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Author: Michel Oksenberg
Publisher: University of Michigan Press
ISBN: 0472038354
Category : History
Languages : en
Pages : 141
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Book Description
The Chinese Communist system was from its very inception based on an inherent contradiction and tension, and the Cultural Revolution is the latest and most violent manifestation of that contradiction. Built into the very structure of the system was an inner conflict between the desiderata, the imperatives, and the requirements that technocratic modernization on the one hand and Maoist values and strategy on the other. The Cultural Revolution collects four papers prepared for a research conference on the topic convened by the University of Michigan Center for Chinese Studies in March 1968. Michel Oksenberg opens the volume by examining the impact of the Cultural Revolution on occupational groups including peasants, industrial managers and workers, intellectuals, students, party and government officials, and the military. Carl Riskin is concerned with the economic effects of the revolution, taking up production trends in agriculture and industry, movements in foreign trade, and implications of Masoist economic policies for China’s economic growth. Robert A. Scalapino turns to China’s foreign policy behavior during this period, arguing that Chinese Communists in general, and Mao in particular, formed foreign policy with a curious combination of cosmic, utopian internationalism and practical ethnocentrism rooted both in Chinese tradition and Communist experience. Ezra F. Vogel closes the volume by exploring the structure of the conflict, the struggles between factions, and the character of those factions.
Author: Michel Oksenberg
Publisher: University of Michigan Press
ISBN: 0472038354
Category : History
Languages : en
Pages : 141
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Book Description
The Chinese Communist system was from its very inception based on an inherent contradiction and tension, and the Cultural Revolution is the latest and most violent manifestation of that contradiction. Built into the very structure of the system was an inner conflict between the desiderata, the imperatives, and the requirements that technocratic modernization on the one hand and Maoist values and strategy on the other. The Cultural Revolution collects four papers prepared for a research conference on the topic convened by the University of Michigan Center for Chinese Studies in March 1968. Michel Oksenberg opens the volume by examining the impact of the Cultural Revolution on occupational groups including peasants, industrial managers and workers, intellectuals, students, party and government officials, and the military. Carl Riskin is concerned with the economic effects of the revolution, taking up production trends in agriculture and industry, movements in foreign trade, and implications of Masoist economic policies for China’s economic growth. Robert A. Scalapino turns to China’s foreign policy behavior during this period, arguing that Chinese Communists in general, and Mao in particular, formed foreign policy with a curious combination of cosmic, utopian internationalism and practical ethnocentrism rooted both in Chinese tradition and Communist experience. Ezra F. Vogel closes the volume by exploring the structure of the conflict, the struggles between factions, and the character of those factions.
Author: Isser Woloch
Publisher: Stanford University Press
ISBN: 9780804727488
Category : History
Languages : en
Pages : 470
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Book Description
In the aftermath of the French Revolution, "freedom came to have a host of meanings. This volume examines these contested visions of freedom both inside and outside of revolutionary situations in the nineteenth century, as each author explores and interprets the development of nineteenth-century political culture in a particular national context. The common focus is the struggle in various countries to define, advance, or delimit freedom after the French Revolution. The introductory chapter evokes the problematic relationships between reform and revolution and introduces themes that appear in subsequent chapters, though each chapter is a free-standing interpretive essay. Among the issues addressed are the growth of the public sphere and associational movements; battles over constitutionalism, parliamentary institutions, and the franchise; the role of the state in inhibiting or expanding citizenship and the rule of law; the resort to violence by parties of order or parties of change; and the intrusion of new social questions or ethnic conflicts into the political arena.
Author: Márcia Abreu
Publisher: Bloomsbury Publishing
ISBN: 0857727982
Category : History
Languages : en
Pages : 322
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Book Description
The beginnings of what we now call 'globalization' dates from the early sixteenth century, when Europeans, in particular the Iberian monarchies, began to connect 'the four parts of the world'. From the end of the eighteenth and throughout the nineteenth centuries, technical advancements, such as the growth of the European rail network and the increasing ease of international shipping, narrowed the physical and imagined distances between different parts of the globe. Books, printed matter and theatrical performances were a crucial part of this process and the so-called 'long nineteenth century' saw a remarkable increase in readership and technological improvements that significantly changed the production of printed matter and its relationship with culture. This book analyzes this sea-change in knowledge and sharing of ideas through the prism of the transatlantic diffusion of French, Brazilian, Portuguese and English print-cultures. In particular, it charts the circulation of printed matter, publishers, booksellers and actors between Europe and South America. Featuring a new original essay from Roger Chartier, The Cultural Revolution of the 19th Century is an essential new benchmark in global and transnational history.
Author: Márcia Abreu
Publisher: Bloomsbury Publishing
ISBN: 0857729950
Category : History
Languages : en
Pages : 353
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Book Description
The beginnings of what we now call 'globalization' dates from the early sixteenth century, when Europeans, in particular the Iberian monarchies, began to connect 'the four parts of the world'. From the end of the eighteenth and throughout the nineteenth centuries, technical advancements, such as the growth of the European rail network and the increasing ease of international shipping, narrowed the physical and imagined distances between different parts of the globe. Books, printed matter and theatrical performances were a crucial part of this process and the so-called 'long nineteenth century' saw a remarkable increase in readership and technological improvements that significantly changed the production of printed matter and its relationship with culture. This book analyzes this sea-change in knowledge and sharing of ideas through the prism of the transatlantic diffusion of French, Brazilian, Portuguese and English print-cultures. In particular, it charts the circulation of printed matter, publishers, booksellers and actors between Europe and South America. Featuring a new original essay from Roger Chartier, The Cultural Revolution of the 19th Century is an essential new benchmark in global and transnational history.
Author: Errol A. Henderson
Publisher: State University of New York Press
ISBN: 1438475446
Category : Political Science
Languages : en
Pages : 516
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Book Description
The study of the impact of Black Power Movement (BPM) activists and organizations in the 1960s through ʼ70s has largely been confined to their role as proponents of social change; but they were also theorists of the change they sought. In The Revolution Will Not Be Theorized Errol A. Henderson explains this theoretical contribution and places it within a broader social theory of black revolution in the United States dating back to nineteenth-century black intellectuals. These include black nationalists, feminists, and anti-imperialists; activists and artists of the Harlem Renaissance; and early Cold War–era black revolutionists. The book first elaborates W. E. B. Du Bois's thesis of the "General Strike" during the Civil War, Alain Locke's thesis relating black culture to political and economic change, Harold Cruse's work on black cultural revolution, and Malcolm X's advocacy of black cultural and political revolution in the United States. Henderson then critically examines BPM revolutionists' theorizing regarding cultural and political revolution and the relationship between them in order to realize their revolutionary objectives. Focused more on importing theory from third world contexts that were dramatically different from the United States, BPM revolutionists largely ignored the theoretical template for black revolution most salient to their case, which undermined their ability to theorize a successful black revolution in the United States. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of The Pennsylvania State University. Learn more at the TOME website, available at: openmonographs.org, and access the book online at http://muse.jhu.edu/book/67098. It is also available through the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1704.
Author: Priscilla Parkhurst Ferguson
Publisher: Univ of California Press
ISBN: 0520323009
Category : History
Languages : en
Pages : 276
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Book Description
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Author: Carol Benedict
Publisher:
ISBN:
Category : Epidemiology
Languages : en
Pages : 884
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Book Description
Author: Alexander C. Cook
Publisher: Cambridge University Press
ISBN: 0521761115
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
Introduction -- Indictment -- Monsters -- Testimony -- Emotions -- Verdict -- Vanity -- Conclusion -- Index of Chinese terms
Author: James Livingston
Publisher: Univ of North Carolina Press
ISBN: 9780807846643
Category : Business & Economics
Languages : en
Pages : 428
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Book Description
The rise of corporate capitalism was a cultural revolution as well as an economic event, according to James Livingston. That revolution resides, he argues, in the fundamental reconstruction of selfhood, or subjectivity, that attends the advent of an "age
Author: Victoria Edison
Publisher: Schiffer Book for Collectors
ISBN: 9780764322365
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
In 1966, when the Cultural Revolution took hold, posters, ceramic statues, "Little Red Books," and other material objects were the principal means that the Chinese government used to communicate with the masses. As art and as propaganda, the iconography of these artifacts was used to rally the people around the programs and personalities of the Maoist regime. For graphic artists, collectors, and Sino-historians, they have a growing importance. With nearly 500 color photos, this book is an introductory guide to the meanings and values of the material culture of the Cultural Revolution, along with brief explanations of their historical background.
