portrait of both the man and the Depression era that catapulted him to fame. From his boyhood in dirt-poor Winn Parish, Long knew he was destined for power–the problem was how to get it fast enough to satisfy his insatiable appetite. With cunning and crudity unheard of in Louisiana politics, Long crushed his opponents in the 1928 gubernatorial race, then immediately set about tightening his iron grip. The press attacked him viciously, the oil companies howled for his blood after he pushed through a controversial oil processing tax, but Long had the adulation of the people. In 1930, the Kingfish got himself elected senator, and then there was no stopping him. White’s account of Long’s heyday unfolds with the mesmerizing intensity of a movie. Pegged by President Roosevelt as “one of the two most dangerous men in the country,” Long organized a radical movement to redistribute money through his Share Our Wealth Society–and his gospel of pensions for all, a shorter workweek, and free college spread like wildfire. The Louisiana poor already worshiped him for building thousands of miles of roads and funding schools, hospitals, and universities; his outrageous antics on the Senate floor gained him a growing national base. By 1935, despite a barrage of corruption investigations, Huey Long announced that he was running for president. In the end, Long was a tragic hero–a power addict who squandered his genius and came close to destroying the very foundation of democratic rule. Kingfish is a balanced, lucid, and absolutely spellbinding portrait of the life and times of the most incendiary figure in the history of American politics.
Author: Adam Stower
Publisher: Andersen Press USA
ISBN: 1728492254
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Fin is extremely forgetful—he wears slippers to school and comes home without his pants. So it's no surprise when he leaves the tap running . . . until it floods the world! Who will be outraged, and who will be overjoyed?
Author: Brian Johnson
Publisher: Lexington Books
ISBN: 1498532918
Category : Social Science
Languages : en
Pages : 231
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Book Description
The Cold War began almost immediately after the end of World War II and the defeat of the Nazis in Europe. As images of the Nazis’ atrocities became part of American culture’s common store, the evil of their old enemy, beyond the Nazis as a wartime opponent, became increasingly important. As America tried to describe the danger represented by the spread of Communism, it fell back on descriptions of Nazism to make the threat plain through comparison. At the heart of the tensions of that era lay the inconsistency of using one kind of evil to describe another. The book addresses this tension in regards to McCarthyism, campaigns to educate the public about Communism, attempts to raise support for wars in Asia, and the rhetoric of civil rights. Each of these political arenas is examined through their use of Nazi analogies in popular, political, and literary culture. The Nazi Card is an invaluable look at the way comparisons to Nazis are used in American culture, the history of those comparisons, and the repercussions of establishing a political definition of evil.
Author: Robert E. Crafton
Publisher: McFarland
ISBN: 0786499389
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
An immensely popular genre, crime fiction has only in recent years been engaged significantly by African American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress. Some African American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed's "anti-detective" novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkins's Hagar's Daughter (published in 1901), to Hime's hardboiled "Harlem Detective" series, to Carter's patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience. Instructors considering this book for use in a course may request an examination copy here.
Author: Robert H. Brinkmeyer
Publisher: LSU Press
ISBN: 0807134805
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
In the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system. As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie. Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art. The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.
