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Author: Georges Simenon
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Georges Simenon
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Robert Miklitsch
Publisher: University of Illinois Press
ISBN: 0252052498
Category : Performing Arts
Languages : en
Pages : 411
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Book Description
In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers. With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean’s Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective, the family as a locus of dissension and rapport, the real-world roots of the heist picture, and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life.
Author: Geoff Mayer
Publisher: Bloomsbury Publishing USA
ISBN: 031303866X
Category : Performing Arts
Languages : en
Pages : 494
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Book Description
When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in The Maltese Falcon, the film based on the book by Dashiell Hammett. Yet film noir is a genre much richer. The authors first examine the debate surrounding the parameters of the genre and the many different ways it is defined. They discuss the Noir City, its setting and backdrop, and also the cultural (WWII) and institutional (the House UnAmerican Activities Committee, and the Production Code Administration) influences on the subgenres. An analysis of the low budget and series film noirs provides information on those cult classics. With over 200 entries on films, directors, and actors, the Encyclopedia of Film Noir is the most complete resource for film fans, students, and scholars.
Author: Jack Shadoian
Publisher: Oxford University Press
ISBN: 0199881707
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.
Author: Lee Grieveson
Publisher: Rutgers University Press
ISBN: 9780813535579
Category : Language Arts & Disciplines
Languages : en
Pages : 328
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Book Description
Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.
Author: Gene Blottner
Publisher: McFarland
ISBN: 1476617619
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
This filmography covers Columbia Pictures' noir titles released in the classic noir era, October 1940 to June 1962. All sub-genres are covered including British, western and science fiction. Included are the great Columbia films Gilda, Lady from Shanghai, All the Kings Men, In a Lonely Place, On the Waterfront, Anatomy of a Murder and Experiment in Terror. The films are examined in detail, with release dates, cast and production credits, production dates, synopses, reviews, notes and commentary on each film, the author's summation and the publicity "tag lines."
Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1487510470
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
Author: Oscar Hijuelos
Publisher: Grand Central Publishing
ISBN: 1538740621
Category : Fiction
Languages : en
Pages : 445
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Book Description
When it was first published in 1989, The Mambo Kings Play Songs of Love became an international bestselling sensation, winning rave reviews and the Pulitzer Prize for Fiction. To celebrate its 20th anniversary, the Pulitzer Prize-winning novel that changed the landscape of American literature returns with a new afterword by Oscar Hijuelos. Here is the story of the memorable Castillo brothers, from Havana to New York's Upper West Side. The lovelorn songwriter Nestor and his macho brother Cesar find success in the city's dance halls and beyond playing the rhythms that earn them their band's name, as they struggle with elusive fame and lost love in a richly sensual tale that has become a cultural touchstone and an enduring favorite.
Author: Alan Goble
Publisher: Walter de Gruyter
ISBN: 3110951940
Category : Literary Criticism
Languages : en
Pages : 1044
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Book Description
Author: Andrew Spicer
Publisher: Routledge
ISBN: 1317875028
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
