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Author: David K. Ryden
Publisher: Lexington Books
ISBN: 0739150618
Category : Political Science
Languages : en
Pages : 301
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Book Description
The political emergence of evangelical Christians has been a signal development in America in the past quarter century. And while their voting tendencies have been closely scrutinized, their participation in the policy debates of the day has not. They continue to be caricatured as anti-intellectual Bible thumpers whose views are devoid of reason, logic, or empirical evidence. They're seen as lemmings, following the cues of Dobson and Robertson and marching in lock step with the Republican party on the 'culture wars' issues of abortion, gay rights, and guns. Is The Good Book Good Enough? remedies the neglect of this highly influential group, which makes up as much as a third of the American public. It offers a carefully nuanced and comprehensive portrait of evangelical attitudes on a wide range of policies and their theological underpinnings. Each essay applies an evangelical lens to a contemporary issue - environmentalism, immigration, family and same-sex marriage, race relations, global human rights, foreign policy and national security, social welfare and poverty, and economic policy. The result thoroughly enriches our understanding of evangelicalism as a prism through which many view a wide range of policy debates.
Author: David K. Ryden
Publisher: Lexington Books
ISBN: 0739150618
Category : Political Science
Languages : en
Pages : 301
Get Book Here
Book Description
The political emergence of evangelical Christians has been a signal development in America in the past quarter century. And while their voting tendencies have been closely scrutinized, their participation in the policy debates of the day has not. They continue to be caricatured as anti-intellectual Bible thumpers whose views are devoid of reason, logic, or empirical evidence. They're seen as lemmings, following the cues of Dobson and Robertson and marching in lock step with the Republican party on the 'culture wars' issues of abortion, gay rights, and guns. Is The Good Book Good Enough? remedies the neglect of this highly influential group, which makes up as much as a third of the American public. It offers a carefully nuanced and comprehensive portrait of evangelical attitudes on a wide range of policies and their theological underpinnings. Each essay applies an evangelical lens to a contemporary issue - environmentalism, immigration, family and same-sex marriage, race relations, global human rights, foreign policy and national security, social welfare and poverty, and economic policy. The result thoroughly enriches our understanding of evangelicalism as a prism through which many view a wide range of policy debates.
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Languages : en
Pages : 706
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Author: George Manners
Publisher:
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Category : Periodicals, English
Languages : en
Pages : 578
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Category : Architecture
Languages : en
Pages : 864
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Author: John Britton
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 862
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Book Description
Author: University of Illinois at Urbana-Champaign. Library. Rare Book Room
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Category : Rare books
Languages : en
Pages : 818
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Languages : en
Pages : 616
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Book Description
Author: Kristin Kobes Du Mez
Publisher: Liveright Publishing
ISBN: 1631495747
Category : History
Languages : en
Pages : 384
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Book Description
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
Author: Susan P. Shames
Publisher: Colonial Williamsburg
ISBN: 0879352434
Category : History
Languages : en
Pages : 82
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Book Description
A centerpiece of Colonial Williamsburg's folk art collection since the 1930's, The Old Plantation has long intrigued art enthusiasts, historians, and the general public. This eighteenth-century watercolor, which has been widely reproduced in textbooks and scholarly publications, has been a valuable tool for those studying slave life, music, dance, and society, as well as those interested in the genesis of folk art in America. Though extensively analyzed and interpreted, The Old Plantation has remained a mystery. Until Now... This fascinating publication unlocks one of the great mysteries of American decorative arts, revealing not only the career of the painter, but the lives of the unnamed slaves in the images as well.
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Languages : en
Pages : 1068
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