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Author: Alfred Edward Woodley Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
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Book Description
Author: Alfred Edward Woodley Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
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Book Description
Author: Elizabeth Adler
Publisher: Macmillan
ISBN: 9780312537081
Category : Fiction
Languages : en
Pages : 372
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Book Description
An American woman discovers the magic of Tuscany in this delightful novel from the acclaimed author of "The Last Time I Saw Paris."
Author: A. E. W. Mason
Publisher: Sheba Blake Publishing Corp.
ISBN: 1222380315
Category : Fiction
Languages : en
Pages : 470
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Book Description
If you're a fan of classic detective tales in the vein of Agatha Christie's work, give A.E.W. Mason's novels a try. At the Villa Rose is a tightly plotted, fast-paced mystery, centering on a puzzling murder that eventually unravels under the methodical analysis of Inspector Hanaud, the wryly witty protagonist. As part of our mission to publish great works of literary fiction and nonfiction, Sheba Blake Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.
Author: Alfred Edward Woodley Mason
Publisher:
ISBN:
Category : Blanc, Mont (France and Italy)
Languages : en
Pages : 388
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Book Description
Author: Percival Christopher Wren
Publisher: Lulu.com
ISBN: 1445297272
Category : Fiction
Languages : en
Pages : 394
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Book Description
The first in Percival Christorpher Wren's series, Beau Geste, Beau Sabreur and Beau Ideal.
Author: Alfred Edward Woodley Mason
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 324
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Book Description
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages :
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Book Description
Author: A. E. W. (Alfred Edward Woodley) Mason
Publisher:
ISBN: 9781362561156
Category : History
Languages : en
Pages : 476
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Book Description
Author: Julianne Holmes
Publisher: Penguin
ISBN: 0698164288
Category : Fiction
Languages : en
Pages : 306
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Book Description
First in a new cozy series that ticks with excitement and mystery! Ruth Clagan may be an expert clockmaker, but she’s always had a tendency to lose track of time. And when trying to solve a murder, every minute counts… Ruth’s beloved grandfather instilled in her a love of timepieces. Unfortunately after her grandmother died and he remarried, Ruth and Grandpa Thom became estranged. She’s wanted to reconnect after her recent divorce, but sadly they’ve run out of time. Her grandfather has been found dead after a break-in at his shop—and the police believe he was murdered. Now Ruth has been named the heir to Grandpa Thom’s clock shop, the Cog & Sprocket, in the small Berkshire town of Orchard, Massachusetts. As soon as she moves into the small apartment above the shop and begins tackling the heaps of unfinished work, Ruth finds herself trying to stay on the good side of Grandpa’s bossy gray cat, Bezel, while avoiding the step-grandmother she never wanted. But as old secrets and grudges start to surface, Ruth will have to kick into high gear to solve the killer case before someone else winds up dead…
Author: Kamran Rastegar
Publisher: Oxford University Press, USA
ISBN: 0199390177
Category : History
Languages : en
Pages : 249
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Book Description
Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.
