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Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 1861893167
Category : Art
Languages : en
Pages : 529
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Book Description
"This is the first comprehensive examination of modern iconoclasm. Dario Gamboni looks at deliberate attacks carried out - by institutions as well as individuals - on paintings, buildings, sculptures and other works of art in the nineteenth and twentieth centuries. Truly international in scope, "The Destruction of Art" examines incidents, some comic and others disquieting, in the USA, France, the former Soviet Union and other eastern bloc states, Britain, Switzerland, Germany and elsewhere. Motivated in the first instance by the recent destruction of many monuments in Europe's former Communist states, which challenged the assumption that iconoclasm was truly a thing of the past, the author has discovered just how widespread the destruction of art is today, manifested in explicable and inexplicable vandalism, political protest and censorship of all sorts. Dario Gamboni examines the relationship between contemporary destructions of art, older forms of iconoclasm and the development of modern art. His analysis is illustrated by case studies from Europe and the United States, from Suffragette protests in London's National Gallery to the controversy surrounding the removal of Richard Serra's Tilted Arc in New York and the resultant debate on artists' moral rights. "The Destruction of Art" asks what iconoclasm can teach us about the place of works of art and material culture in society. The history of iconoclasm is shown to reflect, and to contribute to, the changing and conflicting definitions of art itself." -- BOOK JACKET.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 1861893167
Category : Art
Languages : en
Pages : 529
Get Book Here
Book Description
"This is the first comprehensive examination of modern iconoclasm. Dario Gamboni looks at deliberate attacks carried out - by institutions as well as individuals - on paintings, buildings, sculptures and other works of art in the nineteenth and twentieth centuries. Truly international in scope, "The Destruction of Art" examines incidents, some comic and others disquieting, in the USA, France, the former Soviet Union and other eastern bloc states, Britain, Switzerland, Germany and elsewhere. Motivated in the first instance by the recent destruction of many monuments in Europe's former Communist states, which challenged the assumption that iconoclasm was truly a thing of the past, the author has discovered just how widespread the destruction of art is today, manifested in explicable and inexplicable vandalism, political protest and censorship of all sorts. Dario Gamboni examines the relationship between contemporary destructions of art, older forms of iconoclasm and the development of modern art. His analysis is illustrated by case studies from Europe and the United States, from Suffragette protests in London's National Gallery to the controversy surrounding the removal of Richard Serra's Tilted Arc in New York and the resultant debate on artists' moral rights. "The Destruction of Art" asks what iconoclasm can teach us about the place of works of art and material culture in society. The history of iconoclasm is shown to reflect, and to contribute to, the changing and conflicting definitions of art itself." -- BOOK JACKET.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 9780948462948
Category : Art
Languages : en
Pages : 424
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Book Description
The first comprehensive examination of modern iconoclasm, The Destruction of Art looks at deliberate attacks against works of art in the nineteenth and twentieth centuries. "well-illustrated... Gamboni brings together a great deal of fascinating information"--The Independent "Erudite and entertaining, Gamboni's book is an excellent guide to the outrageous in art."-- Glasgow Herald
Author: Jennifer Walden
Publisher:
ISBN: 9781443849005
Category : Art
Languages : en
Pages : 0
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Book Description
Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale â ~destructiveâ (TM) interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different areas for enquiry which, nevertheless, share a theme of destruction and share an emphasis upon the history of twentieth and twenty-first century art making. Scholars and makers have come together to produce accounts of artists whose making is driven by the breaking of, or breaking down of, matter and medium as part of the creative materialisation of the idea, such as Richard Wentworth, Bouke de Vries, Cornelia Parker, to name some of those artists represented here, and, indeed in one case, how our very attempts to write about such practices are challenged by this making process. Other perspectives have engaged in critical study of various destructive interventions in galleries. Some of these, whether as actual staged actions in real time, or filmic representations of precarious objects, are understood as artistic acts in and of themselves. At the same time, an account included in this volume of certain contemporary iconoclasts, defacing or otherwise effecting destructive attempts upon canonised exhibited artworks, reflects upon these destructive interventionists as self-styled artists claiming to add to the significance of works via acts of destruction. Yet other chapters provide a fresh outlook upon distinctive and unusual approaches to the representation of destruction, in terms of the larger scale and landscape of artistic responses to mass destruction in times of war. This book will be of interest to readers keen to encounter the range of nuance, complexity and ambiguity applicable to the bringing together of art and destruction.
Author: Kerry Brougher
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
Author: Carel Blotkamp
Publisher: Reaktion Books
ISBN: 9781861891006
Category : Art
Languages : en
Pages : 270
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Book Description
Piet Mondrian was one of the great pioneers of abstract art. This book looks at the relationship between his paintings and his theories on art.
Author: Sven Spieker
Publisher: Documents of Contemporary Art
ISBN: 9780854882588
Category : Art
Languages : en
Pages : 0
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Book Description
"The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent 'open work. This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art." -- Publisher's description
Author: Mark Cotta Vaz
Publisher: Simon and Schuster
ISBN: 1608873447
Category : Performing Arts
Languages : en
Pages : 87
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Book Description
Introduces the creative process behind the film, with concept illustrations, sketches, storyboards, and other pre-production materials, and features interviews with the director, key crew, and cast members.
Author: Stephen Barber
Publisher: SCB Distributors
ISBN: 1908694920
Category : Art
Languages : en
Pages : 162
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Book Description
The Vienna Aktion Group formed the most provocative, insurgent and challenging of all the worldwide art movements of the 1960s. Their sexually-charged and anti-social actions exacted a profound and irreparable upheaval in the way in which art was conceived. Using their own bodies as raw material, the Aktion Group undertook experiments in cruelty that disassembled the human body and its acts into compacted gestures of blood, meat and excreta. The films of the Vienna Aktion Group - made both by the group themselves, and by collaborators such as Kurt Kren - form the essential residue, debris and evidence of their performances. Film forms the sensitized medium - as unique and ferocious in its impact as the corporeal material upon which the Aktion Group worked - that allied itself most intimately to their experiments. For the first time, this book focuses on those films as fully revealing the obsessions, ambitions and outrages of the Aktion Group. The iconoclastic work of the Vienna Aktion Group is now more contemporary than ever before, and THE ART OF DESTRUCTION provides a comprehensive introduction to that work in both film and performance. Fully illustrated and annotated, this is a book of compelling interest to all students of film, art and performance, and for all readers engaged with questioning social and corporate cultures.
Author: Kristine Stiles
Publisher: University of Chicago Press
ISBN: 022630440X
Category : Art
Languages : en
Pages : 491
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Book Description
Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.
Author:
Publisher:
ISBN: 9781526141927
Category : ART
Languages : en
Pages :
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Book Description
This book is about the destruction of art, both in terms of objects that have been destroyed - lost in fires, floods or vandalism - and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stephane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the words solvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.
