The English Novel, 1770-1829: 1800-1829 PDF Download
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Author: Peter Garside
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 776
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Book Description
This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.
Author: Peter Garside
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 776
Get Book
Book Description
This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.
Author: Peter Garside
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 896
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Book Description
This historical bibliography provides an entirely new foundation for the literary history of the late eighteenth century and the Romantic age. Offering a fresh assessment of the work of all novelists of the period, the two volumes address problems faced by generations of literary scholars and historians concerned with the development of the English novel. This first volume records full details of all known prose novels in English first published in the British Isles in the final three decades of the eighteenth century. They include many new discoveries, attributions to an extraordinary range of novelists and the first English translations of much Continental popular fiction. The bibliography firmly establishes publication details for many novels now apparently without any extant copies. A leading feature of the bibliography is its examination of a copy of every identified surviving novel. Research by James Raven, Antonia Forster, and many other international collaborators, has allowed a reconstruction of the full cast of British novelists of the period, their publishers and reviewers. A full transcription of titles and imprint lines is given, together with much other bibliographical and historical information, including contemporary reviews (with generous quotation), dedications, and pricing and printing details. Shelf-mark, microform and other library references assist readers to consult the surviving novels in modern library and research collections all over the world. In an introductory historical essay, James Raven considers the different themes embraced by the novel, profiles of popular authorship, translation, the economics and circumstances of novel production and design, and the scope of literary circulation and reception. By revisiting this history of the novel, identifying rare books now scattered across the world, and reconstructing the history of popular literature now lost, the volume challenges existing literary canons and refines our understanding of the range of imaginative writing and authorship in a critical period of English literature.
Author: Rainer Schöwerling
Publisher: Wilhelm Fink Verlag
ISBN: 9783770539338
Category : English fiction
Languages : en
Pages : 222
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Book Description
Author: Devoney Looser
Publisher: Cambridge University Press
ISBN: 1316298310
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers.
Author: J. A. Downie
Publisher: Oxford University Press
ISBN: 0199566747
Category : History
Languages : en
Pages : 625
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Book Description
The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.
Author: Tim Killick
Publisher: Routledge
ISBN: 1317171454
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Author: Elizabeth Neiman
Publisher: University of Wales Press
ISBN: 1786833689
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.
Author: Adelene Buckland
Publisher: Routledge
ISBN: 135196190X
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
In 1957, Richard Altick's groundbreaking work The English Common Reader transformed the study of book history. Putting readers at the centre of literary culture, Altick anticipated-and helped produce-fifty years of scholarly inquiry into the ways and means by which the Victorians read. Now, A Return to the Common Reader asks what Altick's concept of the 'common reader' actually means in the wake of a half-century of research. Digging deep into unusual and eclectic archives and hitherto-overlooked sources, its authors give new understanding to the masses of newly literate readers who picked up books in the Victorian period. They find readers in prisons, in the barracks, and around the world, and they remind us of the power of those forgotten readers to find forbidden texts, shape new markets, and drive the production of new reading material across a century. Inspired and informed by Altick's seminal work, A Return to the Common Reader is a cutting-edge collection which dramatically reconfigures our understanding of the ordinary Victorian readers whose efforts and choices changed our literary culture forever.
Author: R. Griffin
Publisher: Springer
ISBN: 1137111097
Category : Social Science
Languages : en
Pages : 264
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Book Description
This pathbreaking collection of original essays surveys an important but neglected topic: anonymous publication in England for the Elizabethan age to the present. An impressive group of scholars analyzes a wide range of literary phenomena including: Shakespeare in 17th century commonplace books; the phrase 'By a Lady'; the implied author of an eighteenth century queer fiction; Bentley and the battle of books; essays by Equiano (?); the novel, 1750 - 1830; Frankenstein's unnamed monster; the co-authored pseudonym Michael Field; nineteenth century ghostwriting; and a postmodern hoax on national identity. The editor's introduction places the essays within the context of the historical trajectory of anonymous authorship. Essential reading for anyone interested in authorship and the history of the book.
Author: Glennis Byron
Publisher: Routledge
ISBN: 1135053057
Category : Literary Criticism
Languages : en
Pages : 752
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Book Description
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.
