Author: William Allan Neilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 500
Book Description
The Harvard Classics Shelf of Fiction: David Copperfield
Author: William Allan Neilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 500
Book Description
The Harvard Classics Shelf of Fiction - Complete 20 Volumes
Author: Henry Fielding
Publisher: e-artnow
ISBN: 8027305020
Category : Fiction
Languages : en
Pages : 9373
Book Description
This meticulously edited Harvard collection is formatted for your eReader with a functional and detailed table of contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
Publisher: e-artnow
ISBN: 8027305020
Category : Fiction
Languages : en
Pages : 9373
Book Description
This meticulously edited Harvard collection is formatted for your eReader with a functional and detailed table of contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
The Harvard Classics Shelf of Fiction (Classic Reprint)
Author: Charles William Eliot
Publisher: Forgotten Books
ISBN: 9780265381007
Category :
Languages : en
Pages : 480
Book Description
Excerpt from The Harvard Classics Shelf of Fiction The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another Of the main currents, but wh'o are by no means carried away by it. In the work of these men the national character Of the German novel, if it has a national character, ought to be discoverable. For two reasons it is a fair question whether the Ger man novel has a national character. In the first place, modern Germany has been a nation only Since 1871; and in the second place, only in times of some great crisis does there appear to be in Germany a national life, as we under stand the term. At other times life in Germany is urban, provincial, or private, in those aspects of existence which the Germans most prize. The imperial capital affects to represent Germany as London represents England and Paris represents France; but such ascendancy is stoutly denied Berlin in the capitals of the other states, and Saxons or Bavarians refuse to submit to Prussian hegemony in any other than political and military affairs. In literature Prussia is not the nation; the empire itself is a federation of states, and Berlin is less specifically a German city than any other in the realm. Germany is emphatically e plum'bus. Still, there may be some bond of union stronger than political alliance, some fundamental quality common to Prussian, Saxon, and Bavarian. In this we should seek the national character. We should find the national character depicted in the historical novel, which has had a great vogue in Germany; but we may discern it also in the fiction devoted to the problems Of contemporary life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780265381007
Category :
Languages : en
Pages : 480
Book Description
Excerpt from The Harvard Classics Shelf of Fiction The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another Of the main currents, but wh'o are by no means carried away by it. In the work of these men the national character Of the German novel, if it has a national character, ought to be discoverable. For two reasons it is a fair question whether the Ger man novel has a national character. In the first place, modern Germany has been a nation only Since 1871; and in the second place, only in times of some great crisis does there appear to be in Germany a national life, as we under stand the term. At other times life in Germany is urban, provincial, or private, in those aspects of existence which the Germans most prize. The imperial capital affects to represent Germany as London represents England and Paris represents France; but such ascendancy is stoutly denied Berlin in the capitals of the other states, and Saxons or Bavarians refuse to submit to Prussian hegemony in any other than political and military affairs. In literature Prussia is not the nation; the empire itself is a federation of states, and Berlin is less specifically a German city than any other in the realm. Germany is emphatically e plum'bus. Still, there may be some bond of union stronger than political alliance, some fundamental quality common to Prussian, Saxon, and Bavarian. In this we should seek the national character. We should find the national character depicted in the historical novel, which has had a great vogue in Germany; but we may discern it also in the fiction devoted to the problems Of contemporary life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Harvard Classics Shelf of Fiction
Author: William Allan Neilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
The Harvard Classics Shelf of Fiction
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
The Harvard Classics Shelf of Fiction - Complete 20 Volumes
Author: Bjørnstjerne Bjørnson
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 9380
Book Description
This meticulously edited Harvard collection is formatted for your eReader with a functional and detailed table of contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 9380
Book Description
This meticulously edited Harvard collection is formatted for your eReader with a functional and detailed table of contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
David Copperfield
Author: William Allan Neilson
Publisher: P. F. Collier & Son
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
Publisher: P. F. Collier & Son
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
David Copperfield ...
Author: Charles Dickens
Publisher:
ISBN:
Category : Boys
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Boys
Languages : en
Pages : 524
Book Description
The Harvard Classics Shelf of Fiction: Pepita Jiménez
Author: William Allan Neilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 476
Book Description
Quicklet on Charles Dickens' David Copperfield (CliffNotes-like Summary)
Author: April Short
Publisher: Hyperink Inc
ISBN: 1614641234
Category : Study Aids
Languages : en
Pages : 36
Book Description
ABOUT THE BOOK Until the summer after my second year of college, I despised Charles Dickens. I couldn’t stomach his outdated witticisms and had no patience for his Gothic writing style. In high school, when my AP English teacher assigned A Tale of Two Cities, I read Chapters 1-10 and gave up. I could stand to fail an English test since it was my best subject. I couldn’t stand to spend one more second trudging through the doldrums of Charles Darnay’s self-righteousness and Sydney Carton’s unrequited sob-fest. Everything changed when I signed up for an annual week-long educational program called “Dickens Universe”. I was a literature major at the University of California, Santa Cruz (UCSC) and the completion of Dickens Universe, part of UCSC’s world-renowned Dickens Project, meant I’d receive a full quarter’s course credits in just one week. The incentive was greater than my distaste for Dickens, so I enrolled and bought a copy of that year’s featured novel: David Copperfield. My preconceptions about Charles Dickens began to melt away within minutes of my arrival on the first day. Dickens experts from 35 of the world’s top universities gathered beneath the redwood groves of the UCSC campus for lectures, study groups, and Victorian-style tea each day. MEET THE AUTHOR April graduated from University of California, Santa Cruz in 2011 with a BA degree in English literature and a minor in history focused on the Islamic world. A lifelong storyteller and working journalist based in Santa Cruz, CA, she is currently the senior contributing writer for Good Times Weekly, Santa Cruz County's largest print and online publication. April also works as a professional writer/editor. Her topics of interest range from arts and music to political and environmental pieces. She has always lived near the ocean and grew up surfing with her dad on the Central Coast of California. Her favorite outdoor hobbies include backpacking in the Sierra Nevadas, bicycling in the Bay Area, hiking through the redwoods of Northern CA, and she has recently taken up rock climbing. In addition to journalism and informational pieces, April writes creative prose and poetry that can be viewed, alongside a portfolio of her journalistic work, on her website: AprilMichelleShort.com. Among her favorite authors is Anais Nin, who said, “We write to taste life twice, in the moment and in retrospect.” EXCERPT FROM THE BOOK The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account), or more commonly, David Copperfield, is Dickens’ eighth and perhaps most intimate novel. Originally published in 1850, the novel first appeared in serial form, or segments in the above-described “penny dreadfuls” a year previous to its compilation. David Copperfield closely follows events from Dickens’ own life, and many Dickens analysts believe the novel’s title character, David Copperfield, represents Charles Dickens himself. This would make David Copperfield a fictional biography of sorts. David Copperfield was Dickens’ first novel to be written in first-person point of view narration, and whether or not Copperfield is based on Dickens, the novel is certainly the most autobiographical of Dickens’ collection. The novel’s 1867 edition includes a preface by the author, in which he writes, “...like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.” Buy a copy to keep reading!
Publisher: Hyperink Inc
ISBN: 1614641234
Category : Study Aids
Languages : en
Pages : 36
Book Description
ABOUT THE BOOK Until the summer after my second year of college, I despised Charles Dickens. I couldn’t stomach his outdated witticisms and had no patience for his Gothic writing style. In high school, when my AP English teacher assigned A Tale of Two Cities, I read Chapters 1-10 and gave up. I could stand to fail an English test since it was my best subject. I couldn’t stand to spend one more second trudging through the doldrums of Charles Darnay’s self-righteousness and Sydney Carton’s unrequited sob-fest. Everything changed when I signed up for an annual week-long educational program called “Dickens Universe”. I was a literature major at the University of California, Santa Cruz (UCSC) and the completion of Dickens Universe, part of UCSC’s world-renowned Dickens Project, meant I’d receive a full quarter’s course credits in just one week. The incentive was greater than my distaste for Dickens, so I enrolled and bought a copy of that year’s featured novel: David Copperfield. My preconceptions about Charles Dickens began to melt away within minutes of my arrival on the first day. Dickens experts from 35 of the world’s top universities gathered beneath the redwood groves of the UCSC campus for lectures, study groups, and Victorian-style tea each day. MEET THE AUTHOR April graduated from University of California, Santa Cruz in 2011 with a BA degree in English literature and a minor in history focused on the Islamic world. A lifelong storyteller and working journalist based in Santa Cruz, CA, she is currently the senior contributing writer for Good Times Weekly, Santa Cruz County's largest print and online publication. April also works as a professional writer/editor. Her topics of interest range from arts and music to political and environmental pieces. She has always lived near the ocean and grew up surfing with her dad on the Central Coast of California. Her favorite outdoor hobbies include backpacking in the Sierra Nevadas, bicycling in the Bay Area, hiking through the redwoods of Northern CA, and she has recently taken up rock climbing. In addition to journalism and informational pieces, April writes creative prose and poetry that can be viewed, alongside a portfolio of her journalistic work, on her website: AprilMichelleShort.com. Among her favorite authors is Anais Nin, who said, “We write to taste life twice, in the moment and in retrospect.” EXCERPT FROM THE BOOK The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account), or more commonly, David Copperfield, is Dickens’ eighth and perhaps most intimate novel. Originally published in 1850, the novel first appeared in serial form, or segments in the above-described “penny dreadfuls” a year previous to its compilation. David Copperfield closely follows events from Dickens’ own life, and many Dickens analysts believe the novel’s title character, David Copperfield, represents Charles Dickens himself. This would make David Copperfield a fictional biography of sorts. David Copperfield was Dickens’ first novel to be written in first-person point of view narration, and whether or not Copperfield is based on Dickens, the novel is certainly the most autobiographical of Dickens’ collection. The novel’s 1867 edition includes a preface by the author, in which he writes, “...like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.” Buy a copy to keep reading!