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Author: Robert Giddings
Publisher: Springer
ISBN: 0230596290
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
The classic serial, invented by BBC Radio Drama sixty years ago, survived and adapted itself to television, the arrival of colour and the global market in what has become a flood of classics with all channels competing for ratings and overseas sales. This richly detailed book traces these developments and analyses the genre's response to social, economic, technical and cultural changes, which have re-shaped it into the form we recognise today. The book contains considerable interview material with performers and media professionals.
Author: Robert Giddings
Publisher: Springer
ISBN: 0230596290
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
The classic serial, invented by BBC Radio Drama sixty years ago, survived and adapted itself to television, the arrival of colour and the global market in what has become a flood of classics with all channels competing for ratings and overseas sales. This richly detailed book traces these developments and analyses the genre's response to social, economic, technical and cultural changes, which have re-shaped it into the form we recognise today. The book contains considerable interview material with performers and media professionals.
Author: Robert Giddings
Publisher: Palgrave Macmillan
ISBN: 9780312235987
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The classic serial, invented by BBC Radio Drama 60 years ago, survived and adapted itself to television, the arrival of color, and the global market in what has become a flood of classics with all channels competing for ratings and overseas sales. This book traces these developments and analzes the genre's response to social, economic, technical, and cultural changes, which have re-shaped it into the form we recognize today. The book contains considerable interview material with performers and media professionals.
Author: Catherine Johnson
Publisher: McGraw-Hill Education (UK)
ISBN: 0335225942
Category : Social Science
Languages : en
Pages : 232
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Book Description
“This exciting book goes to the heart of a creative commercialand public service culture - it shows why ITV matters and howit was made to work so well. A tremendous contribution.” Professor Jean Seaton, University of Westminster “This is a valuable addition to studies of ITV's history andprogramming...” Tom O'Malley, Professor of Media Studies, University of Wales, Aberyswyth, and Co-Editor of Media History. Since breaking the BBC’s monopoly in 1955, ITV has been at thecentre of the British television landscape. To coincide with thefiftieth anniversary of the first ITV broadcast, this accessible bookoffers a range of perspectives on the complex and multifaceted history ofBritain’s first commercial broadcaster. The book explores key tensions and conflicts which have influenced theITV service. Chapters focus on particular institutions, includingLondon Weekend Television and ITN, and programme forms, includingWho Wants to be a Millionaire?, Upstairs Downstairs and Trisha.The contributors show that ITV has had to tread an uneasy line betweenpublic service and commercial imperatives, between a pluralistic regionalstructure and a national network, and between popular appeal andquality programming. A timeline of key events in the history of ITV is alsoincluded. ITV Cultures provides a timely intervention in debates on broadcastingand cultural history for academics and researchers, and a livelyintroduction to the history of ITV for students and general readers. Contributors: Rod Allen, City University; Jonathan Bignell, University of Reading; John Ellis, Royal Holloway, University of London; Jackie Harrison, University of Sheffield; Jamie Medhurst, University of Wales, Aberystwyth; Matt Hills, Cardiff University; Steve Neale, University of Exeter; Helen Wheatley, University of Reading; Sherryl Wilson, Bournemouth University.
Author: Christine Geraghty
Publisher: Rowman & Littlefield
ISBN: 9780742538214
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.
Author: Iris Kleinecke-Bates
Publisher: Springer
ISBN: 1137316721
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Victorians on Screen investigates the representation of the Victorian age on British television from the mid-1990s to the mid-2000s. Structured around key areas of enquiry specific to British television, it avoids a narrow focus on genre by instead taking a thematic approach and exploring notions of authenticity, realism and identity.
Author: Jonathan Bignell
Publisher: Manchester University Press
ISBN: 9780719069338
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
This collection of essays examines landmark British television programs of the last forty years, from Doctor Who to The Office, and from The Demon Headmaster to Queer As Folk. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and reconsider how British television drama can be analyzed. This book will be of interest to students and researchers in many academic disciplines that study television drama.
Author: Matthew Rubery
Publisher: Harvard University Press
ISBN: 0674974530
Category : Social Science
Languages : en
Pages : 261
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Book Description
A history of audiobooks, from entertainment & rehabilitation for blinded World War I soldiers to a twenty-first-century competitive industry. Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read. Praise for The Untold Story of the Talking Book “If audiobooks are relatively new to your world, you might wonder where they came from and where they’re going. And for general fans of the intersection of culture and technology, The Untold Story of the Talking Book is a fascinating read.” —Neil Steinberg, Chicago Sun-Times “[Rubery] explores 150 years of the audio format with an imminently accessible style, touching upon a wide range of interconnected topics . . . Through careful investigation of the co-development of formats within the publishing industry, Rubery shines a light on overlooked pioneers of audio . . . Rubery’s work succeeds in providing evidence to ‘move beyond the reductive debate’ on whether audiobooks really count as reading, and establishes the format’s rightful place in the literary family.” —Mary Burkey, Booklist (starred review)
Author: Lucie Armitt
Publisher: Columbia University Press
ISBN: 9780231124225
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Focusing on three of Eliot's most influential and widely read novels, this guide traces recent critical interpretations of her work as well as revisiting some of the perspectives offered by original reviewers and early critics.
Author: Hannah Andrews
Publisher: Springer Nature
ISBN: 3030646785
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
“Biographical Television Drama breaks new ground as, to my knowledge, the first book-length exploration of the terms in which television engages in biographical storytelling. Backed by robust research in biography studies and British television history, Hannah Andrews deftly unravels the complexities behind the accessibility of biographical television drama. Her book tackles key questions head-on, notably rhetorics and style, narrative and performance and, innovatively, ethics, while also shedding light on the interconnections with other biographical screen forms through a rich corpus. This is an essential critical study that vindicates television drama’s unique place in the histories and practices of screen biography.” -Belén Vidal, Senior Lecturer in Film Studies at King’s College London and co-editor of The Biopic in Contemporary Film Culture This book explores what happens when biography and television meet, in a novel fusion of the two fields of study. Andrews compares core concepts in biography and television studies such as intimacy, the presentation of the self and the uneasy relationship between fact and fiction. The book examines biographical drama’s generic hybridity, accounting for the influence of the film biopic, docudrama, melodrama and period drama. It discusses biographical television drama’s representation of real lives in terms of visual style, performance and self-reflexivity. Andrews also assesses how life stories are shaped for televisual narrative formats and analyses the adaptation process for the biographical drama. Finally, the book considers various kinds of reputation – of the broadcast institution, author, biographical subject – in relation to the ethics of televisual biography.
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1472928660
Category : Reference
Languages : en
Pages : 817
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Book Description
This bestselling guide to all areas of publishing and the media is completely revised and updated every year. The Yearbook is packed with advice, inspiration and practical guidance on who to contact and how to get published. New articles in the 2017 edition on: Stronger together: writers united by Maggie Gee Life writing: telling other people's stories by Duncan Barrett (co-author of the Sunday Times bestseller GI Brides) The how-to of writing 'how-to' books by Kate Harrison (author of the 5:2 Diet titles) Self-publishing Dos and Dont's by Alison Baverstock The Path to a bestseller by Clare Mackintosh (author of the 2015 Let Me Go) Getting your lucky break by Claire McGowan Getting your poetry out there by Neil Astley (MD and Editor at Bloodaxe Books) Selling yourself and your work online by Fig Taylor Then and now: becoming a science fiction and fantasy writer - Aliette de Bodard Writing (spy) fiction - Mick Herron Making waves online - Simon Appleby All articles are reviewed and updated every year. Key articles on Copyright Law, Tax, Publishing Agreements, E-publishing, Publishing news and trends are fully updated every year. Plus over 4,000 listings entries on who to contact and how across the media and publishing worlds In short it is 'Full of useful stuff' - J.K. Rowling Foreword to the 2017 edition by Deborah Levy.
