The Borghese Collections and the Display of Art in the Age of the Grand Tour PDF Download
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Author: Carole Paul
Publisher: Routledge
ISBN: 1351545922
Category : Art
Languages : en
Pages : 359
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Book Description
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.
Author: Carole Paul
Publisher: Routledge
ISBN: 1351545922
Category : Art
Languages : en
Pages : 359
Get Book Here
Book Description
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.
Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 466
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Book Description
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606062980
Category : Art
Languages : en
Pages : 388
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Book Description
This book explores the principles of the display of art in the magnificent Roman palaces of the early modern period, focusing attention on how the parts function to convey multiple artistic, social, and political messages, all within a splendid environment that provided a model for aristocratic residences throughout Europe. Many of the objects exhibited in museums today once graced the interior of a Roman Baroque palazzo or a setting inspired by one. In fact, the very convention of a paintings gallery— the mainstay of museums—traces its ancestry to prototypes in the palaces of Rome. Inside Roman palaces, the display of art was calibrated to an increasingly accentuated dynamism of social and official life, activated by the moving bodies and the attention of residents and visitors. Display unfolded in space in a purposeful narrative that reflected rank, honor, privilege, and intimacy. With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the influential emerging concept of a unified interior. It argues that art history—even the emergence of the modern category of fine art—was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.
Author: José Pijoán
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 736
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Book Description
Author: Thierry Lenain
Publisher: Reaktion Books
ISBN: 1861899599
Category : Art
Languages : en
Pages : 386
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Book Description
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.
Author: Joanne Morra
Publisher: Taylor & Francis
ISBN: 9780415326452
Category : Art and society
Languages : en
Pages : 482
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Book Description
These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.
Author:
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596
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Book Description
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.
Author: Alba della Fazia Amoia
Publisher: Ed. di Storia e Letteratura
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: John Murray (Firm)
Publisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 742
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Book Description
Author: Henry P. Traverso, PhD
Publisher: iUniverse
ISBN: 1475990898
Category : Art
Languages : en
Pages : 900
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Book Description
Art lovers are passionate seekers, but locating the works of the great masters can often present a challenge. In The Art Lover’s Pocket Guide, author Dr. Henry P. Traverso offers a guide to locating the works of the most popular and well-known Western visual artists worldwide. Featuring diverse artists such as Joseph Albers, Picasso, Monet, Francisco de Zurbaran, and a host of others, this comprehensive handbook provides essential biographical information and historical context for more than 250 visual artists. It follows with an orderly list of each artist’s works and where those works are located throughout the world, including museums, galleries, churches, monasteries, athenaeums, universities, parks, and libraries in the United States, Canada, and Europe. Both an easy-to-search database and a crash course in art history, The Art Lover’s Pocket Guide provides an enhanced understanding of the arts along with the tools needed to plan an art history trip and to better navigate museums.
