Author: Kalman P. Bland
Publisher: Princeton University Press
ISBN: 1400823579
Category : Religion
Languages : en
Pages : 244
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Book Description
Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy.
Author: Margaret Rose Olin
Publisher: U of Nebraska Press
ISBN: 9780803235649
Category : Art
Languages : en
Pages : 320
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Book Description
"Case studies explore the Bezalel School of Arts and Crafts in Jerusalem, whose efforts to use art to create a Jewish nationality in Palestine raise important issues of national identity, and the discovery in 1932 of the third-century Synagogue of Dura Europos, a symbol for scholars struggling against the Third Reich. Among those who supported or challenged concepts of Jewish art, Margaret Olin considers the nineteenth-century rabbinical scholar David Kaufmann, the philosopher Martin Buber, the critic Clement Greenberg, and the filmmaker Chantal Akerman.
Author: Joseph Shatzmiller
Publisher: Princeton University Press
ISBN: 0691176183
Category : History
Languages : en
Pages : 203
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Book Description
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
Author: Lenn E. Goodman
Publisher: Oxford University Press
ISBN: 0195328825
Category : Philosophy
Languages : en
Pages : 250
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Book Description
In this book, Lenn E. Goodman writes about the commandment to "love thy neighbor as thyself" from the standpoint of Judaism, a topic and perspective that have not often been joined before. Goodman addresses two big questions: What does that command ask of us? and what is its basis? Drawing extensively on Jewish sources, both biblical and rabbinic, he fleshes out the cultural context and historical shape taken on by this Levitical commandment. In so doing, he restores the richness of its material content to this core articulation of our moral obligations, which often threatens to sink into vacuity as a mere nostrum or rhetorical formula.Goodman argues against the notion that we have this obligation simply because God demands it -- a position that too readily makes ethics seem arbitrary, relativistic, dogmatic, authoritarian, contingent or just unpalatable. Rather he proposes that we learn much about how we ought to think about God from what we know about morals. He shows that natural reasoning and appeals to scripture, tradition, and revelation reinforce one another in ethical deliberation. For Goodman, ethics and theology are not worlds apart connected only by a kind of narrow one-way passage; the two realms of discourse can and should inform each other.Engaging the philosophers, including Aristotle, Spinoza, and Kant, and assembling three-thousand years worth of Jewish textual masterpieces, Goodman skillfully weaves his Gifford Lectures, which he delivered in 2005, into an indispensable work.
Author: Hannah Ewence
Publisher: Routledge
ISBN: 1317630289
Category : History
Languages : en
Pages : 352
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Book Description
This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.
Author: David Nirenberg
Publisher: Brandeis University Press
ISBN: 1611687799
Category : Religion
Languages : en
Pages : 255
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Book Description
Through most of Western European history, Jews have been a numerically tiny or entirely absent minority, but across that history Europeans have nonetheless worried a great deal about Judaism. Why should that be so? This short but powerfully argued book suggests that Christian anxieties about their own transcendent ideals made Judaism an important tool for Christianity, as an apocalyptic religionÑcharacterized by prizing soul over flesh, the spiritual over the literal, the heavenly over the physical worldÑcame to terms with the inescapable importance of body, language, and material things in this world. Nirenberg shows how turning the Jew into a personification of worldly over spiritual concerns, surface over inner meaning, allowed cultures inclined toward transcendence to understand even their most materialistic practices as spiritual. Focusing on art, poetry, and politicsÑthree activities especially condemned as worldly in early Christian cultureÑhe reveals how, over the past two thousand years, these activities nevertheless expanded the potential for their own existence within Christian culture because they were used to represent Judaism. Nirenberg draws on an astonishingly diverse collection of poets, painters, preachers, philosophers, and politicians to reconstruct the roles played by representations of Jewish ÒenemiesÓ in the creation of Western art, culture, and politics, from the ancient world to the present day. This erudite and tightly argued survey of the ways in which Christian cultures have created themselves by thinking about Judaism will appeal to the broadest range of scholars of religion, art, literature, political theory, media theory, and the history of Western civilization more generally.
Author: Ori Z. Soltes
Publisher:
ISBN: 9789004393233
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Ori Z. Soltes considers the emerging and evolving discussion on and the expanding array of practitioners of 'Jewish art' in the past two hundred years--beginning with the issue of defining 'Judaism' and 'Jewish art.'
Author: David Biale
Publisher: Schocken
ISBN: 0307483460
Category : History
Languages : en
Pages : 1234
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Book Description
WITH MORE THAN 100 BLACK-AND-WHITE ILLUSTRATIONS THROUGHOUT Who are “the Jews”? Scattered over much of the world throughout most of their three-thousand-year-old history, are they one people or many? How do they resemble and how do they differ from Jews in other places and times? What have their relationships been to the cultures of their neighbors? To address these and similar questions, twenty-three of the finest scholars of our day—archaeologists, cultural historians, literary critics, art historians , folklorists, and historians of relation, all affiliated with major academic institutions in the United States, Israel, and France—have contributed their insight to Cultures of the Jews. The premise of their endeavor is that although Jews have always had their own autonomous traditions, Jewish identity cannot be considered immutable, the fixed product of either ancient ethnic or religious origins. Rather, it has shifted and assumed new forms in response to the cultural environment in which the Jews have lived. Building their essays on specific cultural artifacts—a poem, a letter, a traveler’s account, a physical object of everyday or ritual use—that were made in the period and locale they study, the contributors describe the cultural interactions among different Jews—from rabbis and scholars to non-elite groups, including women—as well as between Jews and the surrounding non-Jewish world. Part One, “Mediterranean Origins,” describes the concept of the “People” or “Nation” of Israel that emerges in the Hebrew Bible and the culture of the Israelites in relation to that of the Canaanite groups. It goes on to discuss Jewish cultures in the Greco-Roman world, Palestine during the Byzantine period, Babylonia, and Arabia during the formative years of Islam. Part Two, “Diversities of Diaspora,” illuminates Judeo-Arabic culture in the Golden Age of Islam, Sephardic culture as it bloomed first if the Iberian Peninsula and later in Amsterdam, the Jewish-Christian symbiosis in Ashkenazic Europe and in the Polish-Lithuanian Commonwealth, the culture of the Italian Jews of the Renaissance period, and the many strands of folklore, magic, and material culture that run through diaspora Jewish history. Part Three, “Modern Encounters,” examines communities, ways of life, and both high and fold culture in Western, Central, and Eastern Europe, the Ladino Diaspora, North Africa and the Middle East, Ethiopia, Zionist Palestine and the State of Israel, and, finally, the United States. Cultures of the Jews is a landmark, representing the fruits of the present generation of scholars in Jewish studies and offering a new foundation upon which all future research into Jewish history will be based. Its unprecedented interdisciplinary approach will resonate widely among general readers and the scholarly community, both Jewish and non-Jewish, and it will change the terms of the never-ending debate over what constitutes Jewish identity.
Author: Kerri P. Steinberg
Publisher: Rutgers University Press
ISBN: 0813573874
Category : Social Science
Languages : en
Pages : 357
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Book Description
It is easy to dismiss advertising as simply the background chatter of modern life, often annoying, sometimes hilarious, and ultimately meaningless. But Kerri P. Steinberg argues that a careful study of the history of advertising can reveal a wealth of insight into a culture. In Jewish Mad Men, Steinberg looks specifically at how advertising helped shape the evolution of American Jewish life and culture over the past one hundred years. Drawing on case studies of famous advertising campaigns—from Levy’s Rye Bread (“You don’t have to be Jewish to love Levy’s”) to Hebrew National hot dogs (“We answer to a higher authority”)—Steinberg examines advertisements from the late nineteenth-century in New York, the center of advertising in the United States, to trace changes in Jewish life there and across the entire country. She looks at ads aimed at the immigrant population, at suburbanites in midcentury, and at hipster and post-denominational Jews today. In addition to discussing campaigns for everything from Manischewitz wine to matzoh, Jewish Mad Men also portrays the legendary Jewish figures in advertising—like Albert Lasker and Bill Bernbach—and lesser known “Mad Men” like Joseph Jacobs, whose pioneering agency created the brilliantly successful Maxwell House Coffee Haggadah. Throughout, Steinberg uses the lens of advertising to illuminate the Jewish trajectory from outsider to insider, and the related arc of immigration, acculturation, upward mobility, and suburbanization. Anchored in the illustrations, photographs, jingles, and taglines of advertising, Jewish Mad Men features a dozen color advertisements and many black-and-white images. Lively and insightful, this book offers a unique look at both advertising and Jewish life in the United States.
Author: Brandon G. Withrow
Publisher: Wipf and Stock Publishers
ISBN: 162032489X
Category : Religion
Languages : en
Pages : 217
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Book Description
Even casual acquaintances of the Bible know that the Truth shall set you free, but in the pursuit of that Truth in higher education--particularly in Christian or Jewish seminaries--there are often many casualties suffered along the way. What happens when faculty and students at religious academies butt heads with senior staff or dare to question dogmas or sacred cows that the institution cherishes? Consider No Evil examines seminaries affiliated with two faith traditions--Christian and Jewish--and explores the challenges, as well as prospective solutions, confronting those religious academies when they grapple with staying true to their traditions, as they interpret them, while providing an arena that incubates honest and serious scholarship.
