Author: Fred F. Poyner IV
Publisher: McFarland
ISBN: 1476666504
Category : Art
Languages : en
Pages : 241
Book Description
From Seattle's earliest days as a Gold Rush boomtown to its celebration of the future during the 1962 World's Fair, local artists have created public art installations--statuary, reliefs and other sculpture--that have become familiar features of the city's landscape. This comprehensive study of 12 Seattle sculptors and their works examines the motivations of the artists and their benefactors, the development of the city's public art policy, and the political forces behind the pieces that are now part of the city's rich history. Biographical details and historical perspective are provided for such artists as Lorado Taft, Alice Robertson Carr, John Carl Ely, Max P. Nielsen, August Werner and James FitzGerald.
Seattle Public Sculptors
Author: Fred F. Poyner IV
Publisher: McFarland
ISBN: 1476666504
Category : Art
Languages : en
Pages : 241
Book Description
From Seattle's earliest days as a Gold Rush boomtown to its celebration of the future during the 1962 World's Fair, local artists have created public art installations--statuary, reliefs and other sculpture--that have become familiar features of the city's landscape. This comprehensive study of 12 Seattle sculptors and their works examines the motivations of the artists and their benefactors, the development of the city's public art policy, and the political forces behind the pieces that are now part of the city's rich history. Biographical details and historical perspective are provided for such artists as Lorado Taft, Alice Robertson Carr, John Carl Ely, Max P. Nielsen, August Werner and James FitzGerald.
Publisher: McFarland
ISBN: 1476666504
Category : Art
Languages : en
Pages : 241
Book Description
From Seattle's earliest days as a Gold Rush boomtown to its celebration of the future during the 1962 World's Fair, local artists have created public art installations--statuary, reliefs and other sculpture--that have become familiar features of the city's landscape. This comprehensive study of 12 Seattle sculptors and their works examines the motivations of the artists and their benefactors, the development of the city's public art policy, and the political forces behind the pieces that are now part of the city's rich history. Biographical details and historical perspective are provided for such artists as Lorado Taft, Alice Robertson Carr, John Carl Ely, Max P. Nielsen, August Werner and James FitzGerald.
Portland Public Sculptors
Author: Fred F. Poyner IV
Publisher: America Through Time
ISBN: 9781634993074
Category :
Languages : en
Pages : 128
Book Description
Publisher: America Through Time
ISBN: 9781634993074
Category :
Languages : en
Pages : 128
Book Description
Frisson
Author: Catharina Manchanda
Publisher:
ISBN: 9780932216793
Category : Art
Languages : en
Pages : 200
Book Description
Seattle art collectors Richard E. Lang and Jane Lang Davis were frequent visitors to New York City in the 1970s and early 1980s when they collaboratively built their collection, filling their home with singular works of art. Their shared legacy and passion for engaging thoughtfully, deeply, and personally with art--and the frisson of excitement that arises with such a connection--are celebrated and echoed in this special exhibition catalogue. Spanning 1945 through 1976, the paintings, drawings, and sculptures in Frisson serve as significant examples of mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period, including Francis Bacon, Lee Krasner, Clyfford Still, Philip Guston, Joan Mitchell, David Smith, and others. Together they represent an inimitable archive of innovation and a cross-pollination of leading artistic positions in the postwar years. With twenty new scholarly essays written by leading experts, Frisson provides the first opportunity for in-depth research into and new insights about nineteen noteworthy artworks recently acquired by the Seattle Art Museum.
Publisher:
ISBN: 9780932216793
Category : Art
Languages : en
Pages : 200
Book Description
Seattle art collectors Richard E. Lang and Jane Lang Davis were frequent visitors to New York City in the 1970s and early 1980s when they collaboratively built their collection, filling their home with singular works of art. Their shared legacy and passion for engaging thoughtfully, deeply, and personally with art--and the frisson of excitement that arises with such a connection--are celebrated and echoed in this special exhibition catalogue. Spanning 1945 through 1976, the paintings, drawings, and sculptures in Frisson serve as significant examples of mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period, including Francis Bacon, Lee Krasner, Clyfford Still, Philip Guston, Joan Mitchell, David Smith, and others. Together they represent an inimitable archive of innovation and a cross-pollination of leading artistic positions in the postwar years. With twenty new scholarly essays written by leading experts, Frisson provides the first opportunity for in-depth research into and new insights about nineteen noteworthy artworks recently acquired by the Seattle Art Museum.
Doris Chase, Artist in Motion
Author: Patricia Failing
Publisher:
ISBN: 9780295971124
Category : Art
Languages : en
Pages : 136
Book Description
Doris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture. Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists' video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these productions, she uses the imtimacy of the video screen to achieve a new synthesis of visual and dramatic art. Her video theatre compositions present multicultural and social commentary, utilizing scripts by writers such as Lee Breuer, Thulani Davis, and Jessica Hagedorn in the "Concepts" series. Collaborating with actresses Geralding Page, Ann Jackson, Roberta Wallach, Joan Plowright, and Luise Riner in the "By Herself" series, she focuses on the viewpoints and experiences of older women. Today, coming full circle, Doris Chase in Seattle is exploring a renewed interest in painting and sculpture as well as in the modernist aesthetic she never really ceased pursuing, even during her most adventuresome multimedia years. This profile by art historian Patricia Failing is both a celebration of a distinguished artists and a historical summary of the development of video as an art form from the early seventies to the present day. The making of Chase's widely acclaimed filmdance, Circles II (1972), is discussed within the context of her own artists evolution and also as exemplary of an artistic milieu shaped by McLuhanism and a growing interest in multimedia experimentation. An entire chapter focuses on the institutional and theoretical working environment for video artists in the 1970s, outlining the circumstances under which New York became the best-endowed center for the production of artists' video. Attention is also paid to the specific manner in which Chase learned to employ video technology, the mechanisms of exhibition and distribution of independent video art, and the theoretical and practical issues raised in collaborations among artists from different art forms. Centering upon first-hand commentary by Chase and her colleagues, Doris Chase, Artist in Motion is an accessible introduction to a pioneering artist and her milieu. The Foreword by noted critic and teacher of video art Ann-Sargent Wooster adds a valuable dimension to the volume. Doris Chase, Artist in Motion is illustrated with representative examples of Chase's work and includes selected lists of her videotapes and films as well as her works in public collections. It will appeal to students of video art as well as to those intersted in women artists and feminist performance.
Publisher:
ISBN: 9780295971124
Category : Art
Languages : en
Pages : 136
Book Description
Doris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture. Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists' video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these productions, she uses the imtimacy of the video screen to achieve a new synthesis of visual and dramatic art. Her video theatre compositions present multicultural and social commentary, utilizing scripts by writers such as Lee Breuer, Thulani Davis, and Jessica Hagedorn in the "Concepts" series. Collaborating with actresses Geralding Page, Ann Jackson, Roberta Wallach, Joan Plowright, and Luise Riner in the "By Herself" series, she focuses on the viewpoints and experiences of older women. Today, coming full circle, Doris Chase in Seattle is exploring a renewed interest in painting and sculpture as well as in the modernist aesthetic she never really ceased pursuing, even during her most adventuresome multimedia years. This profile by art historian Patricia Failing is both a celebration of a distinguished artists and a historical summary of the development of video as an art form from the early seventies to the present day. The making of Chase's widely acclaimed filmdance, Circles II (1972), is discussed within the context of her own artists evolution and also as exemplary of an artistic milieu shaped by McLuhanism and a growing interest in multimedia experimentation. An entire chapter focuses on the institutional and theoretical working environment for video artists in the 1970s, outlining the circumstances under which New York became the best-endowed center for the production of artists' video. Attention is also paid to the specific manner in which Chase learned to employ video technology, the mechanisms of exhibition and distribution of independent video art, and the theoretical and practical issues raised in collaborations among artists from different art forms. Centering upon first-hand commentary by Chase and her colleagues, Doris Chase, Artist in Motion is an accessible introduction to a pioneering artist and her milieu. The Foreword by noted critic and teacher of video art Ann-Sargent Wooster adds a valuable dimension to the volume. Doris Chase, Artist in Motion is illustrated with representative examples of Chase's work and includes selected lists of her videotapes and films as well as her works in public collections. It will appeal to students of video art as well as to those intersted in women artists and feminist performance.
Monumental Seattle
Author: Robert Spalding
Publisher: Washington State University Press
ISBN: 1636820565
Category : History
Languages : en
Pages : 303
Book Description
Beginning with the 1899 installation of a stolen Tlingit totem pole at Pioneer Square and stretching to artist Lou Cella’s Ken Griffey Jr. sculpture erected at Safeco Field in 2017, Seattle offers an impressive abundance of public monuments, statues, busts, and plaques. Whether they evoke curiosity and deeper interaction or elicit only a fleeting glance, the stories behind them are worth preserving. Private donors and civic groups commissioned prominent national sculptors, as well as local artists like James A. Wehn (who sculpted multiple renderings of Chief Seattle) and Alonzo Victor Lewis, who produced a number of bas-reliefs and statues, including one of the city’s most controversial--a World War I soldier known as “The Doughboy.” The resulting creations represent diverse perspectives and celebrate a wide array of cultural heroes, dozens of firsts, the Alaska-Yukon-Pacific Exposition, aviation, and military and maritime service. Author Robert Spalding provides the history surrounding these works. Beyond the words chiseled into granite or emblazoned in bronze, he considers the deeper meaning of the heritage markers, exploring how and why people chose to commemorate the past, the selection of sites and artists, and the context of the time period. He also discusses how changing societal values affect public memorials, noting works that are missing or relocated, and how they have been maintained or neglected. An appendix lists the type, year, location, and artist for sixty monuments and statues, and whether each still exists. Another useful appendix offers maritime plaque inscriptions.
Publisher: Washington State University Press
ISBN: 1636820565
Category : History
Languages : en
Pages : 303
Book Description
Beginning with the 1899 installation of a stolen Tlingit totem pole at Pioneer Square and stretching to artist Lou Cella’s Ken Griffey Jr. sculpture erected at Safeco Field in 2017, Seattle offers an impressive abundance of public monuments, statues, busts, and plaques. Whether they evoke curiosity and deeper interaction or elicit only a fleeting glance, the stories behind them are worth preserving. Private donors and civic groups commissioned prominent national sculptors, as well as local artists like James A. Wehn (who sculpted multiple renderings of Chief Seattle) and Alonzo Victor Lewis, who produced a number of bas-reliefs and statues, including one of the city’s most controversial--a World War I soldier known as “The Doughboy.” The resulting creations represent diverse perspectives and celebrate a wide array of cultural heroes, dozens of firsts, the Alaska-Yukon-Pacific Exposition, aviation, and military and maritime service. Author Robert Spalding provides the history surrounding these works. Beyond the words chiseled into granite or emblazoned in bronze, he considers the deeper meaning of the heritage markers, exploring how and why people chose to commemorate the past, the selection of sites and artists, and the context of the time period. He also discusses how changing societal values affect public memorials, noting works that are missing or relocated, and how they have been maintained or neglected. An appendix lists the type, year, location, and artist for sixty monuments and statues, and whether each still exists. Another useful appendix offers maritime plaque inscriptions.
The Sculptor
Author: Scott McCloud
Publisher: First Second
ISBN: 1466887281
Category : Comics & Graphic Novels
Languages : en
Pages : 500
Book Description
David Smith is giving his life for his art—literally. Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding what to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier! This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life...and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.
Publisher: First Second
ISBN: 1466887281
Category : Comics & Graphic Novels
Languages : en
Pages : 500
Book Description
David Smith is giving his life for his art—literally. Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding what to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier! This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life...and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.
Mel Katz
Author: Barry Johnson
Publisher:
ISBN: 9781930957725
Category : Art
Languages : en
Pages : 0
Book Description
Mel Katz is a highly regarded Portland sculptor and teacher whose work is firmly rooted in the principles of geometric abstraction. He moved to Portland, Oregon, in 1964 to teach at Portland State University, where he taught for the next thirty-two years. He helped found the Portland Center for the Visual Arts in 1971, one of the first alternative artist spaces in the country. Originally trained as a painter, Katz has produced a remarkable body of work over the past fifty years that reflects his unique journey from painter to sculptor, working in many different media, including polyurethane, fiberglass, wood, formica, steel, and aluminum. Katz has been featured in numerous one-person and group exhibitions throughout the United States, including the First Western States Biennial. He was the subject of a major retrospective exhibition at the Portland Art Museum in 1988 and was included in the traveling exhibition, Still Working, in 1994. His work is included in the collections of the Hallie Ford Museum of Art, Portland Art Museum, the Jordan Schnitzer Museum of Art, the Seattle Art Museum, the Tacoma Art Museum, the Oregon Arts Commission, the City of Seattle, and many national corporations.
Publisher:
ISBN: 9781930957725
Category : Art
Languages : en
Pages : 0
Book Description
Mel Katz is a highly regarded Portland sculptor and teacher whose work is firmly rooted in the principles of geometric abstraction. He moved to Portland, Oregon, in 1964 to teach at Portland State University, where he taught for the next thirty-two years. He helped found the Portland Center for the Visual Arts in 1971, one of the first alternative artist spaces in the country. Originally trained as a painter, Katz has produced a remarkable body of work over the past fifty years that reflects his unique journey from painter to sculptor, working in many different media, including polyurethane, fiberglass, wood, formica, steel, and aluminum. Katz has been featured in numerous one-person and group exhibitions throughout the United States, including the First Western States Biennial. He was the subject of a major retrospective exhibition at the Portland Art Museum in 1988 and was included in the traveling exhibition, Still Working, in 1994. His work is included in the collections of the Hallie Ford Museum of Art, Portland Art Museum, the Jordan Schnitzer Museum of Art, the Seattle Art Museum, the Tacoma Art Museum, the Oregon Arts Commission, the City of Seattle, and many national corporations.
Invocation of Beauty
Author: David F. Martin
Publisher:
ISBN: 9780998911212
Category : Photography
Languages : en
Pages : 0
Book Description
This exhibition and accompanying publication is the first in-depth study of the life and photography of Soichi Sunami (1885-1971). Soichi Sunami was born in Okayama, Japan, on February 18, 1885. He emigrated to the United States in 1905 and arrived in Seattle on February 24, 1907. His occupation was secured by 1930, when Mrs. John D. Rockefeller Jr. asked him to become the photographer for the recently opened Museum of Modern Art (MOMA). For the next thirty-eight years, he produced more than twenty thousand large-format negatives for the archive of the museum. Using his initial contacts from Seattle, Sunami went on to produce one of the most important bodies of work in the field of dance photography. During his lifetime, his photographs appeared in numerous national and international publications.00Exhibition: Cascadia Art Museum, Edmonds, Washington (11.10.2018-06.01.2019).
Publisher:
ISBN: 9780998911212
Category : Photography
Languages : en
Pages : 0
Book Description
This exhibition and accompanying publication is the first in-depth study of the life and photography of Soichi Sunami (1885-1971). Soichi Sunami was born in Okayama, Japan, on February 18, 1885. He emigrated to the United States in 1905 and arrived in Seattle on February 24, 1907. His occupation was secured by 1930, when Mrs. John D. Rockefeller Jr. asked him to become the photographer for the recently opened Museum of Modern Art (MOMA). For the next thirty-eight years, he produced more than twenty thousand large-format negatives for the archive of the museum. Using his initial contacts from Seattle, Sunami went on to produce one of the most important bodies of work in the field of dance photography. During his lifetime, his photographs appeared in numerous national and international publications.00Exhibition: Cascadia Art Museum, Edmonds, Washington (11.10.2018-06.01.2019).
Ruben Trejo
Author: Ruben Trejo
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
"Multiple backgrounds can form such two- and three-dimensional ideas that they take you to the brink of lunacy, but I have used this rich background and ethnic landscape for creating art. As a student at the University of Minnesota, I often wondered what the study of Russian history, Shakespeare, English literature, or Freud . . . had to do with cleaning onions in Hollandale, Minnesota, picking potatoes in Hoople, North Dakota, or visiting relatives in Michoacán. This diversity of ideas can produce a three-headed monster or an artist, and I chose the latter." -Ruben Trejo Ruben Trejo: Beyond Boundaries / Aztlán y más allá is the first comprehensive survey of Trejo's art and career. It focuses on more than fifty works from 1964 through the present, including pieces from his delightful life-size, puppet-like Clothes for Day of the Dead series; works from the Calzones series - cast bronze underwear and jalapenos - that challenge the Spanish machismo culture; seminal examples of his lifelong exploration of the cruciform image; and much more. The volume includes biographical and interpretive essays, as well as a chronology, list of exhibitions, and bibliography. Ruben Trejo (1937-2009) was born in a Chicago, Burlington and Quincy railroad yard in St. Paul, Minnesota, where his father, a mixed Tarascan Indian and Hispanic from Michoacán, Mexico, and his mother, from Ixtlan in the same Mexican province, had found a home for the family in a boxcar while his father worked for the railroad. Trejo became the first in his family to graduate from college, and in 1973 he moved to the Pacific Northwest, where he began a thirty-year association with Eastern Washington University as teacher and artist. His isolation from major centers of Chicano culture led him to search for self-identity through his art. Influenced and inspired by such writers and artists as Octavio Paz and Guillermo Gómez-Pena, he explored a dynamic, multidimensional worldview through his sculpture and mixed-media pieces and created a body of work that deftly limns his identity as an artist and a Chicano. Throughout his long teaching career, he worked tirelessly to create opportunities for young Chicanos through tutoring and mentoring. Ben Mitchell, writer and teacher, is senior curator of art at the Northwest Museum of Arts and Culture in Spokane, Washington. Tomás Ybarra-Frausto is former professor of Spanish and Portuguese at Stanford University and former associate director for creativity and culture at the Rockefeller Foundation. John Keeble, professor emeritus at Eastern Washington University, is the author of four novels, including Yellowfish and Broken Ground.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
"Multiple backgrounds can form such two- and three-dimensional ideas that they take you to the brink of lunacy, but I have used this rich background and ethnic landscape for creating art. As a student at the University of Minnesota, I often wondered what the study of Russian history, Shakespeare, English literature, or Freud . . . had to do with cleaning onions in Hollandale, Minnesota, picking potatoes in Hoople, North Dakota, or visiting relatives in Michoacán. This diversity of ideas can produce a three-headed monster or an artist, and I chose the latter." -Ruben Trejo Ruben Trejo: Beyond Boundaries / Aztlán y más allá is the first comprehensive survey of Trejo's art and career. It focuses on more than fifty works from 1964 through the present, including pieces from his delightful life-size, puppet-like Clothes for Day of the Dead series; works from the Calzones series - cast bronze underwear and jalapenos - that challenge the Spanish machismo culture; seminal examples of his lifelong exploration of the cruciform image; and much more. The volume includes biographical and interpretive essays, as well as a chronology, list of exhibitions, and bibliography. Ruben Trejo (1937-2009) was born in a Chicago, Burlington and Quincy railroad yard in St. Paul, Minnesota, where his father, a mixed Tarascan Indian and Hispanic from Michoacán, Mexico, and his mother, from Ixtlan in the same Mexican province, had found a home for the family in a boxcar while his father worked for the railroad. Trejo became the first in his family to graduate from college, and in 1973 he moved to the Pacific Northwest, where he began a thirty-year association with Eastern Washington University as teacher and artist. His isolation from major centers of Chicano culture led him to search for self-identity through his art. Influenced and inspired by such writers and artists as Octavio Paz and Guillermo Gómez-Pena, he explored a dynamic, multidimensional worldview through his sculpture and mixed-media pieces and created a body of work that deftly limns his identity as an artist and a Chicano. Throughout his long teaching career, he worked tirelessly to create opportunities for young Chicanos through tutoring and mentoring. Ben Mitchell, writer and teacher, is senior curator of art at the Northwest Museum of Arts and Culture in Spokane, Washington. Tomás Ybarra-Frausto is former professor of Spanish and Portuguese at Stanford University and former associate director for creativity and culture at the Rockefeller Foundation. John Keeble, professor emeritus at Eastern Washington University, is the author of four novels, including Yellowfish and Broken Ground.
Legacy
Author: Paul Dorpat
Publisher: University of Washington Press
ISBN: 9780295986036
Category : Biography & Autobiography
Languages : en
Pages : 190
Book Description
Of other beneficiaries and on the Foundation's governance. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).
Publisher: University of Washington Press
ISBN: 9780295986036
Category : Biography & Autobiography
Languages : en
Pages : 190
Book Description
Of other beneficiaries and on the Foundation's governance. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).