Author: Ellen Marx
Publisher:
ISBN: 9780442251147
Category : Color
Languages : en
Pages : 208
Book Description
The Contrast of Colors
Author: Ellen Marx
Publisher:
ISBN: 9780442251147
Category : Color
Languages : en
Pages : 208
Book Description
Publisher:
ISBN: 9780442251147
Category : Color
Languages : en
Pages : 208
Book Description
The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
Book Description
Advances in Colour Harmony and Contrast for the Artist
Author: Michael Wilcox
Publisher:
ISBN: 9780967962894
Category : Color
Languages : en
Pages : 424
Book Description
The only complete guide to the selection and preparation of colours which harmonize or contrast. Over 1,000 easy-to-follow colour combinations - all tried and tested. Suitable for all drawing and painting media. Easy to follow layout. Over 400 pages of fully illustrated colour suggestions. The complete guide to colour work. Artists not only need to understand colour relationships, they need to be able to mix and apply those colours. Michael Wilcox shows how.
Publisher:
ISBN: 9780967962894
Category : Color
Languages : en
Pages : 424
Book Description
The only complete guide to the selection and preparation of colours which harmonize or contrast. Over 1,000 easy-to-follow colour combinations - all tried and tested. Suitable for all drawing and painting media. Easy to follow layout. Over 400 pages of fully illustrated colour suggestions. The complete guide to colour work. Artists not only need to understand colour relationships, they need to be able to mix and apply those colours. Michael Wilcox shows how.
On the Law of Simultaneous Contrast of Colors
Author: M. E. Chevreul
Publisher:
ISBN: 9780988280816
Category :
Languages : en
Pages :
Book Description
Asked by royalty to analyze why certain very expensive fabrics didn't meet expectations, a French chemist found that the dyes could not be blamed. M.E. Chevreul named the real culprit in a single paragraph-which he then expanded into a unified theory about every design discipline and, in 1839, the most ambitious and influential book ever written about color usage. Half a century later, On the Law of Simultaneous Contrast of Colors had become "the scientific foundation of Impressionist and Neo-Impressionist painting," according to Johannes Itten. "It is my Bible," said Winslow Homer. Vincent van Gogh called it "a luminous theory of colors," allowing "effects so violent that the human eye can scarcely stand to look at them." Chevreul explained how and why this occurred, but he then went on to discuss how it affects and can be exploited in any artistic context. Although this book is mostly noted for its impact on painting (and by extension, photography) it culminates with a chapter labeled Ten Principles for All Forms of Visual Art. He meant it, too: he prescribes design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained glass, and even military uniforms. Chevreul's basic ideas were clear but his explanations of how to implement them were convoluted even in the original French. The standard English edition, the only one available in print until now, has been condemned as plodding and misleading ever since it appeared in 1854. Today, this brilliant work reappears in a lucid form that goes far beyond a "translation." Color expert Dan Margulis has rewritten obscure parts, corrected errors, updated references, commented separately when needed, and added six chapters of his own. Technology stymied Chevreul's desire for extensive color graphics. Margulis has added them: photographs, line art, and reproductions of the works of those who swore by his ideas. And, he has used his digital expertise to explain what few critics have understood about how the painters were choosing their colors.
Publisher:
ISBN: 9780988280816
Category :
Languages : en
Pages :
Book Description
Asked by royalty to analyze why certain very expensive fabrics didn't meet expectations, a French chemist found that the dyes could not be blamed. M.E. Chevreul named the real culprit in a single paragraph-which he then expanded into a unified theory about every design discipline and, in 1839, the most ambitious and influential book ever written about color usage. Half a century later, On the Law of Simultaneous Contrast of Colors had become "the scientific foundation of Impressionist and Neo-Impressionist painting," according to Johannes Itten. "It is my Bible," said Winslow Homer. Vincent van Gogh called it "a luminous theory of colors," allowing "effects so violent that the human eye can scarcely stand to look at them." Chevreul explained how and why this occurred, but he then went on to discuss how it affects and can be exploited in any artistic context. Although this book is mostly noted for its impact on painting (and by extension, photography) it culminates with a chapter labeled Ten Principles for All Forms of Visual Art. He meant it, too: he prescribes design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained glass, and even military uniforms. Chevreul's basic ideas were clear but his explanations of how to implement them were convoluted even in the original French. The standard English edition, the only one available in print until now, has been condemned as plodding and misleading ever since it appeared in 1854. Today, this brilliant work reappears in a lucid form that goes far beyond a "translation." Color expert Dan Margulis has rewritten obscure parts, corrected errors, updated references, commented separately when needed, and added six chapters of his own. Technology stymied Chevreul's desire for extensive color graphics. Margulis has added them: photographs, line art, and reproductions of the works of those who swore by his ideas. And, he has used his digital expertise to explain what few critics have understood about how the painters were choosing their colors.
The Laws of Contrast and Colour
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 352
Book Description
Interaction of Color
Author: Josef Albers
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210
Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210
Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
The Elements of Color
Author: Johannes Itten
Publisher: John Wiley & Sons
ISBN: 9780471289296
Category : Architecture
Languages : en
Pages : 96
Book Description
Includes color circles, spheres, and scales as well as suggested exercises.
Publisher: John Wiley & Sons
ISBN: 9780471289296
Category : Architecture
Languages : en
Pages : 96
Book Description
Includes color circles, spheres, and scales as well as suggested exercises.
The Laws of Contrast of Colour
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 270
Book Description
What Can Colors Do?
Author: Liz Yohlin Baill
Publisher: Princeton Architectural Press
ISBN: 1648960499
Category : Juvenile Nonfiction
Languages : en
Pages : 42
Book Description
There's a rainbow of ways to think about colors. Colors pop and shine. Cool colors make us shiver, while warm colors heat us up. They can even express our moods, from feeling blue to being tickled pink. What Can Colors Do? introduces children to color through vibrant artworks that inspire curiosity, joy, and surprise in young learners. Colorful paintings, sculptures, and objects from the Philadelphia Museum of Art help children think about how artists use color. How can colors express feelings? Can a color be loud or soft? As children learn the basics of color theory, from mixing to contrast and color wheels, they answer engaging, thoughtful questions that bring the world of art and their own experiences together. A series of activities for kids to complete on their own—from a scavenger hunt to a color-inspired way to meditate—helps them to appreciate the beauty and complexity of the hues around us.
Publisher: Princeton Architectural Press
ISBN: 1648960499
Category : Juvenile Nonfiction
Languages : en
Pages : 42
Book Description
There's a rainbow of ways to think about colors. Colors pop and shine. Cool colors make us shiver, while warm colors heat us up. They can even express our moods, from feeling blue to being tickled pink. What Can Colors Do? introduces children to color through vibrant artworks that inspire curiosity, joy, and surprise in young learners. Colorful paintings, sculptures, and objects from the Philadelphia Museum of Art help children think about how artists use color. How can colors express feelings? Can a color be loud or soft? As children learn the basics of color theory, from mixing to contrast and color wheels, they answer engaging, thoughtful questions that bring the world of art and their own experiences together. A series of activities for kids to complete on their own—from a scavenger hunt to a color-inspired way to meditate—helps them to appreciate the beauty and complexity of the hues around us.
A Book About Color
Author: Mark Gonyea
Publisher: Macmillan
ISBN: 080509055X
Category : Young Adult Nonfiction
Languages : en
Pages : 100
Book Description
"A clear and simple guide for young artists"--Cover.
Publisher: Macmillan
ISBN: 080509055X
Category : Young Adult Nonfiction
Languages : en
Pages : 100
Book Description
"A clear and simple guide for young artists"--Cover.