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Author: Michael Kennedy
Publisher: Lulu.com
ISBN: 1105997766
Category : Biography & Autobiography
Languages : en
Pages : 106
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Book Description
The Kennedy's the first act to be sent home in the third round of Britain's Got Talent 2009. In fact, the first act to be shown on film leaving the room of the grand staircase in Lancaster House. The Kennedy's the act; Michael, Emily, Joseph and Adam. We sang Panis Angelicus and were judged by Simon Cowell Piers Morgan Kelly Brook and Amanda Holden. This is an autobiographical account of his singing life up to press. winner of Wharfedale Music festival operatic solo class, Skipton Music festival tenor class has played many cameo roles in opera and shows. Ten times winner of the Queens Hotel talent competition in Blackpool. He has performed the tenor roles in the oratorios Messiah (Handel) the Crucifixion (Stainer) and Magnificat (Pergolesi). Michael has also gained popularity on the internet and many recorded examples exist on sites all over the cyber world. Notably he is also featured on the URDB website smashing all sorts of singing records.
Author: Michael Kennedy
Publisher: Lulu.com
ISBN: 1105997766
Category : Biography & Autobiography
Languages : en
Pages : 106
Get Book Here
Book Description
The Kennedy's the first act to be sent home in the third round of Britain's Got Talent 2009. In fact, the first act to be shown on film leaving the room of the grand staircase in Lancaster House. The Kennedy's the act; Michael, Emily, Joseph and Adam. We sang Panis Angelicus and were judged by Simon Cowell Piers Morgan Kelly Brook and Amanda Holden. This is an autobiographical account of his singing life up to press. winner of Wharfedale Music festival operatic solo class, Skipton Music festival tenor class has played many cameo roles in opera and shows. Ten times winner of the Queens Hotel talent competition in Blackpool. He has performed the tenor roles in the oratorios Messiah (Handel) the Crucifixion (Stainer) and Magnificat (Pergolesi). Michael has also gained popularity on the internet and many recorded examples exist on sites all over the cyber world. Notably he is also featured on the URDB website smashing all sorts of singing records.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 1226
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Book Description
Author: Charlene Regester
Publisher: Univ. Press of Mississippi
ISBN: 1496848861
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil’s Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1947), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Author: Lewis L. Gould
Publisher: University Press of Kansas
ISBN: 0700617310
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
In this fascinating study, Lewis L. Gould has brought a shadowy first lady into the light and restored her to a rightful place as a patron of music. Helen Herron Taft came to the White House intent on establishing Washington, D.C., as the nation's cultural capital. A stroke in May 1909 made her a semi-invalid, impaired her speech, and disrupted her agenda. Historians have written her off as a shrewish figure who pushed her portly husband into the presidency. Gould challenges this outdated narrative with new information on Helen Taft's campaign to bring the best of classical music to the White House during her four years. He draws on prodigious research about the musicians who performed there-including violinist Fritz Kreisler, pianist Fannie Bloomfield-Zeisler, and contralto Ernestine Schumann-Heink, and reveals for the first time how Nellie Taft enlisted a diverse array of top-notch artists for her musicales, recitals, and social events. The result is a major contribution to a better understanding of the White House as a cultural center at the turn of the last century. Beyond her musical agenda, Helen Taft enhanced the appearance of Washington with the planting of the cherry trees from Japan that now bloom each spring. Gould also delves with insight into Mrs. Taft's role in the politics of her husband's administration. He provides the most complete recounting into her part in the dismissal of Henry White as ambassador to France, a key moment in the emergence of her husband's split with Theodore Roosevelt. He discusses the nature of her stroke, based on letters from her husband and her doctors, and reveals how Mrs. Taft, her daughter Helen, and the journalist Eleanor Egan crafted the first ever memoir of any first lady. Drawing on memoirs and manuscripts not used before, Gould re-creates memorable occasions at the Taft White House, when dramatist Ruth Draper delivered her monologues, Charles Coburn staged Shakespeare on the White House lawn, and Lady Augusta Gregory of the Irish Players dropped by. Gould's path-breaking study of Helen Taft is a significant addition to the literature on first ladies and a tribute to a complex and brave woman who overcame illness and adversity to leave her own special imprint on the history of the White House.
Author: Corinne J. Naden
Publisher: Scarecrow Press
ISBN: 0810877341
Category : Music
Languages : en
Pages : 275
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Book Description
The Golden Age of American Musical Theatre provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever. Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
Author: Yiu Fai Chow
Publisher: Springer Nature
ISBN: 9819967104
Category :
Languages : en
Pages : 244
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Book Description
Author: Terry Rowan
Publisher: Lulu.com
ISBN: 1300418583
Category : Performing Arts
Languages : en
Pages : 474
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Book Description
A comprehensive film guide featuring films and television shows of the great American western. The stories of the men and women who tamed the old West. Also featuring actors and directors who made these films possible.
Author: Stephen R. Duncan
Publisher: JHU Press
ISBN: 142142634X
Category : Social Science
Languages : en
Pages : 347
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Book Description
An account of how the subterranean nightspots in 1950s New York and San Francisco became social, cultural, and political hothouses for left-wing bohemians. The art and antics of rebellious figures in 1950s American nightlife—from the Beat Generation to eccentric jazz musicians and comedians—have long fascinated fans and scholars alike. In The Rebel Café, Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness. This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, The Rebel Café profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics. “What emerges in these pages is nothing less than a comprehensive psycho-social geography of an underground counter-culture of black and white jazz musicians, leftists, poets, artists, beatniks, gays and lesbians and other people of the demi-monde.” —All About Jazz
Author: Toby Thacker
Publisher: Routledge
ISBN: 1351557823
Category : Music
Languages : en
Pages : 339
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Book Description
The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time. While emphasizing political, economic and broader social structures that influenced the production and reception of different musical forms, the book is informed by a sense of human agency, and explores the role of salient individuals in the reconstruction of music in post-war Germany. The focus is not restricted to any one kind of music, but concentrates on those aspects of music, professional and amateur, live and recorded, which appeared to be the mostly highly charged politically to contemporaries. Particular attention is given to 'denazification' and to the introduction of international music. Thacker traces the development of a divide between Communist and liberal-democratic understandings of the place of music in society. The contested celebrations of the Bach Year in 1950 are used to highlight the role of music in the broader cultural confrontation between East and West. Thacker examines the ways in which central governments in East and West Germany sought to control and influence music through mechanisms of censorship and positive support. The book will therefore be of interest not only
Author: James Rhodes
Publisher: Bloomsbury Publishing USA
ISBN: 1632866986
Category : Biography & Autobiography
Languages : en
Pages : 226
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Book Description
"An intense, eloquent, and appropriately furious memoir with the transporting beauty of classical music . . . The cumulative effect of the literary concert [Rhodes] gives in these pages is transcendence, both for him and for the reader." --Los Angeles Review of Books “A mesmeric combination of vivid, keen, obsessive precision and raw, urgent energy.” --Zoe Williams, The Guardian James Rhodes's passion for music has been his lifeline--the thread that has held through a life encompassing abuse and turmoil. But whether listening to Rachmaninov on a loop as a traumatized teenager or discovering a Bach adagio while in a hospital ward, he survived his demons by encounters with musical miracles. These--along with a chance encounter with a stranger--inspired him to become the renowned concert pianist he is today. Instrumental is a memoir like no other: unapologetically candid, boldly outspoken, and surprisingly funny--shot through with a mordant wit, even in its darkest moments. A feature film adaptation of Rhodes's incredible story is now in development from Monumental Pictures and BBC Films, following a competitive bidding war involving major U.S. and U.K. companies. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.
