Author: Rud Istvan
Publisher: Strategic Book Publishing
ISBN: 1609112989
Category : Mathematics
Languages : en
Pages : 305
Book Description
This book is a primer on critical thinking. Without it, the Internet is only a misinformation highway. The dark arts of untruthfulness are ubiquitous in 'official' information. The general techniques used to distort or misrepresent truth are conceptually explored, illustrated by dozens of examples covering a wide range of subjects. Does classroom size reduction improve education? Can tight oil shale provide US petroleum independence? Are eggs unhealthy? Does the Chevy Volt really get 60mpg-e? Is global warming a hoax or a crisis? The many thought provoking examples are entertaining as well as enlightening.
The Arts of Truth
Author: Rud Istvan
Publisher: Strategic Book Publishing
ISBN: 1609112989
Category : Mathematics
Languages : en
Pages : 305
Book Description
This book is a primer on critical thinking. Without it, the Internet is only a misinformation highway. The dark arts of untruthfulness are ubiquitous in 'official' information. The general techniques used to distort or misrepresent truth are conceptually explored, illustrated by dozens of examples covering a wide range of subjects. Does classroom size reduction improve education? Can tight oil shale provide US petroleum independence? Are eggs unhealthy? Does the Chevy Volt really get 60mpg-e? Is global warming a hoax or a crisis? The many thought provoking examples are entertaining as well as enlightening.
Publisher: Strategic Book Publishing
ISBN: 1609112989
Category : Mathematics
Languages : en
Pages : 305
Book Description
This book is a primer on critical thinking. Without it, the Internet is only a misinformation highway. The dark arts of untruthfulness are ubiquitous in 'official' information. The general techniques used to distort or misrepresent truth are conceptually explored, illustrated by dozens of examples covering a wide range of subjects. Does classroom size reduction improve education? Can tight oil shale provide US petroleum independence? Are eggs unhealthy? Does the Chevy Volt really get 60mpg-e? Is global warming a hoax or a crisis? The many thought provoking examples are entertaining as well as enlightening.
Picasso and Truth
Author: T. J. Clark
Publisher: Princeton University Press
ISBN: 0691157413
Category : Art
Languages : en
Pages : 342
Book Description
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
Publisher: Princeton University Press
ISBN: 0691157413
Category : Art
Languages : en
Pages : 342
Book Description
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
The Lure and the Truth of Painting
Author: Yves Bonnefoy
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
A Poetics of Orthodoxy
Author: Benjamin P. Myers
Publisher: Wipf and Stock Publishers
ISBN: 1532695489
Category : Poetry
Languages : en
Pages : 120
Book Description
What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that "beauty is in the eye of the beholder." This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.
Publisher: Wipf and Stock Publishers
ISBN: 1532695489
Category : Poetry
Languages : en
Pages : 120
Book Description
What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that "beauty is in the eye of the beholder." This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.
Math Art
Author: Stephen Ornes
Publisher: Sterling New York
ISBN: 9781454930440
Category : MATHEMATICS
Languages : en
Pages : 0
Book Description
The worlds of visual art and mathematics beautifully unite in this spectacular volume by award-winning writer Stephen Ornes. He explores the growing sensation of math art, presenting such pieces as a colorful crocheted representation of non-Euclidian geometry that looks like sea coral and a 65-ton, 28-foot-tall bronze sculpture covered in a space-filling curve. We learn the artist's story for every work, plus the mathematical concepts and equations behind the art.
Publisher: Sterling New York
ISBN: 9781454930440
Category : MATHEMATICS
Languages : en
Pages : 0
Book Description
The worlds of visual art and mathematics beautifully unite in this spectacular volume by award-winning writer Stephen Ornes. He explores the growing sensation of math art, presenting such pieces as a colorful crocheted representation of non-Euclidian geometry that looks like sea coral and a 65-ton, 28-foot-tall bronze sculpture covered in a space-filling curve. We learn the artist's story for every work, plus the mathematical concepts and equations behind the art.
A Forest of Symbols
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Truth is Concrete
Author: Florian Malzacher
Publisher:
ISBN: 9783943365849
Category : Art
Languages : en
Pages : 335
Book Description
X93;Truth is concrete” collects 100 strategies by artists, activists and theorists, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures and modalities behind the many fights to make this world a better place.
Publisher:
ISBN: 9783943365849
Category : Art
Languages : en
Pages : 335
Book Description
X93;Truth is concrete” collects 100 strategies by artists, activists and theorists, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures and modalities behind the many fights to make this world a better place.
Inventing Falsehood, Making Truth
Author: Malcolm Bull
Publisher: Princeton University Press
ISBN: 0691138842
Category : Art
Languages : en
Pages : 160
Book Description
How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.
Publisher: Princeton University Press
ISBN: 0691138842
Category : Art
Languages : en
Pages : 160
Book Description
How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.
The Christian, the Arts, and Truth
Author: Frank E. Gaebelein
Publisher: Multnomah
ISBN: 9780880703055
Category : Religion
Languages : en
Pages : 270
Book Description
Publisher: Multnomah
ISBN: 9780880703055
Category : Religion
Languages : en
Pages : 270
Book Description
Truth Bomb
Author: Abigail Crompton
Publisher: Thames & Hudson
ISBN: 9781760760274
Category : Art
Languages : en
Pages : 0
Book Description
If anyone can teach us how to pursue the life and work of an artist, it is the artists in Truth Bomb. This compilation of pioneering and established women artists from around the world will motivate and empower you, challenge you to find solace in the shared human experiences of birth, death, love, anger, joy, sadness. Their sassiness will fire your spirit. Truth Bomb offers the very best commentary and insight into the incredible formation of diverse women artists while uncovering the power of taking a chance, pushing the envelope and ultimately not being shy when it comes to making a mark. It is a magical visual mash-up of images, memoirs, moments, interviews and inspirational beginnings as told by twenty-two leading women artists, including Beci Orpin, Mickalene Thomas, Kaylene Whiskey and Judy Chicago. Truth Bomb is an ode to art and artists and an attempt to decipher the mystery of creativity.
Publisher: Thames & Hudson
ISBN: 9781760760274
Category : Art
Languages : en
Pages : 0
Book Description
If anyone can teach us how to pursue the life and work of an artist, it is the artists in Truth Bomb. This compilation of pioneering and established women artists from around the world will motivate and empower you, challenge you to find solace in the shared human experiences of birth, death, love, anger, joy, sadness. Their sassiness will fire your spirit. Truth Bomb offers the very best commentary and insight into the incredible formation of diverse women artists while uncovering the power of taking a chance, pushing the envelope and ultimately not being shy when it comes to making a mark. It is a magical visual mash-up of images, memoirs, moments, interviews and inspirational beginnings as told by twenty-two leading women artists, including Beci Orpin, Mickalene Thomas, Kaylene Whiskey and Judy Chicago. Truth Bomb is an ode to art and artists and an attempt to decipher the mystery of creativity.