The Functional Unity of the Singing Voice PDF Download
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Author: Barbara Doscher
Publisher: Scarecrow Press
ISBN: 0810827085
Category : Medical
Languages : en
Pages : 353
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Book Description
Describes the anatomy and physiology of breathing and phonation and examines the acoustical laws necessary for an understanding of resonation. Extensive bibliography.
Author: Barbara Doscher
Publisher: Scarecrow Press
ISBN: 0810827085
Category : Medical
Languages : en
Pages : 353
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Book Description
Describes the anatomy and physiology of breathing and phonation and examines the acoustical laws necessary for an understanding of resonation. Extensive bibliography.
Author: Barbara M Doscher
Publisher: Rowman & Littlefield
ISBN: 1538178885
Category :
Languages : en
Pages : 399
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Book Description
This expanded edition of Barbara Doscher's seminal vocal pedagogy work includes a new introduction by John Nix as well as a new appendix with reflections and practical insights from singing teachers. This classic text describes the anatomy and physiology of breathing and phonation and examines acoustics for an understanding of resonation.
Author: William Vennard
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825800559
Category : Singing
Languages : en
Pages : 292
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Book Description
Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 0810844125
Category : Music
Languages : en
Pages : 320
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Book Description
This paperbound reprint of a 1989 work for teachers of singing, performing singers, and vocal pedagogy students presents the insights of great teachers from the past--insights that have been lost or diluted over the years and which the author believes to be important to the art of teaching. In 18 chapters, Berton (emeritus, music, Colorado College) discusses the writings of Tosi, Garcia, Stockhausen, Sedie, Seiler, Lamperti, Shakespeare, Witherspoon, Lilli Lehmann, Byers, and Johnstone-Douglas. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 9780810813700
Category : Music
Languages : en
Pages : 264
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Book Description
Presents in acoustic phonetics, register and musical notation, many exercises that will make the voice stronger and more musical according to the precepts of Bel Canto.
Author: Thomas Hemsley
Publisher: Oxford University Press on Demand
ISBN: 9780198790167
Category : Music
Languages : en
Pages : 205
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Book Description
This book is written in the belief that the essential basic principles underlying good singing are in themselves rather few, and very simple, but that their application is amazingly varied in light of the individual's needs. It is not intended as a manual of voice production, and does notconcern itself with medical matters, nor directly with anatomy, physiology, and acoustics. While not belittling the value of appropriate scientific investigation, Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and theintuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - `not only a language through which we understand the emotions of others, but also a means ofexciting our sympathy with such emotions.' (H. Spencer). This book can be seen as an attempt to redress the balance. Quote from reader's report by Professor David Galliver: "Here is a comprehensive and well-ordered philosophy of the art of singing; one which integrates both technical and interpretative aspects. While the technical principles of the classical tradition of singing as expounded by the late Lucie Manen lie at its basis, what is put forward here is verymuch an extension and development, illumined by Thomas Hemsley's long and exceptionally wide experience as a professional singer and teacher, as well as by a wealth of historical evidence. The second part of the book applies these principles, emphasising the fundamental role played by artisticimagination aund understanding. The picture which emerges is essentially comprehensive, and offers a holistic approach to the art of singing. "The book is addressed to those `with a gift for singing who would like to understand better how to approach putting that gift to use'. It will appeal to a wide range of singers, professional and others, and will challenge those pedagogues who rely heavily on the so-called `scientific' approach atthe expense of fundamental human and artistic considerations. Hemsley's own scientific qualifications give additional authority to his hard-hitting arguments. The book is engagingly written, with many personal examples and anecdotes; it certainly makes good reading."
Author: Barbara M. Doscher
Publisher: Scarecrow Press
ISBN: 1461658780
Category : Music
Languages : en
Pages : 387
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Book Description
The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice. Entries are divided by broad category (art song, arias, folk songs, oratorio, musicals, etc.) and are arranged by song title. Each entry includes author, poet or librettist, key(s) available, ranges (for each key), tessitura, difficulty level, voice types, comments, a summary of the text, and notes as to genre, language, and editions available. Five comprehensive indexes facilitate searching. As a guide to selecting vocal repertoire, this book's practical and sometimes colorful comments on each song or aria will assist the vocal instructor in matching the student's ability and range to the appropriate piece. This distillation of Barbara Doscher's many years of experience in the teaching studio is a necessary addition to any vocal instructor's collection, as well as a valuable resource for the individual singer.
Author: Ron Murdock
Publisher: Books that Change
ISBN: 9780979637001
Category :
Languages : en
Pages : 176
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Book Description
For the last 44 years the author has been working to bring two great disciplines together: the voice teaching of two outstanding European vocal pedagogues of the twentieth century, Professor Frederick Husler and Yvonne Rodd-Marling, and the work of F. M. Alexander who developed the Alexander Technique. The combining of these two techniques provides a powerful tool for developing and sustaining vocal excellence and vocal health, and this book brings the reader inside the world of both of these remarkable techniques. Better singing awaits.
Author: Sergius Kagen
Publisher: Courier Corporation
ISBN: 0486173208
Category : Music
Languages : en
Pages : 145
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Book Description
Guide by faculty member of the Juilliard School of Music explains what students can and cannot expect from singing lessons, plus musical notation and theory, ear training, languages, and related subjects.
Author: Graham F. Welch
Publisher: Oxford University Press
ISBN: 0192576070
Category : Psychology
Languages : en
Pages : 1201
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Book Description
Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.
