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Author: Finsbury (England). Public Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 494
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Book Description
Author: Finsbury (England). Public Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 494
Get Book Here
Book Description
Author: John W. Leonard
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2504
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Book Description
Vols. 28-30 accompanied by separately published parts with title: Indices and necrology.
Author: Madeleine Forrell Marshall
Publisher: University Press of Kentucky
ISBN: 0813194253
Category : Music
Languages : en
Pages : 239
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Book Description
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
Author: Samuel J. Rogal
Publisher: Scarecrow Press
ISBN: 9780810824164
Category : Music
Languages : en
Pages : 342
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Book Description
Emphasizes the English hymn as a literary entity within denominational and historical contexts. The author sets forth a number of definitions for hymnody and congregational song, and then examines the development of the various forms in England and the United States. With a listing of works for further reading, an index to all hymns discussed, and chronology. ...valuable both for the historical information it provides and for its appreciative evaluation of the religious treasures enshrined in English-language hymns. --ADRIS NEWSLETTER
Author: Nicholas Temperley
Publisher: Taylor & Francis
ISBN: 100094767X
Category : History
Languages : en
Pages : 361
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Book Description
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Author: Geoffrey Wainwright
Publisher: Oxford University Press
ISBN: 0195138864
Category : Religion
Languages : en
Pages : 937
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Book Description
"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.
Author: James Rawlings Sydnor
Publisher: GIA Publications
ISBN: 9780941050197
Category : Choral singing
Languages : en
Pages : 148
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Book Description
Author: Barrington Raymond White
Publisher: Mercer University Press
ISBN: 9780865546875
Category : Fiction
Languages : en
Pages : 392
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Book Description
The essays in Pilgrim Pathways: Essays in Baptist History in Honour of B.R. White explores the lasting influence of one of the most prominent scholars of the history of Christianity. Topics examined in this book include: Baptist identity in light of historic patterns and transatlantic treatments, the theology of children, the rise of Baptist hymnody as an indicator of Baptist piety, and the application of Baptist principles in context. Readers will find this an indispensible book for understanding both the ideas of White and the early history of Protestantism in Europe.
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
