The Contemporary American Novel in Context PDF Download
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Author: Andrew Dix
Publisher: Bloomsbury Publishing
ISBN: 1441132058
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
A critical introduction to the contemporary American novel focusing on contexts, key texts and criticism.
Author: Andrew Dix
Publisher: Bloomsbury Publishing
ISBN: 1441132058
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
A critical introduction to the contemporary American novel focusing on contexts, key texts and criticism.
Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
ISBN: 0231539452
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.
Author: Malcolm Bradbury
Publisher: Manchester University Press
ISBN: 9780719006777
Category : American fiction
Languages : en
Pages : 264
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Book Description
Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.
Author: Ashley T. Shelden
Publisher: Columbia University Press
ISBN: 0231543158
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
The contemporary novel does more than revise our conception of love—it explodes it, queers it, and makes it unrecognizable. Rather than providing union, connection, and completion, love in contemporary fiction destroys the possibility of unity, harbors negativity, and foregrounds difference. Comparing contemporary and modernist depictions of love to delineate critical continuities and innovations, Unmaking Love locates queerness in the novelistic strategies of Ian McEwan, Zadie Smith, Hanif Kureshi, Alan Hollinghurst, and Hari Kunzru. In their work, "queer love" becomes more than shorthand for sexual identity. It comes to embody thwarted expectations, disarticulated organization, and unnerving multiplicity. In queer love, social forms are deformed, affective bonds do not bind, and social structures threaten to come undone. Unmaking Love draws on psychoanalysis and gender and sexuality studies to read love's role in contemporary literature and its relation to queer negativity.
Author: Timothy Bewes
Publisher: Novel: A Forum on Fiction
ISBN: 9780822367673
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This special issue argues that our cultural moment marks a point of crisis and transition in the history of the novel. Discussing mostly twenty-first-century writers, including Michael Chabon, Vikram Chandra, Don DeLillo, Jonathan Safran Foer, Jonathan Franzen, David Lodge, Ian McEwan, Michael Ondaatje, and Orhan Pamuk, the contributors interrogate and revise our ideas of contemporaneity and how it can be studied. Their essays consider how novelists adapt to a global economy in which traditionally local forms of community no longer define human experience. They also examine the emergence of neurology and neuropsychology as popular discourses that have displaced the novel from its centrality as the supreme analyst of the mind. Contributors attempt to address the exasperation of literary critics disenchanted with many dominant reading practices, such as approaching fiction via reader experiences of "affect" and "trauma" or relying on staid period categories like postmodernism. Offering a way forward, this special issue emphasizes a new critical awareness of the singular qualities of the novel, a form whose truths may not be (and may never have been) translatable to other cognitive, scientific, or political vocabularies. In 2012 individual and student subscriptions to Novel will be available exclusively through membership in the newly formed Society for Novel Studies. Committed to furthering the study of the novel and to examining the role of fiction in engaging, formulating, and shaping the world, the society will hold a biennial conference. Contributors: Timothy Bewes, Thom Dancer, Andrew Gaedtke, Erdag Goknar, Nathan Hensley, Naomi Mandel, Theodore Martin, Clemens Spahr, Aarthi Vadde Timothy Bewes is Professor of English at Brown University.
Author: Sina Farzin
Publisher: Penn State Press
ISBN: 0271090111
Category : Literary Criticism
Languages : en
Pages : 137
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Book Description
“Science in fiction,” “geek novels,” “lab-lit”—whatever one calls them, a new generation of science novels has opened a space in which the reading public can experience and think about the powers of science to illuminate nature as well as to generate and mitigate social change and risks. Under the Literary Microscope examines the implications of the discourse taking place in and around this creative space. Exploring works by authors as disparate as Barbara Kingsolver, Richard Powers, Ian McEwan, Ann Patchett, Margaret Atwood, and Michael Crichton, these essays address the economization of scientific institutions; ethics, risk, and gender disparity in scientific work; the reshaping of old stereotypes of scientists; science in an evolving sci-fi genre; and reader reception and potential contributions of the novels to public understandings of science. Under the Literary Microscope illuminates the new ways in which fiction has been grappling with scientific issues—from climate change and pandemics to artificial intelligence and genomics—and makes a valuable addition to both contemporary literature and science studies courses. In addition to the editors, the contributors include Anna Auguscik, Jay Clayton, Carol Colatrella, Sonja Fücker, Raymond Haynes, Luz María Hernández Nieto, Emanuel Herold, Karin Hoepker, Anton Kirchhofer, Antje Kley, Natalie Roxburgh, Uwe Schimank, Sherryl Vint, and Peter Weingart.
Author: Theodore Martin
Publisher: Columbia University Press
ISBN: 0231543891
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
What does it mean to call something “contemporary”? More than simply denoting what’s new, it speaks to how we come to know the present we’re living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem. Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time.
Author: Adeline Johns-Putra
Publisher: Cambridge University Press
ISBN: 1108427375
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Analysing how contemporary fiction explores climate change, Johns-Putra argues that literature can help us understand our obligations to the future.
Author: P. Vermeulen
Publisher: Palgrave Macmillan
ISBN: 9781137414526
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book explores the paradoxical productivity of the idea of the end of the novel in contemporary fiction. It shows how this idea allows some of our most significant twenty-first century writers to re-imagine the ethics and politics of literature and to figure intractable forms of life and affect.
Author: Francesco Campana
Publisher: Springer Nature
ISBN: 3030313956
Category : Philosophy
Languages : en
Pages : 277
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Book Description
This book explores the concept of the end of literature through the lens of Hegel's philosophy of art. In his version of Hegel's 'end of art' thesis, Arthur Danto claimed that contemporary art has abandoned its distinctive sensitive and emotive features to become increasingly reflective. Contemporary art has become a question of philosophical reflection on itself and on the world, thus producing an epochal change in art history. The core idea of this book is that this thesis applies quite well to all forms of art except one, namely literature: literature resists its 'end'. Unlike other arts, which have experienced significant fractures in the contemporary world, Campana proposes that literature has always known how to renew itself in order to retain its distinguishing features, so much so that in a way it has always come to terms with its own end. Analysing the distinct character of literature, this book proposes a new and original interpretation of the 'end of art' thesis, showing how it can be used as a key conceptual framework to understand the contemporary novel.
