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Author: Deborah R. Forteza
Publisher: University of Toronto Press
ISBN: 1487563523
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
The English Reformation in the Spanish Imagination examines early modern Spanish literary works that represent English Catholics and figures from the English Reformation, including Henry and Elizabeth Tudor, Anne Boleyn, Catherine of Aragon, Sir Francis Drake, and Mary Stuart. Deborah R. Forteza compares these texts to assess how rhetorical and genre distinctions open and constrain the Spanish representations and how these exchanges inform Anglo-Spanish perceptions and relations. The book focuses on the literary representation of characters as classical and biblical monsters and saints and considers how these images were transformed and deployed in lesser-known poems, plays, and novels in order to capture the Spanish imagination. Through these sources, Forteza reveals the complex fraternal and antagonistic links between England and Spain, including Black Legend and Counter-Reformation exchanges. In examining the works that shaped Spain’s view of England at the time, The English Reformation in the Spanish Imagination demonstrates the importance of transnational study and why it is essential for a more nuanced understanding of Spanish literature.
Author: Deborah R. Forteza
Publisher: University of Toronto Press
ISBN: 1487563523
Category : Literary Criticism
Languages : en
Pages : 187
Get Book Here
Book Description
The English Reformation in the Spanish Imagination examines early modern Spanish literary works that represent English Catholics and figures from the English Reformation, including Henry and Elizabeth Tudor, Anne Boleyn, Catherine of Aragon, Sir Francis Drake, and Mary Stuart. Deborah R. Forteza compares these texts to assess how rhetorical and genre distinctions open and constrain the Spanish representations and how these exchanges inform Anglo-Spanish perceptions and relations. The book focuses on the literary representation of characters as classical and biblical monsters and saints and considers how these images were transformed and deployed in lesser-known poems, plays, and novels in order to capture the Spanish imagination. Through these sources, Forteza reveals the complex fraternal and antagonistic links between England and Spain, including Black Legend and Counter-Reformation exchanges. In examining the works that shaped Spain’s view of England at the time, The English Reformation in the Spanish Imagination demonstrates the importance of transnational study and why it is essential for a more nuanced understanding of Spanish literature.
Author: Ignacio Infante
Publisher: University of Toronto Press
ISBN: 1442629762
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929. Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.
Author: Robin M Bower
Publisher: University of Toronto Press
ISBN: 1487547897
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The thirteenth-century poet Gonzalo de Berceo is the first named author of Old Spanish letters and the most prolific contributor to the emergence of the body of learned vernacular verse known as the mester de clerecía. In the Doorway of All Worlds focuses on the four hagiographies Berceo produced as a unified body of poetic expression and world-building. Robin M. Bower traces the poet’s intricate juxtaposition of contraries to shed light on a poetic world that will innovate a deceptively simple poetic vernacular and elevate its capacity to express nuance, power, and mystery. The book examines the entanglements that bind formal and lexical choices, the inscription of performance sites and audiences, and problematic source authority. It argues that Berceo’s elaboration of a poetic vernacular was wholly enmeshed in the immediate human, experiential world and the diverse cultural, religious, linguistic, and literary contexts that framed it. The book also highlights how Berceo invented a literary vernacular that befits the spoken idiom not only for the crafting of learned fictions, but for giving linguistic shape to the ineffable. In the Doorway of All Worlds ultimately reveals how Berceo freed the meanings trapped in relics, shrines, and the impenetrable texts from which he translated the saints to circulate in a new time.
Author: Enrique Fernández
Publisher: University of Toronto Press
ISBN: 1487549806
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
La Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.
Author: Victor Houliston
Publisher: Bloomsbury Publishing
ISBN: 1350379360
Category : Foreign Language Study
Languages : en
Pages : 289
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Book Description
Presenting the text of a notorious Jesuit attack on Queen Elizabeth I's treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons's role as propagandist. In De persecutione Anglicana, Robert Persons (15461610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion's execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions. Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
Author: Hilaire Kallendorf
Publisher: University of Toronto Press
ISBN: 1487527055
Category :
Languages : en
Pages : 468
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Book Description
Author: Anita Savo
Publisher: University of Toronto Press
ISBN: 1487553250
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.
Author: Maryanne L. Leone
Publisher: University of Toronto Press
ISBN: 1487548338
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Chronicling sixteenth-century Spain to the present day, Beyond Human aims to decentre the human and acknowledge the material historicity of more-than-human nature. The book explores key questions relating to ecological equity, justice, and responsibility within and beyond Spain in the Anthropocene. Examining relations between Iberian cultural practices, historical developments, and ecological processes, Maryanne L. Leone, Shanna Lino, and the contributors to this volume reveal the structures that uphold and dismantle the non-human–human dichotomy and nature-culture divide. The book critiques works from the Golden Age to the twenty-first century in a wide range of genres, including comedia, royal treatises, agricultural reports, paintings, satirical essays, horror fiction and film, young adult and speculative literature, poetry, graphic novels, and television series. The authors contend that Spanish cultural studies must expose the material historicity that entangles today’s ecological crises and ecosocial injustices with previous, future, and contemporary entities. The book argues that this will require the simultaneous decentring of the human and of the Anthropocene as an ecocritical framework. By standardizing ecosocial analysis and widening avenues for ecopedagogical approaches, Beyond Human participates in the ecocentric transformation of Hispanic cultural studies.
Author: Christine Arkinstall
Publisher: University of Toronto Press
ISBN: 1487546270
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain’s Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women’s texts on war. Reshaping the current knowledge and understanding of key female authors in Spain’s fin de siècle, this book examines works by notable writers – including Rosario de Acuña, Blanca de los Rios, Concepción Arenal, and Carmen de Burgos – as they engage with the War of Independence, the Third Carlist War, Spain’s colonial wars, and World War I. The selected works foreground how women’s representations of war can challenge masculine conceptualizations of public and domestic spheres. Christine Arkinstall analyses the works’ overarching themes and symbols, such as honour, blood, the Virgin and the Mother, and the intersecting sexual, social, and racial contracts. In doing so, Arkinstall highlights how these texts imagine outcomes that deviate from established norms of femininity, offer new models to Spanish women, and interrogate the militaristic foundations of patriarchal societies.
Author: Michael Iarocci
Publisher: University of Toronto Press
ISBN: 1487543794
Category : Art
Languages : en
Pages : 385
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Book Description
Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony.
