The First Mourning by William-Adolphe Bouguereau - 1888 PDF Download
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Author: Ted E. Bear Press
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539911043
Category :
Languages : en
Pages : 154
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Book Description
Blank journal with a work of art on the cover! Life is art, and what better way to chronicle the goings-on in your life than in our Art of Life Journal showcasing William-Adolphe Bouguereau's work of art, "The First Mourning - 1888". There are 150 pages for journal entries. Each page is printed on 60# stock, and is lightly lined and embellished. The cover is printed on 10pt stock, and is laminated for increased durability.
Author: Ted E. Bear Press
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539911043
Category :
Languages : en
Pages : 154
Get Book
Book Description
Blank journal with a work of art on the cover! Life is art, and what better way to chronicle the goings-on in your life than in our Art of Life Journal showcasing William-Adolphe Bouguereau's work of art, "The First Mourning - 1888". There are 150 pages for journal entries. Each page is printed on 60# stock, and is lightly lined and embellished. The cover is printed on 10pt stock, and is laminated for increased durability.
Author: Sophia Institute for Teachers
Publisher: Sophia Institute Press
ISBN: 1644134039
Category : Religion
Languages : en
Pages : 325
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Book Description
Author: Bruce Hamill
Publisher: Wipf and Stock Publishers
ISBN: 1606086154
Category : Religion
Languages : en
Pages : 108
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Book Description
The God Revolution takes a fresh approach to the roots of Christianity. It asks the reader to explore and join a revolution in lifestyle and thought rooted both in a personal wager on God as the source of a meaningful hope and in the story of Jesus of Nazareth. This book invites us to see Jesus’ own Hebrew Bible something like the way he himself did. Then it turns our attention forward to the surprising impact Jesus had on those who followed him, how they reinvented the ancient world, and how we might reinvent ours. It is written for explorers, rather than those already weary of the form of religion they have known.
Author:
Publisher: Freerange Press
ISBN: 0473200767
Category : Home
Languages : en
Pages : 53
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Book Description
Author: A. Cranny-Francis
Publisher: Springer
ISBN: 113726831X
Category : Social Science
Languages : en
Pages : 314
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Book Description
Technology and Touch addresses the development of a range of new touch technologies, both technologies that we reach out to touch and technologies that touch us, by exploring how we use touch to connect with and understand our world, and ourselves.
Author: Henri Focilon
Publisher: Parkstone International
ISBN: 1683254589
Category : Art
Languages : en
Pages : 40
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Book Description
To speak about art is to evoke the hand of the creator who produced the work. It is to confer to its gestures the importance of thoughts and to explore their point of convergence on the canvas or the stone. With this text, Henri Focillon delivers one of the most beautiful odes to the hand and, simultaneously, to the talent of artists, studying Hokusai, Cézanne, and even Rodin. What do artists such as Rembrandt, David, Gauguin, and Hokusai have in common? A virtuosity of the hand, replies Henri Focillon. The viewer often forgets that behind the works, it is first and foremost a hand and its fingers which guide the paintbrush, the pen, or the stylus. Focillon’s text recalls the importance of this part of the body, in which the artist’s talent comes to life. Within his text, he grants the hand the recognition that it deserves.
Author: Richard Leppert
Publisher: Routledge
ISBN: 0429719663
Category : Art
Languages : en
Pages : 426
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Book Description
In Art and the Committed Eye Richard Leppert examines Western European and American art from the fifteenth to the twentieth century. He studies the complex relation between the "look" of images and the variety of social and cultural uses to which they are put and demonstrates that the meaning of any image is significantly determined by its function, which changes over time. In particular, he emphasizes the ways in which visual culture is called on to mediate social differences defined by gender, class, and race. In , Leppert addresses the nature and task of representation, discussing how meaning accrues to images and what role vision and visuality play in the history of modernity. Here he explains imagery's power to attract our gaze by triggering desire and focuses on the long history of the use of representation to enact a deception, whether in painting or advertising. explores art's relation to the material world, to the ways in which images mark our various physical and psychic ties to objects. The author analyzes still life paintings whose subject matter is both extraordinarily diverse and deeply paradoxical—from flower bouquets to grotesque formal arrangements of human body parts. Leppert demonstrates that even in "innocent" still lifes, formal design and technical execution are imbued with cultural conflict and social power. is devoted to the representation of the human body—as subject to obsessive gazing and as an object of display, spectacle, and transgression. The variety of body representation is enormous: pleased or tortured, gorgeous or monstrous, modest or lascivious, powerful or weak, in the bloom of life or under the anatomist's knife, clothed or naked. But it is the sexual body, Leppert shows, that has provided the West with its richest, most complex, contradictory, conflicted, and paradoxical accounts of human identity in relation to social ideals.
Author: Richard Leppert
Publisher: Routledge
ISBN: 0429975732
Category : Art
Languages : en
Pages : 403
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Book Description
The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
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Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author: Beth A. Conklin
Publisher: University of Texas Press
ISBN: 0292782543
Category : Social Science
Languages : en
Pages : 318
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Book Description
Mourning the death of loved ones and recovering from their loss are universal human experiences, yet the grieving process is as different between cultures as it is among individuals. As late as the 1960s, the Wari' Indians of the western Amazonian rainforest ate the roasted flesh of their dead as an expression of compassion for the deceased and for his or her close relatives. By removing and transforming the corpse, which embodied ties between the living and the dead and was a focus of grief for the family of the deceased, Wari' death rites helped the bereaved kin accept their loss and go on with their lives. Drawing on the recollections of Wari' elders who participated in consuming the dead, this book presents one of the richest, most authoritative ethnographic accounts of funerary cannibalism ever recorded. Beth Conklin explores Wari' conceptions of person, body, and spirit, as well as indigenous understandings of memory and emotion, to explain why the Wari' felt that corpses must be destroyed and why they preferred cannibalism over cremation. Her findings challenge many commonly held beliefs about cannibalism and show why, in Wari' terms, it was considered the most honorable and compassionate way of treating the dead.
