The Charles Waddell Chesnutt Papers in the [library of The] Western Reserve Historical Society PDF Download
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Author: Charles Waddell Chesnutt
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Languages : en
Pages :
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![The Charles Waddell Chesnutt Papers in the [library of The] Western Reserve Historical Society PDF](https://books.google.com/books/content/images/frontcover/Zt9MtwAACAAJ?fife=w80-h100)
Author: Charles Waddell Chesnutt
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Languages : en
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Author: Charles Waddell Chesnutt
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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![The Charles Waddell Chestnutt Papers in the [library of The] Western Reserve Historical Society PDF](https://books.google.com/books/content/images/frontcover/qqS80AEACAAJ?fife=w80-h100)
Author: Charles Waddell Chesnutt
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ISBN:
Category :
Languages : en
Pages : 0
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Author: Charles Waddell Chesnutt
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Author: William L. Andrews
Publisher: LSU Press
ISBN: 9780807124529
Category : Literary Criticism
Languages : en
Pages : 316
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The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.” Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt’s most autobiographical novel, evokes the world of “bright mulatto” caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation’s moral progress. Andrews argues that “along with Cable in The Grandissimes and Mark Twain in Pudd’nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history.” Although Chesnutt’s career suffered setback and though he was faced with compromises he consistently saw America’s race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author’s times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt’s works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.
Author: Charles Waddell Chesnutt
Publisher:
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Category :
Languages : en
Pages :
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Author: Sarah Gleeson-White
Publisher: Oxford University Press
ISBN: 0197558089
Category : Literary Criticism
Languages : en
Pages : 289
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Silent Film and the Formations of U.S. Literary Culture: Literature in Motion argues that the emergence of motion pictures constituted a defining moment in U.S. literary history. Author Sarah Gleeson-White discovers what happened to literary culture-both popular and higher-brow—when inserted into the spectacular world of motion pictures during the early decades of the twentieth century. How did literary culture respond to, and how was it altered by, the development of motion pictures, literature's exemplar and rival in narrative realism and enthrallment? Gleeson-White draws on extensive archival film and literary materials, and unearths a range of collaborative, cross-media expressive and industrial practices to reveal the manifold ways in which early-twentieth-century literary culture sought both to harness and temper the reach of motion pictures.
Author: George B. Stauffer
Publisher: Oxford University Press
ISBN: 0197558054
Category : Art
Languages : en
Pages : 289
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Author: Joseph R. McElrath, Jr.
Publisher: Stanford University Press
ISBN: 9780804744324
Category : Literary Collections
Languages : en
Pages : 644
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Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Author: Elizabeth McHenry
Publisher: Duke University Press
ISBN: 0822384140
Category : Literary Criticism
Languages : en
Pages : 441
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Book Description
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded. Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women’s clubs—which flourished during the 1890s—encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey’s book club.
