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Author: John Barrell
Publisher: MacMillan Publishing Company
ISBN:
Category : History
Languages : en
Pages : 294
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Book Description
This book brings together many of John Barrell's essays - some written especially for this volume - on the history and politics of culture in eighteenth-century Britain. It addresses a wide range of cultural practices - painting, sculpture, poetry, the law, the division of labour - discussing them in relation to such issues as sexuality, the body and representation and the distinction between public and private. The Birth of Pandora will interest all those involved with or interested in cultural history and cultural studies.
Author: John Barrell
Publisher: MacMillan Publishing Company
ISBN:
Category : History
Languages : en
Pages : 294
Get Book Here
Book Description
This book brings together many of John Barrell's essays - some written especially for this volume - on the history and politics of culture in eighteenth-century Britain. It addresses a wide range of cultural practices - painting, sculpture, poetry, the law, the division of labour - discussing them in relation to such issues as sexuality, the body and representation and the distinction between public and private. The Birth of Pandora will interest all those involved with or interested in cultural history and cultural studies.
Author: John Barrell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
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Book Description
"John Barrell's writings on the history and politics of culture in eighteenth-century Britain address an unusually wide range of cultural practices--painting, sculpture, poetry, the law, the division of labor. In The Birth of Pandora, Barrell discusses these in terms of the major discursive conflicts of the century and in relation to such issues as sexuality, the body and representation, and the distinction between public and private." "Barrell's topics here range from Thomas Rowlandson's comic representations of the rural poor to a sentence of interminable length in a text by William Collins; from the ability to understand the composition of landscape as a metaphor for the ability to understand the public interest to the proper way of representing Venus, image of all that the citizen should both reject and admire. In a piece appearing here for the first time, Barrell examines the famous treason trials of 1794 and the conflict they reveal between written legal codes and the common law; in the long title essay, also new to this volume, he brilliantly discusses the problems raised that the representation of the body by the theory of the division of labor, by the Western discovery of Hindu art, and the question of equal difference in the context of the French Revolution." "The individual chapters in The Birth of Pandora "continually return to one question in particular," notes Barrell, " a question about the nature of knowledge and of representation in a society which is (or which is represented as) a distinctively commercial one."" "The Birth of Pandora will be of value to historians, literary critics, historians of art, and all those with an interest in cultural history and cultural studies."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Paul Magnuson
Publisher: Princeton University Press
ISBN: 9780691057941
Category : History
Languages : en
Pages : 244
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Book Description
According to Magnuson, "reading locations" means reading the writing that surrounds a poem, the "paratext" or "frame" of the esthetic boundary. In their particular locations in the public discourse, romantic poems are illocutionary speech acts that take a stand on public issues and legitimate their authors both as public characters and as writers.
Author: Paula R. Backscheider
Publisher: John Wiley & Sons
ISBN: 1405154500
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature
Author: Mary Poovey
Publisher: University of Chicago Press
ISBN: 0226675181
Category : Social Science
Languages : en
Pages : 446
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Book Description
How did the fact become modernity's most favored unit of knowledge? How did description come to seem separable from theory in the precursors of economics and the social sciences? Mary Poovey explores these questions in A History of the Modern Fact, ranging across an astonishing array of texts and ideas from the publication of the first British manual on double-entry bookkeeping in 1588 to the institutionalization of statistics in the 1830s. She shows how the production of systematic knowledge from descriptions of observed particulars influenced government, how numerical representation became the privileged vehicle for generating useful facts, and how belief—whether figured as credit, credibility, or credulity—remained essential to the production of knowledge. Illuminating the epistemological conditions that have made modern social and economic knowledge possible, A History of the Modern Fact provides important contributions to the history of political thought, economics, science, and philosophy, as well as to literary and cultural criticism.
Author: Hannah Moss
Publisher: Edinburgh University Press
ISBN: 1399500422
Category :
Languages : en
Pages : 609
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Book Description
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
Author: Helen Slaney
Publisher: Bloomsbury Publishing
ISBN: 1350144045
Category : Art
Languages : en
Pages : 274
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Book Description
This book argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture – ruins, sculpture, and artefacts – formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asa Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis. The sense typically associated with the Enlightenment is vision, but this has obscured the equally important contribution made by touch and movement to the way in which a newly materialised Graeco-Roman world was perceived. Kinaesthesia, or the sense of self-movement, is rarely recognised in its own right, but because all encounters with sites and objects are embodied, and all embodiment takes place in motion, this sense is vital to forming more abstract or imaginative impressions. Theories of embodied cognition propose that all intellectual processes are also physical. This book shows how ideas about classical antiquity in the volatile milieu of the late 18th century developed as a result of diverse kinaesthetic relationships.
Author: Gordon Fyfe
Publisher: A&C Black
ISBN: 0567151980
Category : Art
Languages : en
Pages : 224
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Book Description
Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.
Author: Robin Valenza
Publisher: Cambridge University Press
ISBN: 0521767024
Category : History
Languages : en
Pages : 251
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Book Description
A literary account of how the modern divide between the sciences and the humanities emerged in the eighteenth century.
Author: Trevor Thornton Ross
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773520806
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon-formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved. It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon- formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved.
