The Demonic Femme Fatale. Demonized Women in Mythology and Film Noir PDF Download
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Author:
Publisher: GRIN Verlag
ISBN: 3963557508
Category : Literary Collections
Languages : en
Pages : 58
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Book Description
Bachelor Thesis from the year 2023 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Frankfurt (Main) (IEAS), language: English, abstract: This analysis argues that femmes fatales, just like many mythological women, are crucially misunderstood. Although these characters are often demonized in popular narratives, many of them represent victimized women who are demonized for challenging the oppressive environments that they suffer from. Their instrumentalized assets of gender and sexuality are their societal capital which either determines their worth in a man’s world or is the characteristic which they are demonized for. With the aforementioned examination of the undefinable femme fatale in mind, it will be argued that established cultural conceptions of Eve, Delilah, Salomé, Medusa, and the Sirens produce a demonized image of women which consolidates Film Noir’s trope of the femme fatale. For this analysis, it will be assessed how preconceived convictions that manifest themselves in established interpretations of mythology manipulate the perceptions of the female protagonists in Charles Vidor’s Gilda (1946) and Billy Wilder’s Sunset Boulevard (1950).
Author:
Publisher: GRIN Verlag
ISBN: 3963557508
Category : Literary Collections
Languages : en
Pages : 58
Get Book Here
Book Description
Bachelor Thesis from the year 2023 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Frankfurt (Main) (IEAS), language: English, abstract: This analysis argues that femmes fatales, just like many mythological women, are crucially misunderstood. Although these characters are often demonized in popular narratives, many of them represent victimized women who are demonized for challenging the oppressive environments that they suffer from. Their instrumentalized assets of gender and sexuality are their societal capital which either determines their worth in a man’s world or is the characteristic which they are demonized for. With the aforementioned examination of the undefinable femme fatale in mind, it will be argued that established cultural conceptions of Eve, Delilah, Salomé, Medusa, and the Sirens produce a demonized image of women which consolidates Film Noir’s trope of the femme fatale. For this analysis, it will be assessed how preconceived convictions that manifest themselves in established interpretations of mythology manipulate the perceptions of the female protagonists in Charles Vidor’s Gilda (1946) and Billy Wilder’s Sunset Boulevard (1950).
Author: Karen Burroughs Hannsberry
Publisher: McFarland
ISBN: 0786491590
Category : Performing Arts
Languages : en
Pages : 1298
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Book Description
Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.
Author: Heather McAlpine
Publisher: McFarland
ISBN: 1476649332
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Intersecting with fan studies, TV and comics studies, queer, disability and feminist studies, as well as popular culture and media scholarship, this collection of essays is the first to offer critical examinations of Riverdale, The Chilling Adventures of Sabrina and the broader Archie/Sabrina comics universe. Its authors interrogate these texts in an effort not only to make sense of their chaotic stories, but to understand our own ongoing fascination with their narratives. Contributing to a greater cultural conversation about representation in media, authors find unexpected value in the oftentimes ridiculous (mis)adventures of the Archie/Sabrina expanded universe.
Author: Zsófia Anna Toth
Publisher: Cambridge Scholars Publishing
ISBN: 1443832294
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
This book explores the different trends and the various changes in the representational history of femmes fatales within twentieth century American culture. While providing precedents, discussing the Western cultural history of this iconic female figure, as well as presenting the cultural and theoretical debates surrounding ‘her,’ the major focus lies in Maurine Dallas Watkins’s story entitled Chicago and how its diachronic and transmedial revivals contributed to this debate and what kind of an interpretation it provided of the lethal woman. Through a cultural, historical, literary and cinematic excavation this book argues that the story of Chicago produces a unique kind of deathly woman figure: the farcical femme fatale by combining the traditionally tragic aspects with comic modes of discourse and (re)presentation. In addition to the theorization of the femme fatale within Western culture, the discussion of the comic as well as various comic genres and comic strategies of representation, Mikhail Bakhtin’s theory of the carnival and the carnivalesque is discussed in great detail – with an emphasis on scapegoating – as well as Judith Butler’s concept of gender performativity and Joan Riviere’s womanly masquerade in order to understand how the farcical femmes fatales of Chicago manage to get away with their sins and crimes. Additionally, the Vice of sixteenth century drama as well as the figure of the homme fatale are also taken under scrutiny since it is argued that, in the various versions of Chicago, we encounter farcical femmes fatales who are the minions of a modern(ized) Vice figure, and all their comic-grotesque performances and masquerades take place in the heterotopic space of the carnival. While also examining their historical and cultural contexts, the different versions of Chicago are investigated one by one starting from the original Chicago Tribune articles and ending in the 2002 film adaptation. This book reveals what strategies can be employed to justify the modification of the traditionally tragic scenario of the femme fatale. It is a scholarly work that is informative, thorough as well as entertaining.
Author: Mary Ann Doane
Publisher: Routledge
ISBN: 1136639047
Category : Social Science
Languages : en
Pages : 324
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Book Description
In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, "Femmes Fatales" addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the "femme fatale" in cinema illustrate confrontations between feminism, film theory and psychoanalysis. This book should be of interest to students and lecturers in women's studies, communications studies and film theory.
Author: Kelly E. Hayes
Publisher: Univ of California Press
ISBN: 0520949439
Category : Social Science
Languages : en
Pages : 309
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Book Description
Holy Harlots examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. Kelly E. Hayes provides an intimate and engaging account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré’s spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, Hayes highlights Pomba Gira’s role in the rivalries, relationships, and struggles of everyday life in urban Brazil. The accompanying film Slaves of the Saints may be viewed online at ucpress.edu/go/holyharlots.
Author: Edmund P. Cueva
Publisher: Cambridge Scholars Publishing
ISBN: 1527551474
Category : History
Languages : en
Pages : 198
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Book Description
This volume offers eight approaches to myth, its uses and purposes, from viewing personal narrative as a form of healing myth to observing the atrocities committed daily arising from the most destructive form of myth. The authors of the eight chapters here note that myths have existed from the beginning of the human race in a myriad of forms and serving a myriad of functions. Indeed, the shared observation of these scholars is that humans have always been storytellers and always will be because myths are a part of the lives of every single person; they are the story of us.
Author: Barbara Creed
Publisher: Routledge
ISBN: 1136750754
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T
Author: Helen Hanson
Publisher: Springer
ISBN: 0230282016
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
Author:
Publisher: BRILL
ISBN: 1848880448
Category : Social Science
Languages : en
Pages : 317
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Book Description
Evil. Women. The Feminine. The relationships that bring together these three ideas form the basis for the papers gathered together in this volume. By asking how, why, when, and to what purpose these three terms are often linked serves as the starting point of interrogation for each of the authors here considered.
